Portræt af John Ramage

Liste over de 22 mest berømte malerier af John Ramage

Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 23 værker af John Ramage i vores katalog

Oversigt

Det mest kendte maleri af John Ramage er Portrait of a Gentleman (1780), som er en del af samlingen på Metropolitan Museum of Art, New York. De næste indlæg er Major Greene, B.A (1777) og Gilbert Van Cortlandt (1785). Katalogen dokumenterer 23 værker af John Ramage; de 22 nedenstående poster er de mest kendte, opført i rangorden med dato, museum og beskrivelse.

1748 – 1802, Dublin Neoclassicism Flest værker: Metropolitan Museum of Art

John Ramage: de 10 vigtigste malerier

John Ramage: opslag 11 til 22

Hovedmotiver i værkerne af John Ramage

De fire motiver, der er hyppigst repræsenteret i disse værker, hver med sit mest kendte eksempel.

John Ramage: museer med værker

De 5 museer, der rummer flest af malerierne på denne side.

Museum By Værker af John Ramage Malerier fra denne liste
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 17 Portrait of a Gentleman, Major Greene, B.A, Gilbert Van Cortlandt
Nationalmuseum, StockholmNationalmuseum Stockholm 1 Mrs. James Bleecker (Sarah Bache)
Hermitage Museum, Sankt PetersborgHermitage Museum Sankt Petersborg 1 George Washington
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 1 Col. Josiah Parker
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 Portrait of Augustine Taylor

John Ramage: hovedværk for hvert årti

Værker per årti

Vælg et årti for at vise dets vigtigste maleri.

John Ramages malerier: reference-spørgsmål

Hvilket maleri af John Ramage er det mest kendte?Vis svaret

Portrait of a Gentleman (1780), Metropolitan Museum of Art, New York. De følgende værker er Major Greene, B.A (1777) og Gilbert Van Cortlandt (1785).

Hvor gammel var John Ramage, da Portrait of a Gentleman blev malet?Vis svaret

32 år: John Ramage blev født i 1748, og Portrait of a Gentleman er dateret 1780.

Hvilke ti malerier af John Ramage er de mest kendte?Vis svaret

Portrait of a Gentleman, Major Greene, B.A, Gilbert Van Cortlandt, Governor George Clinton, Mrs. James Bleecker (Sarah Bache), Portrait of a Gentleman, Mrs. William Few (Catherine Nicholson), Mrs. Gulian Ludlow (Maria Ludlow), Thomas Witter og Theophylact Bache. Listen ovenfor viser datoen og det museum, der ejer hvert værk.

Hvor mange værker af John Ramage er dokumenteret?Vis svaret

Kataloget indeholder 23 værker af John Ramage, dateret mellem 1777 og 1795.

Hvilke museer udstiller de mest kendte malerier af John Ramage?Vis svaret

Primært i Metropolitan Museum of Art (New York), Nationalmuseum (Stockholm) og Hermitage Museum (Sankt Petersborg). Tabellen over museer ovenfor viser den fulde fordeling.

I hvilken periode blev John Ramages mest kendte værker malet?Vis svaret

I 1780s: 12 af de 22 værker, der er listet på denne side, er dateret til den periode, herunder Portrait of a Gentleman.

Hvilke er de tidligste og seneste værker af John Ramage på denne liste?Vis svaret

Det tidligste værk på listen er fra Major Greene, B.A (1777); det nyeste er fra Mrs. James Bleecker (Sarah Bache) (1795).

Hvilke motiver går igen i John Ramages værker?Vis svaret

18th century (4), Portraiture (3) og Miniature art (3) ud af de 22 værker, der er listet på denne side.

Hvilken kunstretning er John Ramage associeret med?Vis svaret

Neoclassicism, som dokumenteret af værkerne på denne side.

Hvilke værker af John Ramage er i samlingen hos Metropolitan Museum of Art?Vis svaret

Portrait of a Gentleman, Major Greene, B.A og Gilbert Van Cortlandt er blandt de 17 værker på denne side i Metropolitan Museum of Art, New Yorks samling.

John Ramage: biografiske noter

A Life Bridging Worlds: The Story of John Ramage

John Ramage’s life unfolded as a remarkable confluence of artistic passion and historical circumstance, transporting him from the refined elegance of Dublin goldsmithing to the burgeoning dynamism of colonial America. Details concerning his early familial origins remain shrouded in obscurity—however, it is established that he received formal instruction at the Dublin Society of Artists in 1763, establishing a foundational understanding of drawing and painting techniques destined to shape his future endeavors. Ramage’s initial vocation proved remarkably versatile; he seamlessly blended the precision demanded by goldsmithing with the delicate artistry inherent in miniaturist pursuits—a reflection of his innate aptitude for meticulous detail and decorative arts. This formative period instilled within him not merely technical proficiency but also a profound appreciation for craftsmanship that would characterize his artistic output throughout his life.

