Portræt af Sofie Holten

Liste over de 1 mest berømte malerier af Sofie Holten

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 1 værker af Sofie Holten i vores katalog

Oversigt

Det mest kendte maleri af Sofie Holten er August Strindberg, 1849-1912 (1885), som er en del af samlingen på National Portrait Gallery of Sweden, Strängnäs. Katalogen dokumenterer 1 værker af Sofie Holten; de 1 nedenstående poster er de mest kendte, opført i rangorden med dato, museum og beskrivelse.

1858 – 1930, Skuldelev Flest værker: National Portrait Gallery of Sweden

Sofie Holten: de 10 vigtigste malerier

Sofie Holten: museer med værker

Det museum, der rummer flest af malerierne på denne side.

Museum By Værker af Sofie Holten Malerier fra denne liste
National Portrait Gallery of Sweden, SträngnäsNational Portrait Gallery of Sweden Strängnäs 1 August Strindberg, 1849-1912

Sofie Holten: hovedværker efter år

Alle daterede værker af Sofie Holten på denne side er fra 1885; de er angivet nedenfor i rækkefølge efter rangering.

Værker per år

Vælg et årstal for at se de vigtigste malerier fra det år.

Sofie Holtens malerier: reference-spørgsmål

Hvilket maleri af Sofie Holten er det mest kendte?Vis svaret

August Strindberg, 1849-1912 (1885)

Hvor gammel var Sofie Holten, da August Strindberg, 1849-1912 blev malet?Vis svaret

27 år: Sofie Holten blev født i 1858, og August Strindberg, 1849-1912 er dateret 1885.

Hvor mange værker af Sofie Holten er dokumenteret?Vis svaret

Kataloget indeholder 1 værker af Sofie Holten.

Hvilke museer udstiller de mest kendte malerier af Sofie Holten?Vis svaret

Primært i National Portrait Gallery of Sweden (Strängnäs). Tabellen over museer ovenfor viser den fulde fordeling.

Sofie Holten: biografiske noter

A Life Painted in Light and Purpose

Born on 12 August 1858 in Skuldelev, Denmark, Sofie Holten grew up as the daughter of a parish priest, Hans Nicolai Holten. Her early years were shaped by the quiet rhythms of Danish life, yet her ambitions reached far beyond the borders of her birthplace. After receiving private instruction from Christen Dalsgaard and Carl Thomsen, she sought the wider horizons of Paris. In the French capital, she studied under Félix-Joseph Barrias and Alfred Stevens, absorbing the modern methods of painting that would later define her brushwork.

Her travels were as varied as her subjects. During the 1890s, she moved through the Netherlands, Germany, Italy, England, and Greece. These excursions provided a steady stream of new sights, from the ancient motifs of the Parthenon to the quiet corners of European landscapes. She was a woman who moved through the world with a clear sense of her own direction, often choosing the independence of her craft over the traditional path of marriage.

The Brush and the Cause

Holten’s work was never confined to a single genre. She found equal expression in portraits, flower paintings, and scenes of everyday life. Some of her most noted portraits captured figures such as August Strindberg and L. A. Ring. Her ability to translate the character of her sitters onto canvas earned her recognition at the Charlottenborg Spring Exhibition and the Salon in Paris. She also brought her eye for detail to historical subjects, creating works inspired by the Parthenon Frieze.

Beyond the studio, her life was defined by a deep commitment to social change. She was a voice for women, writing reviews of female artists in Kvinden og Samfundet and advocating for practical changes in women's lives, such as more functional clothing. In 1895, she acted as a driving force behind the Copenhagen Women's Exhibition. Her dedication to her community and her faith remained constant throughout her later years.

Later Years and Lasting Marks

In her later life, Holten found a spiritual home in Roman Catholicism after spending time in Assisi, Italy. She settled in Roskilde with her friend Erikke Rosenørn-Lehn, where she contributed to the local landscape through her art. Her work decorating the St Laurenti Church in Roskilde remains a significant part of her legacy, earning her the Pro Ecclesia et Pontifice award.

When she passed away on 5 June 1930, she left behind a body of work that reflected both her technical skill and her personal convictions. Her life was marked by several notable achievements:

  • Exhibiting at the 1893 World's Columbian Exposition in Chicago.
  • Advocating for women's rights through writing and organized exhibitions.
  • Decorating religious spaces with her oil paintings.
  • Maintaining a professional presence at the Charlottenborg exhibitions until 1904.