Portræt af Peter Cramer

Peter Cramer: Katalog over de 10 mest berømte malerier

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 10 værker af Peter Cramer i vores katalog

Oversigt

A farmer from Valby heading for the Copenhagen market with hens in a basket. (1750) er registreret som Peter Cramers mest berømte maleri; det er i National Museums samling i Copenhagen. A Man Smoking His Pipe (1761) og Drengene om vællingen (1761) indtager anden- og tredjepladsen. Af de 10 værker af Peter Cramer, der er registreret i kataloget, er de 10 mest kendte listet nedenfor, hver med dato, det museum der besidder værket og en note om værket.

1726 – 1782, Copenhagen Flest værker: Statens Museum for Kunst

Nummer 1 til 10: de mest berømte Peter Cramer malerier

Peter Cramer: museer med værker

De 2 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Peter Cramer Malerier fra denne liste
Statens Museum for Kunst, KøbenhavnStatens Museum for Kunst København 8 A Man Smoking His Pipe, Drengene om vællingen, Slutningsscenen af Johannes Ewalds "Balders Død"
National Museum, CopenhagenNational Museum Copenhagen 1 A farmer from Valby heading for the Copenhagen market with hens in a basket.

Årtiets indeks: det vigtigste Peter Cramer-maleri fra hvert

Værker per årti

Vælg et årti for at vise dets vigtigste maleri.

Ofte stillede spørgsmål om Peter Cramer's malerier

Hvad er Peter Cramers mest kendte værk?Vis svaret

A farmer from Valby heading for the Copenhagen market with hens in a basket. (1750), National Museum, Copenhagen. De følgende værker er A Man Smoking His Pipe (1761) og Drengene om vællingen (1761).

Hvor gammel var Peter Cramer i året for A farmer from Valby heading for the Copenhagen market with hens in a basket.?Vis svaret

24 år: Peter Cramer blev født i 1726, og A farmer from Valby heading for the Copenhagen market with hens in a basket. er dateret 1750.

Hvad er de ti mest kendte værker af Peter Cramer?Vis svaret

A farmer from Valby heading for the Copenhagen market with hens in a basket., A Man Smoking His Pipe, Drengene om vællingen, Slutningsscenen af Johannes Ewalds "Balders Død", En bondekone, som giver sin datter noget at spise, Interiør fra et barneværelse med en dreng i karnevalsdragt, A Peasant Giving his Son Something to Drink, A young girl in a kitchen., Landscape With Skaters og Landscape With Skaters. Listen ovenfor viser datoen og det museum, der ejer hvert værk.

Hvor mange værker af Peter Cramer er registreret i kataloget?Vis svaret

Kataloget indeholder 10 værker af Peter Cramer, dateret mellem 1750 og 1782.

Hvor findes de vigtigste værker af Peter Cramer?Vis svaret

Primært i Statens Museum for Kunst (København) og National Museum (Copenhagen). Tabellen over museer ovenfor viser den fulde fordeling.

I hvilken periode skabte Peter Cramer sine mest kendte værker?Vis svaret

I 1780s: 4 af de 10 værker, der er listet på denne side, er dateret til den periode, herunder En bondekone, som giver sin datter noget at spise.

Hvad er de tidligste og seneste mest kendte værker af Peter Cramer?Vis svaret

Det tidligste værk på listen er fra A farmer from Valby heading for the Copenhagen market with hens in a basket. (1750); det nyeste er fra Interiør fra et barneværelse med en dreng i karnevalsdragt (1782).

Hvilke malerier af Peter Cramer har Statens Museum for Kunst i sin samling?Vis svaret

A Man Smoking His Pipe, Drengene om vællingen og Slutningsscenen af Johannes Ewalds "Balders Død" er blandt de 8 værker på denne side i Statens Museum for Kunst, Københavns samling.

Biografi om Peter Cramer

The Versatile Visionary of Copenhagen

In the vibrant cultural landscape of eighteenth-century Denmark, few figures possessed the eclectic range and spirited creativity of Peter Cramer. Born in Copenhagen on August 24, 1726, Cramer emerged from humble beginnings as the son of a gardener, yet his artistic destiny would lead him far beyond the garden walls. A largely self-taught talent, he possessed an innate ability to capture the essence of his surroundings, whether through the grand scale of theatrical scenery or the intimate details of portraiture. His early forays into the world of fine art were marked by a remarkable precision; in the 1740s, he contributed delicate drawings to Frederic Louis Norden’s Voyage d'Egypte et de Nubie, work that showcased his burgeoning skill and earned him recognition from the Royal Danish Academy of Sciences and Letters.

Cramer’s journey was one of both ambition and unexpected redirection. While he sought a prestigious travel scholarship from the Royal Danish Academy of Fine Arts to transform himself into an accomplished history painter, the rigors of academic competition presented obstacles. Though he did not secure the gold medal required for his grand European travels in 1756, this setback birthed a prolific career in the realm of the performing arts. He found a natural home in the theater, where his talent for decorative work and large-scale set design flourished. Working alongside figures such as the composer Niels Krog Bredal, Cramer breathed life into the operatic stage, creating immersive environments that captivated the audiences of Copenhagen.

A Tapestry of Genres and Techniques

The true magic of Cramer’s oeuvre lies in its profound stylistic diversity. He was an artist who refused to be confined by a single medium or subject matter. While his professional stability was anchored in the ephemeral beauty of stage decorations, his private passions led him toward genre scenes that resonated with the soul of the Danish people. Drawing inspiration from the masters such as David Teniers and Adriaen Brouwer, Cramer captured the rustic charm of the peasantry with a sincerity that was both groundbreaking and deeply moving for his era. His work often mirrored the rhythms of everyday life, finding dignity in the simple existence of the common folk.

Beyond his structured compositions, there existed a playful, almost experimental side to his artistry. Legend tells of a painting of two fisherwomen executed entirely with his fingers—a testament to a man who viewed art not merely as a disciplined craft, but as an intimate, tactile expression of emotion. This whimsicality, paired with his technical proficiency in portraiture and decorative arts, allowed him to navigate the high society of the Academy and the gritty reality of folk life with equal grace. By the time he achieved full membership in the Royal Danish Academy of Fine Arts, he had established himself as a cornerstone of the Danish art scene.

Legacy and Historical Significance

Peter Cramer’s life, which came to an end in Copenhagen on July 17, 1782, serves as a bridge between the decorative traditions of the past and the burgeoning national identity of Denmark. His ability to blend the theatrical with the terrestrial helped shape the visual language of his nation. His contributions can be summarized through several key pillars of his career:

  • Theatrical Innovation: As a master of scene painting, he transformed the Danish stage into a window to other worlds, influencing the aesthetic of contemporary opera and drama.
  • Genre Painting: He was a pioneer in elevating the depiction of Danish peasantry, bringing a sense of realism and local pride to the canvas.
  • Academic Integration: Despite his self-taught origins, his eventual recognition by the Royal Danish Academy of Fine Arts solidified his place within the formal art history of Northern Europe.
  • Versatility of Medium: From delicate scientific illustrations to sweeping stage backdrops and intimate portraits, his range remains a subject of fascination for historians.

Today, the memory of Cramer persists through the works that continue to evoke the spirit of an era defined by transition. He remains a symbol of the artist as a multi-faceted creator—one who can find beauty in a finger-painted landscape just as easily as in the grand architecture of a theatrical masterpiece.