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Liste over de 6 mest berømte malerier af Sofie Ribbing
Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 6 værker af Sofie Ribbing i vores katalog
Oversigt
Det mest kendte maleri af Sofie Ribbing er Studiehode (1860), som er en del af samlingen på Nationalmuseet for kunst, arkitektur og design, Oslo. De næste indlæg er Self-portrait (1865) og Painting (1894). Katalogen dokumenterer 6 værker af Sofie Ribbing; de 6 nedenstående poster er de mest kendte, opført i rangorden med dato, museum og beskrivelse.
1835 – 1894, Adelöv parish
Flest værker: Nationalmuseet for kunst, arkitektur og design
Sofie Ribbing: de 10 vigtigste malerier
Sofie Ribbing: museer med værker
De 4 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Sofie Ribbing | Malerier fra denne liste |
|---|---|---|---|
 Nationalmuseet for kunst, arkitektur og design |
Oslo | 3 | Studiehode, Painting, Italiensk pike |
 Vasari Corridor |
Florence | 1 | Self-portrait |
 National Portrait Gallery of Sweden |
Strängnäs | 1 | Helena Roed (1843-1926), dansk, verksam i Sverige, författare, kulturskribent, g.m. professorn i estetik Carl Rupert Nyblom |
 Gothenburg Museum of Art |
Gothenburg | 1 | Boys drawing |
Sofie Ribbing: hovedværker efter år
De daterede værker af Sofie Ribbing på denne side strækker sig fra 1860 til 1894, en periode på 35 år, præsenteret år for år.
Værker per år
Vælg et årstal for at se de vigtigste malerier fra det år.
Sofie Ribbings malerier: reference-spørgsmål
Hvilket maleri af Sofie Ribbing er det mest kendte?Vis svaret
Studiehode (1860), Nationalmuseet for kunst, arkitektur og design, Oslo. De følgende værker er Self-portrait (1865) og Painting (1894).
Hvor gammel var Sofie Ribbing, da Studiehode blev malet?Vis svaret
25 år: Sofie Ribbing blev født i 1835, og Studiehode er dateret 1860.
Hvor mange værker af Sofie Ribbing er dokumenteret?Vis svaret
Kataloget indeholder 6 værker af Sofie Ribbing, dateret mellem 1860 og 1894.
Hvilke museer udstiller de mest kendte malerier af Sofie Ribbing?Vis svaret
Primært i Nationalmuseet for kunst, arkitektur og design (Oslo), Vasari Corridor (Florence) og National Portrait Gallery of Sweden (Strängnäs). Tabellen over museer ovenfor viser den fulde fordeling.
Hvilke er de tidligste og seneste værker af Sofie Ribbing på denne liste?Vis svaret
Det tidligste værk på listen er fra Studiehode (1860); det nyeste er fra Painting (1894).
Hvilke værker af Sofie Ribbing er i samlingen hos Nationalmuseet for kunst, arkitektur og design?Vis svaret
Studiehode, Painting og Italiensk pike er blandt de 3 værker på denne side i Nationalmuseet for kunst, arkitektur og design, Oslos samling.
Sofie Ribbing: biografiske noter
A Life of Movement and Light
The Södraholm estate in Adelöv parish holds the beginning of Sofie Amalia Ribbing’s story. Born in 1835 to Swedish nobility, her early years are framed by the Bråneryd estate near Jönköping. Her father, Per Arvid Ribbing, manages the local district court, while her mother, Karolina Augusta Ehrencrona, brings a lineage of high standing. This aristocratic upbringing provides more than just status; it offers an early immersion in fine painting collections that shape her developing eye.
The trajectory shifts in 1850. The Royal Swedish Academy of Fine Arts in Stockholm becomes her first formal training ground. But the borders of Sweden are too small for her ambitions. She moves toward the Düsseldorf Academy, seeking the guidance of Karl Ferdinand Sohn. This transition marks a departure from local tradition toward the influential Düsseldorf School style. Her education expands through the streets of Paris, where she works under Jean-BT-Ange Tissier, and into Brussels, studying under Louis Gallait.
The Mastery of Portraiture and Genre
Her brush finds its strength in the intimate and the domestic. She specializes in portraits and genre scenes, often capturing families within their private settings. In 1864, a specific moment of creation emerges: Ritande Gossar, or Boys Drawing. The work gains immediate recognition, eventually being acquired by the Gothenburg Art Association for a record sum. This painting later earns a place in the Europeana 280 project, representing Swedish art to a broader European audience.
Her technical development follows a path of geographic expansion. As she moves through Copenhagen, London, and Rome, her subject matter adapts to the light and people she encounters. Her portfolio includes:
- Portrait of Helena Nyblom, held at the Nationalmuseum in Stockholm.
- Self-portrait in the Uffizi, a reflection of her time in Italy.
- Den övergivna, completed in 1869.
- A Little Chicken Girl, from 1888.
A European Presence
The map of her life is a series of studio visits and exhibitions. She establishes herself in the Brussels Salon in 1866 and participates in the Industrial Exposition of Stockholm that same year. Her presence is felt in London’s Royal Academy during the 1870s, and she displays works in Copenhagen and Amsterdam. These are not merely travels; they are professional engagements that place her work in the hands of major institutions.
Her final chapters unfold far from her Swedish birthplace. She spends time in Rome, sharing the company of fellow artists like Agnes Börjesson. The end comes in 1894 in Christiania, now Oslo, while she is visiting Norway. Her legacy remains anchored in the permanent collections of the Uffizi Gallery, the National Gallery of Norway, and the Nationalmuseum in Stockholm.