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Robert Eigenberger: De 4 mest berømte malerier, dokumenteret
Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 4 værker af Robert Eigenberger i vores katalog
Oversigt
Ifølge denne rangliste er The Myth of Man Is Over (1950) det mest berømte maleri af Robert Eigenberger. Det efterfølges af The Sensual One (1929) og Saint Sebastian (1934). Denne liste er baseret på de 4 værker af Robert Eigenberger i kataloget og viser de 4 mest berømte, med dato, museum og beskrivelse for hvert værk.
1890 – 1979, Sedlec
Robert Eigenberger: de øverste 10 på listen
Robert Eigenberger efter årti: det mest berømte maleri fra hvert årti
Værker per årti
Vælg et årti for at vise dets vigtigste maleri.
Robert Eigenberger: spørgsmål og dokumenterede svar
Hvilket maleri af Robert Eigenberger topper listen over de mest berømte værker?Vis svaret
The Myth of Man Is Over (1950). De følgende poster er The Sensual One (1929) og Saint Sebastian (1934).
Hvor gammel var Robert Eigenberger, da The Myth of Man Is Over blev malet?Vis svaret
60 år: Robert Eigenberger blev født i 1890, og The Myth of Man Is Over er dateret 1950.
Hvor mange værker af Robert Eigenberger er registreret?Vis svaret
Kataloget indeholder 4 værker af Robert Eigenberger, dateret mellem 1929 og 1950.
Hvilke daterede værker af Robert Eigenberger er de tidligste og de seneste her?Vis svaret
Det tidligste værk på listen er fra The Sensual One (1929); det nyeste er fra The Myth of Man Is Over (1950).
Robert Eigenberger: liv og værk
The Life and Academic Career of Robert Eigenberger
Robert Eigenberger was an Austrian art historian, painter, pedagogue, restorer, and university teacher. Born in Sedlec, Czech Republic, he pursued his studies in art history in Prague, Munich, Göttingen, and Berlin. His professional journey included serving as an assistant at the K. K. Zentralkommission für Denkmalpflege in Vienna and later becoming the director of the Gemäldegalerie at the Academy of Fine Arts in Vienna. Throughout his distinguished academic career, he held various roles at the Academy, including serving as a professor and eventually as the Rector from 1951 to 1955. He also led the Institute for Sacred Art following his retirement.
Artistic Practice and Pseudonym
In addition to his academic and restorative work, Eigenberger was an active painter who often exhibited under the pseudonym Karl Reigen. His artistic output was diverse, encompassing the following subjects:
His recognition within the art community included membership in the Vienna Secession and the Wiener Künstlerhaus, as well as receiving the Austrian State Prize for Painting in 1930.