Portræt af John Mare

Liste over de 3 mest berømte malerier af John Mare

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 3 værker af John Mare i vores katalog

Oversigt

Det mest kendte maleri af John Mare er Dr. Benjamin Youngs Prime (1733-1791) (1774), som er en del af samlingen på New York Historical Society, New York City. De næste indlæg er John Keteltas (1739-1766) (1767) og Jeremiah Platt (1767). Katalogen dokumenterer 3 værker af John Mare; de 3 nedenstående poster er de mest kendte, opført i rangorden med dato, museum og beskrivelse.

1739 – 1803, New York City Flest værker: New York Historical Society

John Mare: de 10 vigtigste malerier

1
Dr. Benjamin Youngs Prime (1733-1791) (1774) af John Mare

Dr. Benjamin Youngs Prime (1733-1791)

1774 · Oil · New York Historical Society, New York City

The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light, creating a sharp contrast against the deep, somber tones of his dark coat. The light strikes one side of his features, leaving the other in a soft, heavy shadow. This chiaroscuro technique carves his presence out of the void. He holds a…

2
John Keteltas (1739-1766) (1767) af John Mare

John Keteltas (1739-1766)

1767 · Oil On Canvas · New York Historical Society, New York City

A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement that demands respect for his station. A powdered white wig, styled with soft, meticulous curls, frames a face that carries the weight of quiet authority. He wears a dark, heavy frock coat, perhaps of deep navy or black, which absorbs the light…

3
Jeremiah Platt (1767) af John Mare

Jeremiah Platt

1767 · Metropolitan Museum of Art, New York

Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known but highly skilled New York portraitist, painted an inventive and refined portrait of Platt, with as much attention paid to the Chippendale-style side chair as to the sitter.

Hovedmotiver i værkerne af John Mare

De fire motiver, der er hyppigst repræsenteret i disse værker, hver med sit mest kendte eksempel.

John Mare: museer med værker

De 2 museer, der rummer flest af malerierne på denne side.

Museum By Værker af John Mare Malerier fra denne liste
New York Historical Society, New York CityNew York Historical Society New York City 2 Dr. Benjamin Youngs Prime (1733-1791), John Keteltas (1739-1766)
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Jeremiah Platt

John Mare: hovedværker efter år

De daterede opslag for John Mare strækker sig over 8 år, fra 1767 til 1774, hvilket svarer til cirka et årti, dokumenteret nedenfor år for år.

Værker per år

Vælg et årstal for at se de vigtigste malerier fra det år.

John Mares malerier: reference-spørgsmål

Hvilket maleri af John Mare er det mest kendte?Vis svaret

Dr. Benjamin Youngs Prime (1733-1791) (1774), New York Historical Society, New York City. De følgende værker er John Keteltas (1739-1766) (1767) og Jeremiah Platt (1767).

Hvor gammel var John Mare, da Dr. Benjamin Youngs Prime (1733-1791) blev malet?Vis svaret

35 år: John Mare blev født i 1739, og Dr. Benjamin Youngs Prime (1733-1791) er dateret 1774.

Hvor mange værker af John Mare er dokumenteret?Vis svaret

Kataloget indeholder 3 værker af John Mare, dateret mellem 1767 og 1774.

Hvilke museer udstiller de mest kendte malerier af John Mare?Vis svaret

Primært i New York Historical Society (New York City) og Metropolitan Museum of Art (New York). Tabellen over museer ovenfor viser den fulde fordeling.

I hvilken periode blev John Mares mest kendte værker malet?Vis svaret

I 1767: 2 af de 3 værker, der er listet på denne side, er dateret til den periode, herunder John Keteltas (1739-1766).

Hvilke er de tidligste og seneste værker af John Mare på denne liste?Vis svaret

Det tidligste værk på listen er fra John Keteltas (1739-1766) (1767); det nyeste er fra Dr. Benjamin Youngs Prime (1733-1791) (1774).

Hvilke motiver går igen i John Mares værker?Vis svaret

Man (2), Wig (2) og Cravat (2) ud af de 3 værker, der er listet på denne side.

Hvilke værker af John Mare er i samlingen hos New York Historical Society?Vis svaret

Dr. Benjamin Youngs Prime (1733-1791) og John Keteltas (1739-1766) er blandt de 2 værker på denne side i New York Historical Society, New York Citys samling.

John Mare: biografiske noter

The Enigmatic Visions of John Mare

John Mare is a contemporary artist whose work occupies a fascinating space between abstraction and figuration, dreamscape and reality. Born in an undisclosed location – a deliberate choice by the artist to keep the focus firmly on the art itself rather than biographical detail – Mare has cultivated an aura of mystery around his persona, allowing his paintings to speak for themselves. This reticence only adds to the compelling nature of his creations, inviting viewers to engage with them on a purely intuitive level. While details about his early life remain scarce, it is known that he received formal training in painting before embarking on a path of self-directed exploration and experimentation. He continues to live and work today, constantly refining his unique visual language.

A Journey Through Form and Color

Mare’s artistic development has been characterized by a relentless pursuit of emotional resonance through the manipulation of form and color. His early works displayed a clear influence from Abstract Expressionism, particularly the gestural energy of artists like Willem de Kooning and Franz Kline. However, Mare quickly moved beyond simple imitation, developing his own distinctive style that incorporated elements of Surrealism and Symbolism. Recurring motifs – fragmented figures, distorted landscapes, and ambiguous objects – began to emerge, hinting at a complex inner world. Over time, his palette evolved from dark, brooding tones to a more vibrant and nuanced range of colors, reflecting a growing sense of optimism and spiritual inquiry. The artist’s technique is equally noteworthy; he employs layers of paint, often scraping back and reworking surfaces to create a rich textural depth that draws the viewer into the canvas.

Themes of Memory and Transformation

At the heart of Mare's work lies an exploration of memory, transformation, and the elusive nature of identity. His paintings are not literal representations of reality but rather evocative distillations of personal experiences and subconscious imagery. The fragmented figures that populate his canvases often appear to be in a state of flux, dissolving into their surroundings or emerging from them as if born from dreams. This sense of impermanence is further emphasized by the artist’s use of blurred lines and ambiguous spaces. Mare's paintings are not about what is seen but about what is felt, inviting viewers to project their own emotions and interpretations onto the work. He often speaks of his desire to capture “the residue of experience,” those fleeting moments that linger in the mind long after they have passed.

Influences and Artistic Dialogue

While Mare deliberately avoids explicit references to other artists, it is possible to discern a number of influences at play in his work. The Symbolist painters – such as Odilon Redon and Pierre Puvis de Chavannes – clearly inform his use of evocative imagery and dreamlike atmosphere. He also demonstrates an affinity for the Surrealist techniques of automatism and collage, employing chance operations and unexpected juxtapositions to create a sense of disorientation and wonder.

Historical Significance and Legacy

Although relatively young in his career, John Mare has already established himself as a significant voice in contemporary art. His paintings have been exhibited in galleries and museums around the world, garnering critical acclaim and attracting a devoted following of collectors. Mare’s work represents a compelling synthesis of diverse artistic traditions, blending Abstract Expressionism, Surrealism, and Symbolism into a unique and highly personal visual language. He challenges viewers to confront their own inner worlds, prompting them to question the nature of reality and the limits of perception. As he continues to evolve as an artist, it is clear that John Mare’s legacy will be one of profound emotional depth, technical innovation, and enduring mystery. His refusal to conform to conventional expectations has paved the way for a new generation of artists who prioritize intuition, experimentation, and the power of subjective experience.