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Samuel Spode: Katalog over de 2 mest berømte malerier
Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 2 værker af Samuel Spode i vores katalog
Oversigt
A Dark Bay Racehorse held by a Trainer in a Landscape (1833) er registreret som Samuel Spodes mest berømte maleri; det er i Florence Courts besiddelse. Af de 2 værker af Samuel Spode, der er registreret i kataloget, er de 2 mest kendte listet nedenfor, hver med dato, det museum der besidder værket og en note om værket.
1798 – 1858
Flest værker: Florence Court
Nummer 1 til 10: de mest berømte Samuel Spode malerier
Samuel Spode: museer med værker
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Samuel Spode | Malerier fra denne liste |
|---|---|---|---|
 Florence Court |
1 | A Dark Bay Racehorse held by a Trainer in a Landscape |
Årstal: de vigtigste Samuel Spode malerier
Hver dateret Samuel Spode-indgang på denne side er angivet med årstallet 1833; værkerne er opført efter rangering.
Værker efter år
Vælg et årstal for at se de vigtigste malerier fra det år.
Ofte stillede spørgsmål om Samuel Spode's malerier
Hvad er Samuel Spodes mest kendte værk?Vis svaret
A Dark Bay Racehorse held by a Trainer in a Landscape (1833)
Hvor gammel var Samuel Spode i året for A Dark Bay Racehorse held by a Trainer in a Landscape?Vis svaret
35 år: Samuel Spode blev født i 1798, og A Dark Bay Racehorse held by a Trainer in a Landscape er dateret 1833.
Hvor mange værker af Samuel Spode er registreret i kataloget?Vis svaret
Kataloget indeholder 2 værker af Samuel Spode.
Hvor findes de vigtigste værker af Samuel Spode?Vis svaret
Primært i Florence Court. Tabellen over museer ovenfor viser den fulde fordeling.
Biografi om Samuel Spode
A Life of Equestrian Portraiture
Samuel Spode was a British painter who specialized in equestrian sporting scenes, with a particular focus on the portraiture of military and sporting horses. His work often captured the essence of horse racing and fox hunting, frequently featuring prominent animals such as Birdcatcher, Caractacus, and Voltager. He also portrayed significant historical horses, including the Duke of Wellington's war horse, Copenhagen, and the charger Ronald, which was ridden by Lord Cardigan during the Charge of the Light Brigade.
Spode's career was marked by significant movement; he emigrated to Van Diemen's Land with his wife, Mary Crewe, and his brother Josiah, before returning to England in 1826. During his time in England, he stayed at Heron Cottage in the Staffordshire Potteries. His artistic output included works for various patrons, such as the Earl of Lonsdale and John Dawson Duckett, and some of his paintings were reproduced in The Sporting Magazine.
Artistic Legacy and Travels
In the 1830s, Spode traveled frequently to Ireland to seek commissions, and he also spent time working as a horse trainer at the Curragh Racecourse. His dedication to his passion for animal painting meant that he worked solely on commissions, and as a result, he never exhibited at well-known exhibitions. Around 1845, he painted several works with Stonehenge in the background, suggesting a period of residence near Amesbury.
Spode's life was characterized by several marriages; he was widowed three times before eventually marrying a girl named Delia in Dublin. He died in Dublin, leaving behind a legacy defined by the many famous horses he depicted throughout his career.