Portræt af John Boultbee

John Boultbee: Katalog over de 21 mest berømte malerier

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 24 værker af John Boultbee i vores katalog

Oversigt

A Bay Horse in a Field (1778) er registreret som John Boultbees mest berømte maleri; det er i Yale Center for British Arts samling i New Haven. Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons (1780) og 'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction (1792) indtager anden- og tredjepladsen. Af de 24 værker af John Boultbee, der er registreret i kataloget, er de 21 mest kendte listet nedenfor, hver med dato, det museum der besidder værket og en note om værket.

1753 – 1812, Derby Flest værker: National Trust

Nummer 1 til 10: de mest berømte John Boultbee malerier

1
A Bay Horse in a Field (1778) af John Boultbee

A Bay Horse in a Field

1778 · Oil On Canvas · Yale Center for British Art, New Haven

A Bay Horse in a Field is an oil on canvas painting by the artist John Boultbee. This work dates to about 1778. The piece is currently held within the Paul Mellon Collection. The subject is a single bay horse situated within a pastoral landscape.

2
Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons (1780) af John Boultbee

Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons

1780 · Oil On Canvas

In this 1780 oil portrait, we find Thomas Boothby Parkyns, depicted during his tenure as a cornet in the 15th Regiment of (Light) Dragoons. He sits poised atop a sturdy brown horse, his figure draped in the distinctive red uniform of his regiment. There is a quiet authority in his posture, a sense of a man accustomed to the saddle and the responsibilities of his rank. He holds a sword,…

3
'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction (1792) af John Boultbee

'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction

1792 · Oil · Shugborough Hall, Stoke-on-Trent

In "'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction" by John Boultbee, a single cow commands the center of a quiet pastoral landscape. The animal rests horizontally across the middle ground, its body turned toward the left as if pausing mid-stride. The composition focuses entirely on this central figure, using the animal's presence to anchor the surrounding scenery. Organic shapes define the scene, from…

4
A Grey Arab Stallion in a Desert Landscape (1790) af John Boultbee

A Grey Arab Stallion in a Desert Landscape

1790 · Oil On Canvas · Yale Center for British Art, New Haven

A Grey Arab Stallion in a Desert Landscape by John Boultbee presents a single white Arabian stallion moving through a desert terrain. The horse occupies the lower left to center foreground, its form set against a rugged, dark brown rocky outcrop that rises on the left side of the composition. Two slender palm trees provide verticality to the scene, breaking the horizontal expanse of the landscape. The background consists of…

5
Robert Bakewell (1791) af John Boultbee

Robert Bakewell

1791 · Oil On Canvas · National Portrait Gallery, London

In this oil painting on canvas, John Boultbee presents us with Robert Bakewell. Created about 1791, the work captures a quiet moment of authority within a pastoral setting. The subject is depicted seated atop a majestic brown horse, his presence commanding yet calm. He is dressed in a brown coat and a black hat, looking directly toward the viewer. This steady gaze establishes an immediate connection, inviting a sense of…

6
Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794 (1803) af John Boultbee

Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794

1803 · Oil · Sherwood Rangers Yeomanry Museum, Nottingham

A man in a red uniform sits atop a white horse in this 1803 oil painting. He holds the reins with one hand, maintaining a steady posture while mounted. The horse is positioned centrally, its white coat contrasting against the darker elements of the composition. To the left, a tree rises from the ground, its branches extending into the frame. Two birds are visible within the scene: one occupies the…

7
An Oak Tree struck by Lightning in Dunham Park (1808) af John Boultbee

An Oak Tree struck by Lightning in Dunham Park

1808 · Oil On Canvas · Dunham Massey Hall

In this work, An Oak Tree struck by Lightning in Dunham Park, John Boultbee captures a moment of profound natural disruption. Painted about 1808, the scene focuses on the aftermath of a violent atmospheric event within the confines of Dunham Park. The central subject is a singular oak tree, its trunk split and shattered by the force of a lightning strike. This sudden fracture creates a stark, pale focal point…

8
A Bay Hunter Named 'Sir Oliver' (1808) af John Boultbee

A Bay Hunter Named 'Sir Oliver'

1808 · Oil On Canvas · National Trust, Altrincham

A Bay Hunter Named 'Sir Oliver' is an equestrian study by the English painter John Boultbee. Created about 1808, the work belongs to a period when Boultbee was establishing his reputation for capturing the specific anatomy and movement of horses. The piece focuses on a single subject, prioritizing the physical presence of the animal within its natural environment.

