Portræt af Th. Wegener

Th. Wegener: Katalog over de 2 mest berømte malerier

Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 2 værker af Th. Wegener i vores katalog

Oversigt

Prins Buris, Liden Kirsten, Skøn Hulfrid og Stolt Ingefrid fanget af Ulf Svartskæg (1838) er registreret som Th. Wegeners mest berømte maleri; det er i Statens Museum for Kunsts samling i København. Af de 2 værker af Th. Wegener, der er registreret i kataloget, er de 2 mest kendte listet nedenfor, hver med dato, det museum der besidder værket og en note om værket.

1817 – 1877, Roskilde Flest værker: Statens Museum for Kunst

Nummer 1 til 10: de mest berømte Th. Wegener malerier

Th. Wegener: museer med værker

Det museum, der rummer flest af malerierne på denne side.

Museum By Værker af Th. Wegener Malerier fra denne liste
Statens Museum for Kunst, KøbenhavnStatens Museum for Kunst København 2 Prins Buris, Liden Kirsten, Skøn Hulfrid og Stolt Ingefrid fanget af Ulf Svartskæg, Andrea Frederikke Bindesbøll, f. Andersen. Arkitekten Gottlieb Bindesbølls hustru

Årstal: de vigtigste Th. Wegener malerier

Th. Wegener: daterede værker fra 1838 til 1854, i alt 17 år, indekseret år for år med de vigtigste malerier fra hvert år.

Værker per år

Vælg et årstal for at se de vigtigste malerier fra det år.

Ofte stillede spørgsmål om Th. Wegener's malerier

Hvad er Th. Wegeners mest kendte værk?Vis svaret

Prins Buris, Liden Kirsten, Skøn Hulfrid og Stolt Ingefrid fanget af Ulf Svartskæg (1838)

Hvor gammel var Th. Wegener i året for Prins Buris, Liden Kirsten, Skøn Hulfrid og Stolt Ingefrid fanget af Ulf Svartskæg?Vis svaret

21 år: Th. Wegener blev født i 1817, og Prins Buris, Liden Kirsten, Skøn Hulfrid og Stolt Ingefrid fanget af Ulf Svartskæg er dateret 1838.

Hvor mange værker af Th. Wegener er registreret i kataloget?Vis svaret

Kataloget indeholder 2 værker af Th. Wegener, dateret mellem 1838 og 1854.

Hvor findes de vigtigste værker af Th. Wegener?Vis svaret

Primært i Statens Museum for Kunst (København). Tabellen over museer ovenfor viser den fulde fordeling.

Hvad er de tidligste og seneste mest kendte værker af Th. Wegener?Vis svaret

Det tidligste værk på listen er fra Prins Buris, Liden Kirsten, Skøn Hulfrid og Stolt Ingefrid fanget af Ulf Svartskæg (1838); det nyeste er fra Andrea Frederikke Bindesbøll, f. Andersen. Arkitekten Gottlieb Bindesbølls hustru (1854).

Hvilke malerier af Th. Wegener har Statens Museum for Kunst i sin samling?Vis svaret

Prins Buris, Liden Kirsten, Skøn Hulfrid og Stolt Ingefrid fanget af Ulf Svartskæg og Andrea Frederikke Bindesbøll, f. Andersen. Arkitekten Gottlieb Bindesbølls hustru er blandt de 2 værker på denne side i Statens Museum for Kunst, Københavns samling.

Biografi om Th. Wegener

Early Life, Family and Training

In the quiet town of Roskilde, Denmark, the story of Th. Wegener began in 1817. He was born into a family where intellect and faith held a steady presence, being the son of the theologian Jens Ernst Wegener and his wife, Birgitte, who was born Bindesbøll. This domestic foundation provided the early backdrop for a life that would eventually be defined by the brush and the canvas rather than the pulpit.

The young man’s path toward the arts was shaped by the guidance of Jon Gulsen Berg, a painter who held the prestigious position of Danish court painter. Under such tutelage, the inclinations of Th. Wegener found their first formal expression. This early mentorship prepared him for the rigorous discipline required at the Royal Danish Academy of Fine Arts in Copenhagen. It was within these academy walls that his technical skills were forged, transforming a natural talent into a disciplined craft.

His early years were marked by this steady progression from a student under a master to a formal scholar of the arts. He moved through the halls of the Academy with a growing sense of purpose, absorbing the traditions of his homeland. This period of study was not merely about learning technique, but about finding his place within the long lineage of Danish painters. By the time he completed his formal education, the foundations of his future career were firmly established.

Professional Training and Career in Germany

In 1839, Wegener sought to expand his horizons beyond the familiar halls of the Royal Danish Academy of Fine Arts. He traveled to Germany, driven by a desire to master the craft of decorative painting. This period of his life was defined by practical labor and the disciplined study of ornamentation. He spent several years working in this capacity, honing his technical skills through the application of color and pattern to various surfaces.

This time spent in Germany provided him with a steady hand and a deep understanding of composition. When he eventually returned to his homeland, his artistic focus had shifted toward more complex narratives. He began to specialize in the depiction of biblical and historical scenes, using his training to bring ancient stories to life on canvas. His brushwork sought to capture the weight of history through clear color and a direct, legible style of storytelling.

Beyond these grand historical subjects, Wegener’s interests remained broad. He turned his attention to the quiet beauty of landscapes and the everyday charm of genre pieces. These works allowed him to explore the natural world and the simple movements of daily life, complementing the more formal compositions of his historical studies. His ability to move between the sacred themes of scripture and the earthly realities of landscape and genre made him a versatile presence in the Danish art scene.