Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 11 værker af Simone Pignoni i vores katalog
Oversigt
Det mest kendte maleri af Simone Pignoni er Saint Cecilia (1636). De næste indlæg er Saint Margaret (1654) og Virgin and Child (1650). Katalogen dokumenterer 11 værker af Simone Pignoni; de 10 nedenstående poster er de mest kendte, opført i rangorden med dato, museum og beskrivelse.
Simone Pignoni presents Saint Cecilia in a vertical portrait, focusing on the upper body of the subject. Positioned slightly off-center, the figure is captured in a moment of spiritual ecstasy. Her gaze is directed upward, her face marked by an expression of divine inspiration or longing. This intimate, close-up view places the viewer in immediate proximity to her emotional state.
In Saint Margaret, Simone Pignoni employs a dynamic diagonal arrangement to organize the scene. The figure of the saint moves from the upper left toward the lower right of the frame. She is depicted as a young woman holding a small wooden cross. Positioned at her side is a menacing, open-mouthed beast. This arrangement creates a sense of movement and tension within the composition.
In this 1650 oil painting, we find ourselves drawn into a private, shadowed space where the Virgin Mary leans toward the infant Jesus. The composition is intimate, focusing on the tender connection between mother and child. A deep crimson of the Virgin's garment provides the primary weight to the scene, cutting through a dark, shadowy background that recedes into mystery. The lighting is deliberate, using chiaroscuro to pull the faces…
A vertical portrait of St. Praxedes occupies the center of this oil painting. The subject is a female figure shown from the upper torso upward, positioned slightly off-center. She wears a dark veil that blends into a black and brown background, creating a deep, shadowed space behind her. A strong light source originates from the upper left, casting illumination across her face, neck, and hands. This light creates a chiaroscuro…
In this 1650 oil painting, two figures emerge from a dark, shadowy background. The composition is asymmetrical, focusing on the physical struggle between a male figure and a female figure. A strong, directional light source illuminates the female figure's chest, face, and arm, while the male figure and the surrounding environment remain in deep shadow. The female figure's skin tones appear luminous against the tenebristic tones of black and dark…
A single light source spills from the upper left, carving a woman’s face out of a heavy, ink-black void. She leans toward a young child, her skin glowing like polished ivory against the dark. The air in the room feels thick, weighted by the silence of a private, sacred moment. Her hand reaches out, a gentle touch connecting the human to the divine. Every fold of her cream-colored fabric and…
Simone Pignoni's "Death of St. Petronilla" isn’t merely a painting; it’s an immersion into the shadowed heart of the Florentine Baroque, a visceral exploration of mortality and the unsettling beauty found within decay. Completed around 1623, this altarpiece, now meticulously reproduced by WahooArt.com, transcends its religious subject matter to become a profound meditation on human vulnerability and the inevitability of loss. The scene unfolds with arresting immediacy – a woman,…
De fire motiver, der er hyppigst repræsenteret i disse værker, hver med sit mest kendte eksempel.
De 7 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Simone Pignoni | Malerier fra denne liste |
|---|---|---|---|
 Museum of Fine Arts |
Boston | 2 | Saint Mary Magdalen Penitent, Head of a Young Woman |
 Bavarian State Painting Collections |
München | 1 | Saint Margaret |
 Musée Salies |
Bagnères-de-Bigorre | 1 | Virgin and Child |
 Musée des Beaux-Arts de Nancy |
Nancy | 1 | The Rape of Proserpine |
 Musée des Beaux-Arts de Lyon |
Lyon | 1 | The Mystical Marriage of Saint Catherine |
 Fitzwilliam Museum |
1 | A poet, presented to Jupiter by Hercules, is crowned by Glory, below Venus, Cupid and the poet | |
 Hermitage Museum |
Sankt Petersborg | 1 | Death of St Petronilla |
De daterede værker af Simone Pignoni på denne side strækker sig fra 1636 til 1654, en periode på 19 år, præsenteret år for år.
Vælg et årstal for at se de vigtigste malerier fra det år.
Simone Pignoni presents Saint Cecilia in a vertical portrait, focusing on the upper body of the subject. Positioned slightly off-center, the figure is captured in a moment of spiritual ecstasy. Her gaze is directed upward, her face marked by an expression of divine inspiration or longing. This intimate, close-up view places the viewer in immediate proximity to her emotional state.
In this 1650 oil painting, we find ourselves drawn into a private, shadowed space where the Virgin Mary leans toward the infant Jesus. The composition is intimate, focusing on the tender connection between mother and child. A deep crimson of the Virgin's garment provides the primary weight to the scene, cutting through a dark, shadowy background that recedes into mystery. The lighting is deliberate, using chiaroscuro to pull the faces…
Andre værker fra 1650
In Saint Margaret, Simone Pignoni employs a dynamic diagonal arrangement to organize the scene. The figure of the saint moves from the upper left toward the lower right of the frame. She is depicted as a young woman holding a small wooden cross. Positioned at her side is a menacing, open-mouthed beast. This arrangement creates a sense of movement and tension within the composition.
Saint Cecilia (1636). De følgende poster er Saint Margaret (1654) og Virgin and Child (1650).
25 år: Simone Pignoni blev født i 1611, og Saint Cecilia er dateret 1636.
Saint Cecilia, Saint Margaret, Virgin and Child, St. Praxedes, The Rape of Proserpine, The Mystical Marriage of Saint Catherine, A poet, presented to Jupiter by Hercules, is crowned by Glory, below Venus, Cupid and the poet, Saint Mary Magdalen Penitent, Head of a Young Woman og Death of St Petronilla. Listen ovenfor viser datoen og det museum, der ejer hvert værk.
Kataloget indeholder 11 værker af Simone Pignoni, dateret mellem 1636 og 1654.
Primært i Museum of Fine Arts (Boston), Bavarian State Painting Collections (München) og Musée Salies (Bagnères-de-Bigorre). Tabellen over museer ovenfor viser den fulde fordeling.
I 1650: 3 af de 10 værker, der er listet på denne side, er dateret til den periode, herunder Virgin and Child.
Det tidligste værk på listen er fra Saint Cecilia (1636); det nyeste er fra Saint Margaret (1654).
Woman (6), Skin (3) og Child (3) ud af de 10 værker, der er listet på denne side.
Oil, i 5 af de 10 værker, der er listet på denne side.
Saint Mary Magdalen Penitent og Head of a Young Woman er blandt de 2 værker på denne side i Museum of Fine Arts, Bostons samling.