9
An Oak Tree struck by Lightning in Dunham Park (1808) af John Boultbee

An Oak Tree struck by Lightning in Dunham Park

1808 · Oil · National Trust, Altrincham

A singular oak tree dominates the composition, its skeletal branches stripped of foliage by a sudden celestial strike. The wood appears charred and lifeless, a stark silhouette against the surrounding forest. Nearby, the sheer force of the lightning has toppled other trees, leaving them sprawled across a floor of dirt and grass. This scene captures a moment of profound disruption within the quietude of Dunham Park.

John Boultbee, yderligere resultater: 11 til 21

John Boultbee: værker efter periode

Hovedmotiver i værkerne af John Boultbee

De fire motiver, der er hyppigst repræsenteret i disse værker, hver med sit mest kendte eksempel.

John Boultbee: museer med værker

De 8 museer, der rummer flest af malerierne på denne side.

Museum By Værker af John Boultbee Malerier fra denne liste
National Trust, MilfordNational Trust Milford 4 'Garrick' A Bullock, 'Garrick's Sister' A Cow, 'Broken Horned Beauty' A Cow
Yale Center for British Art, New HavenYale Center for British Art New Haven 2 A Bay Horse in a Field, A Grey Arab Stallion in a Desert Landscape
Shugborough Hall, Stoke-on-TrentShugborough Hall Stoke-on-Trent 2 'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction, 'Garrick' A Bullock
National Trust, AltrinchamNational Trust Altrincham 2 A Bay Hunter Named 'Sir Oliver', An Oak Tree struck by Lightning in Dunham Park
National Trust, StockportNational Trust Stockport 2 A Chestnut Horse in a Stable, A Horse and Groom outside a Porch
National Portrait Gallery, LondonNational Portrait Gallery London 1 Robert Bakewell
Sherwood Rangers Yeomanry Museum, NottinghamSherwood Rangers Yeomanry Museum Nottingham 1 Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794
Dunham Massey HallDunham Massey Hall 1 An Oak Tree struck by Lightning in Dunham Park

Årtiets indeks: det vigtigste John Boultbee-maleri fra hvert

Værker per årti

Vælg et årti for at vise dets vigtigste maleri.

Ofte stillede spørgsmål om John Boultbee's malerier

Hvad er John Boultbees mest kendte værk?Vis svaret

A Bay Horse in a Field (1778), Yale Center for British Art, New Haven. De følgende værker er Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons (1780) og 'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction (1792).

Hvor gammel var John Boultbee i året for A Bay Horse in a Field?Vis svaret

25 år: John Boultbee blev født i 1753, og A Bay Horse in a Field er dateret 1778.

Hvad er de ti mest kendte værker af John Boultbee?Vis svaret

A Bay Horse in a Field, Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons, 'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction, A Grey Arab Stallion in a Desert Landscape, Robert Bakewell, Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794, An Oak Tree struck by Lightning in Dunham Park, A Bay Hunter Named 'Sir Oliver', An Oak Tree struck by Lightning in Dunham Park og 'Garrick' A Bullock. Listen ovenfor viser datoen og det museum, der ejer hvert værk.

Hvor mange værker af John Boultbee er registreret i kataloget?Vis svaret

Kataloget indeholder 24 værker af John Boultbee, dateret mellem 1778 og 1808.

Hvor findes de vigtigste værker af John Boultbee?Vis svaret

Primært i National Trust (Milford), Yale Center for British Art (New Haven) og Shugborough Hall (Stoke-on-Trent). Tabellen over museer ovenfor viser den fulde fordeling.

I hvilken periode skabte John Boultbee sine mest kendte værker?Vis svaret

I 1800s: 4 af de 21 værker, der er listet på denne side, er dateret til den periode, herunder Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794.

Hvad er de tidligste og seneste mest kendte værker af John Boultbee?Vis svaret

Det tidligste værk på listen er fra A Bay Horse in a Field (1778); det nyeste er fra An Oak Tree struck by Lightning in Dunham Park (1808).

Hvilke motiver arbejdede John Boultbee oftest med?Vis svaret

Horse (4), Grass (4) og Sky (3) ud af de 21 værker, der er listet på denne side.