Loyalty, Love, and Revolution: Navigating Turbulent Times

Ramage’s arrival in North America coincided with an era defined by palpable political tension—the American Revolution. A staunch Loyalist, his allegiance steadfastly adhered to the British Crown, propelling him into membership of “the Loyal Irish Volunteers” in Boston—a military unit dedicated to safeguarding the city against rebel aggression. This unwavering devotion to the monarchy profoundly impacted his personal life; in 1776, he married Victoria Ball, yet this union swiftly complicated by another marriage to a woman known solely as “Mrs. Taylor” whilst stationed in Halifax. The ensuing legal disputes and eventual divorce granted to Ball illuminated the complexities of Ramage’s existence during wartime—a period underscored not merely by political upheaval but also by personal turmoil. Forced to evacuate Boston with British forces under General William Howe, he embarked upon a journey back to Halifax before ultimately relocating by June 1777 to New York City, seeking refuge amidst the ongoing conflict and continuing his artistic practice within a landscape dominated by British occupation. His commitment extended beyond mere artistic creation; Ramage served as a second lieutenant in the City Militia of New York, demonstrating an active engagement with defending the city he had come to consider home.

The Miniature Master: A Portraitist of an Emerging Nation

Despite the pervasive anxieties engendered by revolution and political division, Ramage flourished as an artist, swiftly gaining renown for his exquisite portrait miniatures on ivory—a particularly fashionable art form at the time, prized for its intimacy and portability. His skill resided in the masterful application of delicately shaded cross-hatching and fine linear strokes to sculpt faces with astonishing realism and sensitivity. He didn’t merely replicate likenesses; he captured character, social standing, and a palpable sense of individual presence within each miniature—a testament to his artistic vision. Ramage’s clientele rapidly expanded to encompass prominent figures from New York society—the Pintards, Gerrys, Ludlows, Van Rensselaers, and Van Cortlands all sought his services—reflecting the prestige he achieved as a miniaturist during this formative period. Beyond his painting prowess, Ramage’s goldsmithing skills were equally valued; he crafted elegant cases for his miniatures, demonstrating a holistic artistic sensibility that harmonized artistry with meticulous craftsmanship. Contemporaries recognized his exceptional talent, proclaiming him “the best artist in his branch in America,” as documented by William R. Dunlap—a judgment reflecting the enduring significance of Ramage’s contribution to the art world.

Notable Works

  • Portrait of George Washington (1789): This iconic miniature portrait, commissioned by Martha Washington and authenticated by George Washington's diary, stands as Ramage’s most celebrated achievement—marking him as the inaugural artist tasked with formally portraying the President upon his inauguration. Sold at auction in 2001 for $1.2 million, it represents the highest price ever paid for an American miniature.
  • John Maunsell (1785): A rare and elegantly rendered miniature depicting John Maunsell—a distinguished gentleman adorned in a russet coat and gold vest embellished with stripes—demonstrates Ramage’s mastery of capturing character and conveying subtle nuances of expression.
  • Miniature Portraits of Prominent New York Families: Ramage produced numerous portraits commemorating influential families residing in New York City during the revolutionary era, including commissions from figures such as Pintards, Gerrys, Ludlows, Van Rensselaers, and Van Cortlands—providing invaluable insights into colonial society’s artistic tastes and social dynamics.
## A Final Chapter Marked by Hardship and Legacy The latter years of John Ramage’s life were unfortunately burdened by considerable financial difficulties and personal sorrow—facing mounting debts in 1794, he fled to Montreal in an attempt to evade prosecution for bigamy—a perilous undertaking that culminated in a harrowing ordeal during his journey—including near drowning and debilitating illness. Despite these adversities, Ramage persevered in pursuing his artistic vocation, documenting his efforts as “extraordinary pictures,” though success proved elusive. On October 24, 1802, John Ramage breathed his last in Montreal—leaving behind a legacy enshrined primarily through his distinction as the first artist to portray George Washington during his presidency—a feat that secures his place within history and underscores the enduring impact of his artistic talent. His miniatures continue to fascinate scholars and collectors alike, offering invaluable glimpses into the visual culture of late eighteenth-century America—a testament to Ramage’s profound contribution to the annals of art history.