Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 89 værker af Bernardo Daddi i vores katalog
Oversigt
Ifølge denne rangliste er Saint Gregory the Great (in pinnacle: a Prophet) (1334) det mest berømte maleri af Bernardo Daddi; det befinder sig på Harvard Art Museums i Cambridge. Det efterfølges af Saint Reparata Being Prepared for Execution (1300) og Saint Reparata before the Emperor Decius (1338). Denne liste er baseret på de 89 værker af Bernardo Daddi i kataloget og viser de 89 mest berømte, med dato, museum og beskrivelse for hvert værk.
A single figure occupies the center of this vertical wooden panel, suspended against a flat, luminous gold ground. Saint Gregory the Great faces the viewer with a solemn, steady gaze. He is an elderly man, his face etched with the gravity of his station. He wears a white mitre, its surface adorned with a jeweled crown-like band that catches the light. Over his shoulders, a heavy red cope falls in…
The painted panel titled Saint Reparata Being Prepared for Execution is a work by the Florentine artist Bernardo Daddi. This piece dates to approximately 1338–1340. It is a tempera on panel composition that originated as part of a larger series from a high altarpiece. Specifically, the panel functioned as part of a predella, which is a two-tiered base, illustrating eight distinct scenes from the life of the saint.
Saint Reparata before the Emperor Decius is a work by the Florentine painter Bernardo Daddi, executed about 1338. The composition portrays the saint in a confrontation with Emperor Decius. As a patron saint of Florence, Reparata’s life was a central subject of local devotion.
A vertical silhouette emerges from a field of textured gold. St. Catherine of Alexandria is caught in a moment of quietude, her head tilted slightly toward the left. She wears a crown of gold, heavy with dark jewels, resting upon hair that meets the sharp point of a Gothic arch. Her tunic is the color of deep teal, draped in folds that catch the light, while an orange mantle wraps…
To stand before this panel is to encounter the structured devotion of mid-14th century Florence. The composition is governed by a strict verticality, drawing the eye upward toward Christ, who is seated in an upper lobed section. He holds a red book and offers a gesture of blessing, his presence anchored by the formal symmetry of the throne. Below this central figure, the arrangement shifts into a circular medallion, flanked…
We are looking at Arrival of Saint Ursula at Cologne, a work by the Florentine painter Bernardo Daddi. Created about 1333, this piece originates from a period when Daddi was a central figure in the artistic life of Florence. He was an Italian artist who lived from about 1280 to 1348, working through the transition of styles in the early fourteenth century.
To gaze upon this depiction of Saint Dominic receiving divine guidance is to witness art at its most profound—a captured breath from the intersection of earthly devotion and celestial revelation. The scene, rendered with exquisite care, transports the viewer into an intimate architectural space, suggesting a moment so sacred that time itself seems to pause. It is not merely a portrait of a saint; it is an embodiment of spiritual…
In the heart of fourteenth-century Florence, a period defined by the delicate transition from the stylized elegance of the Gothic era to the burgeoning humanism of the Renaissance, Bernardo Daddi emerged as a master of light and devotion. His masterpiece, The Assumption of the Virgin, serves as a breathtaking window into a world where the earthly and the divine intersect. This tempera panel on wood, executed with a meticulous hand…
![Fixed Triptych: in the center, The Virgin and Child surrounded by twenty angels and four saints (John the Baptist and Peter on one side, Paul and Lawrence [?] on the other); on the left, The Nativity; on the right, The (1338) af Bernardo Daddi](/media/artworks/images-full/37/58/375831847b7950d4d8b4b167786d6c9f.jpg)