Hvilket medie brugte John Boultbee oftest?Vis svaret

Oil On Canvas, i 6 af de 21 værker, der er listet på denne side.

Hvilke malerier af John Boultbee har National Trust i sin samling?Vis svaret

'Garrick' A Bullock, 'Garrick's Sister' A Cow og 'Broken Horned Beauty' A Cow er blandt de 4 værker på denne side i National Trust, Milfords samling.

Biografi om John Boultbee

John Boultbee: A Painter of Horses and British Life

John Boultbee (1753-1812) emerges from the annals of 18th and early 19th-century England as a remarkably versatile artist, primarily celebrated for his captivating equestrian paintings and evocative depictions of rural life. Born in Osgathorpe, Leicestershire, into a family with artistic leanings – his twin brother Thomas also pursued painting – Boultbee’s career unfolded against the backdrop of a rapidly changing Britain, marked by burgeoning commerce, evolving social structures, and a growing appreciation for landscape and sporting subjects. While often overshadowed by more prominent figures of the era, Boultbee's work offers a valuable window into the tastes, customs, and artistic sensibilities of his time.

Early influences undoubtedly stemmed from Sir Joshua Reynolds, whose presidency at the Royal Academy Schools in 1775 provided Boultbee with crucial training. The Academy’s emphasis on classical principles and naturalism shaped his initial style, evident in his early landscape paintings exhibited in 1776. However, Boultbee quickly developed a distinctive approach, particularly when it came to portraying horses – an obsession that would define much of his oeuvre. His fascination with these magnificent animals wasn't merely aesthetic; it reflected the growing importance of equestrian pursuits within British society, from hunting and racing to military displays. The influence of George Stubbs, a pioneering animal painter known for his anatomical accuracy and dynamic compositions, is readily apparent in Boultbee’s later works.

A Royal Patronage and Sporting Subjects

Boultbee's fortunes shifted dramatically with the patronage of King George III. Recognizing the artist’s skill in capturing the grace and power of horses, the monarch commissioned a series of portraits, solidifying Boultbee’s position within the highest echelons of British society. This royal favor afforded him a residence in Windsor Great Park, providing invaluable access to royal stables and allowing him to observe and paint these magnificent animals firsthand. The resulting paintings – often lavishly detailed and imbued with a sense of grandeur – became symbols of royal power and prestige.

Beyond the royal commissions, Boultbee’s artistic interests extended to depicting rural landscapes and sporting scenes. He frequently portrayed hunts, races, and other equestrian events, capturing the energy and excitement of these pursuits. His paintings offer a glimpse into the lives of the landed gentry, showcasing their leisure activities and reflecting the prevailing social values of the time. His depictions of cattle, particularly those commissioned for the Duke of Bedford, demonstrate an understanding of livestock breeds and agricultural practices – a testament to his keen observational skills.

Technique and Style

Boultbee’s artistic style is characterized by a remarkable blend of technical skill and expressive flair. He possessed a deep knowledge of equine anatomy, meticulously rendering the musculature and movement of horses with impressive accuracy. His compositions are often dynamic and engaging, utilizing light and shadow to create a sense of depth and drama. While influenced by classical principles, Boultbee’s work is not overly formal or rigid; rather, it possesses a certain spontaneity and vitality.

His use of color is particularly noteworthy. He favored warm, earthy tones – browns, ochres, and greens – to evoke the natural beauty of the landscapes he depicted. He also employed subtle gradations of light and shadow to create a sense of atmosphere and mood. His later works often exhibit a delicate pinkish hue, possibly influenced by the prevailing fashion for pastel shades.

Legacy and Significance

Despite not achieving widespread fame during his lifetime, John Boultbee’s work has since been recognized as an important contribution to British art history. His equestrian paintings are particularly valued for their technical skill, expressive quality, and historical significance. They offer a unique perspective on the social and cultural landscape of 18th-century Britain, reflecting the importance of horses in both military and sporting contexts.

Today, Boultbee’s paintings can be found in major museums and private collections throughout the United Kingdom. His legacy endures as a testament to his artistic talent and his ability to capture the spirit of his time. The Durham Ox, commissioned by John Day, remains an iconic image of British rural life, embodying the artist's skill and the enduring fascination with horses within British culture.