This Fixed Triptych: in the center, The Virgin and Child surrounded by twenty angels and four saints (John the Baptist and Peter on one side, Paul and Lawrence [?] on the other); on the left, The Nativity; on the right, The is a work by Bernardo Daddi. The artist, born in Florence, Italy, in 1290, crafted this composition in 1338. His hand guided the brush through the transition of eras…
The air within this architectural space feels heavy with the scent of fruit and the quiet murmur of a communal meal. Sunlight does not strike the scene from a single source; instead, a soft, diffused glow bathes the figures, casting no harsh shadows and creating a sense of eternal, suspended time. We find ourselves looking into a shallow, stage-like room where the boundaries of space are defined by elegant vertical…
Virgin and Child with Saints John the Baptist and Giles, Two Prophets, and Christ the Redeemer1334 · Philadelphia Museum of Art
12
The Nativity and the Annunciation to the Shepherds1336 · Museum of Fine Arts
13
Saint Paul and a Group of Worshippers1333 · National Gallery of Art
14
Saint Reparata Tortured with Red-Hot Irons1337 · Metropolitan Museum of Art
15
The Virgin and Child Enthroned with Saints (triptych, closed)1338 · Courtauld Gallery
16
Magus Adoring the Infant Christ and Bishop (triptych, right wing) (verso)1338 · Courtauld Gallery
17
Four Musical Angels1340 · Christ Church Picture Gallery
18
Saint Peter1330 · Courtauld Gallery
19
Two Magi and Bishop (triptych, left wing) (verso)1338 · Courtauld Gallery
20
The Group of saints.1330 · Czartoryski Museum
21
Birth of Christ1338 · Scottish National Gallery
22
Triptych: the Nativity, the Coronation of the Virgin, and the Crucifixion1339 · Gemäldegalerie
23
The Virgin and Child, with Christ Blessing1340 · Harvard Art Museums
24
Virgin and Child1345 · Yale University Art Gallery
25
Holy bishop wit a goldfinch1350 · Bavarian State Painting Collections
26
The Crucifixion (polyptych, panel 3 of 5)1348 · Courtauld Gallery
27
Saints Peter and Paul (polyptych, panel 4 of 5)1348 · Courtauld Gallery
28
Saints Bartholomew and George (polyptych, panel 2 of 5)1348 · Courtauld Gallery
29
Virgin and Child1346 · Isabella Stewart Gardner Museum
30
Saint Margret and Saint Agnes1507 · Musée des Beaux-Arts de Strasbourg
31
Christ on the Cross between the Virgin and Saints Mary Magdalene and John the Evangelist; left panel: The Agony in the Garden and Saints Peter and Paul; right panel: Saints Catherine of Alexandria and1334 · Harvard Art Museums
32
The Crucifixion1325 · Metropolitan Museum of Art
33
The Virgin Mary with Saints Thomas Aquinas and Paul1335 · J. Paul Getty Museum
34
Madonna and Child Enthroned with Saints1339 · Minneapolis Institute of Art
35
Madonna and Child1335 · Vatikanets Pinacoteca
36
Portable, Double Sided Cross (recto)1340 · Museo Poldi Pezzoli
37
Triptych1333 · Loggia del Bigallo
38
Virgin and Child with Saint Peter and Saint Paul1340 · Courtauld Gallery
39
Coronation of the Virgin1340 · Lindenau-Museum
40
The Coronation of the Virgin1340 · National Gallery
41
St Catherine of Alexandria with Donor and Christ Blessing (detail)1340 · Museo dell'Opera del Duomo
42
Crucifixion1345 · Lindenau-Museum
43
Crucifixion1320 · Worcester Art Museum
44
Madonna and Child with Saints1320 · Worcester Art Museum
45
The Nativity1340 · Metropolitan Museum of Art
46
Triptych1335 · Lindenau-Museum
47
The Vocation of Saint Dominic1338 · Yale University Art Gallery
48
The Crucifixion1325 · National Gallery of Art
49
Triptych (detail)1335 · Lindenau-Museum
50
The Martyrdom of St Stephen1324 · Santa Croce i Firenze
51
St Catherine of Alexandria with Donor and Christ Blessing1340 · Museo dell'Opera del Duomo
52
Crucifixion (detail)1345 · Lindenau-Museum
53
Virgin and Child1340 · Thyssen-Bornemisza Museum
54
Madonna and Child with Sts Matthew and Nicholas1328 · Galleria degli Uffizi
55
The Annunciation1335 · Louvre
56
Madonna and Child with Saints and Angels d8
57
Madonna and Child with Saints1340 · New Orleans Museum of Art
58
Orsanmichele Madonna and Child with Angels1346 · Orsanmichele
59
Virgin and Child Enthroned with Saints1343 · Museo Horne
60
Virgin and Child with Saints1338 · Courtauld Gallery
61
Portable, Double Sided Cross (verso)1340 · Museo Poldi Pezzoli
62
Triptych1338 · Staatliche Museen zu Berlin
63
The CrucifixionMuseum of Fine Arts
64
The NativityWallace Collection
65
Madonna and Child Enthroned with Saints
66
Madonna and Child Enthroned with Saints
67
Madonna and Child with Saints and Angels1345 · National Gallery of Art
68
Crucifixion1340 · Collezione Vittorio Cini
69
Polyptych of San Pancrazio: Predella panelGalleria degli Uffizi
70
Triptych of the Betrothal of St. Catherine Flanked with St. Bartholomew and St. Benedict?Nationalgalleriet i Prag
71
Madonna and Child with Saints and Angels d0
72
Madonna and Child with Saints and Angels d6
73
Madonna and Child with Saints and Angels d2
74
Madonna and Child with Saints and Angels d1
75
Madonna and Child with Saints and Angels d3
76
Madonna and Child with Saints and Angels d5
77
Madonna and Child with Saints and Angels d9
78
Madonna and Child with Saints and Angels d7
79
Madonna and Child with Saints and Angels d4
80
Polyptych of San Pancrazio: Predella panelRoyal Collection
81
Polyptych of San Pancrazio: Predella panelGalleria degli Uffizi
82
Polyptych of San PancrazioGalleria degli Uffizi
83
Saint Pancras Polyptych1338
84
Madonna and Child with Sts Matthew and Nicholas1328
85
Saint Lawrence1340 · Pinacoteca di Brera
86
Polyptych of the Madonna and four saints1332 · Museo Civico
87
Crucifix1340 · Museo Bardini
88
Story of the true Belt1337 · Museo Civico
89
Madonna and Child Enthroned with Angels and Saints1334 · Galleria degli Uffizi
#1 Saint Gregory the Great (in pinnacle: a Prophet)
#3 Saint Reparata before the Emperor Decius
#4 A Crowned Virgin Martyr (St. Catherine of Alexandria)
#5 Christ Enthroned with Saints
![Fixed Triptych: in the center, The Virgin and Child surrounded by twenty angels and four saints (John the Baptist and Peter on one side, Paul and Lawrence [?] on the other); on the left, The Nativity; on the right, The (1338), Bernardo Daddi](/media/artworks/images-thumb/f5/2d/f52d86206b7bcf980b56ec8430260132.jpg)
#9 Fixed Triptych: in the center, The Virgin and Child surrounded by twenty angels and four saints (John the Baptist and Peter on one side, Paul and Lawrence [?] on the other); on the left, The Nativity; on the right, The
De fire motiver, der er hyppigst repræsenteret i disse værker, hver med sit mest kendte eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Bernardo Daddi | Malerier fra denne liste |
|---|---|---|---|
 Courtauld Gallery |
London | 9 | The Virgin and Child Enthroned with Saints (triptych, closed), Magus Adoring the Infant Christ and Bishop (triptych, right wing) (verso), Saint Peter |
 Metropolitan Museum of Art |
New York | 7 | Saint Reparata Being Prepared for Execution, Saint Reparata before the Emperor Decius, Christ Enthroned with Saints |
 Lindenau-Museum |
Altengau | 5 | Coronation of the Virgin, Crucifixion, Triptych |
 Galleria degli Uffizi |
Firenze | 5 | Madonna and Child with Sts Matthew and Nicholas, Polyptych of San Pancrazio: Predella panel, Polyptych of San Pancrazio: Predella panel |
 Harvard Art Museums |
Cambridge | 3 | Saint Gregory the Great (in pinnacle: a Prophet), The Virgin and Child, with Christ Blessing, Christ on the Cross between the Virgin and Saints Mary Magdalene and John the Evangelist; left panel: The Agony in the Garden and Saints Peter and Paul; right panel: Saints Catherine of Alexandria and |
 National Gallery of Art |
Washington | 3 | Saint Paul and a Group of Worshippers, The Crucifixion, Madonna and Child with Saints and Angels |
 J. Paul Getty Museum |
Los Angeles | 2 | Arrival of Saint Ursula at Cologne, The Virgin Mary with Saints Thomas Aquinas and Paul |
 Staatliche Museen zu Berlin |
Berlin | 2 | The Temptation of St Thomas Aquinas, Triptych |
Vælg et årti for at vise dets vigtigste maleri.
The painted panel titled Saint Reparata Being Prepared for Execution is a work by the Florentine artist Bernardo Daddi. This piece dates to approximately 1338–1340. It is a tempera on panel composition that originated as part of a larger series from a high altarpiece. Specifically, the panel functioned as part of a predella, which is a two-tiered base, illustrating eight distinct scenes from the life of the saint.
The Crucifixion by Bernardo Daddi is a religious work dating to 1345. The composition focuses on the Crucifixion of Jesus Christ, a central subject in Christian iconography. This piece belongs to the Gothic Renaissance tradition, reflecting the stylistic developments of the mid-fourteenth century.
A single figure occupies the center of this vertical wooden panel, suspended against a flat, luminous gold ground. Saint Gregory the Great faces the viewer with a solemn, steady gaze. He is an elderly man, his face etched with the gravity of his station. He wears a white mitre, its surface adorned with a jeweled crown-like band that catches the light. Over his shoulders, a heavy red cope falls in…
A vertical silhouette emerges from a field of textured gold. St. Catherine of Alexandria is caught in a moment of quietude, her head tilted slightly toward the left. She wears a crown of gold, heavy with dark jewels, resting upon hair that meets the sharp point of a Gothic arch. Her tunic is the color of deep teal, draped in folds that catch the light, while an orange mantle wraps…
Saint Gregory the Great (in pinnacle: a Prophet) (1334), Harvard Art Museums, Cambridge. De følgende værker er Saint Reparata Being Prepared for Execution (1300) og Saint Reparata before the Emperor Decius (1338).
44 år: Bernardo Daddi blev født i 1290, og Saint Gregory the Great (in pinnacle: a Prophet) er dateret 1334.
Saint Gregory the Great (in pinnacle: a Prophet), Saint Reparata Being Prepared for Execution, Saint Reparata before the Emperor Decius, A Crowned Virgin Martyr (St. Catherine of Alexandria), Christ Enthroned with Saints, Arrival of Saint Ursula at Cologne, The Temptation of St Thomas Aquinas, The Assumption of the Virgin, Fixed Triptych: in the center, The Virgin and Child surrounded by twenty angels and four saints (John the Baptist and Peter on one side, Paul and Lawrence [?] on the other); on the left, The Nativity; on the right, The og The Wedding Feast of St Cecilia. Listen ovenfor viser datoen og det museum, der ejer hvert værk.
Kataloget indeholder 89 værker af Bernardo Daddi, dateret mellem 1300 og 1348.
Primært i Courtauld Gallery (London), Metropolitan Museum of Art (New York) og Lindenau-Museum (Altengau). Tabellen over museer ovenfor viser den fulde fordeling.
I 1330s: 33 af de 89 værker, der er listet på denne side, er dateret til den periode, herunder Saint Gregory the Great (in pinnacle: a Prophet).
Det tidligste værk på listen er fra Saint Reparata Being Prepared for Execution (1300); det nyeste er fra The Crucifixion (polyptych, panel 3 of 5) (1348).
Saints (27), Gold background (23) og Angels (23) ud af de 89 værker, der er listet på denne side.
Tempera On Panel, i 45 af de 89 værker, der er listet på denne side.
Gothic, som dokumenteret af værkerne på denne side.
The Virgin and Child Enthroned with Saints (triptych, closed), Magus Adoring the Infant Christ and Bishop (triptych, right wing) (verso) og Saint Peter er blandt de 9 værker på denne side i Courtauld Gallery, Londons samling.
Ja. Hvert værk på denne side kan bestilles fra sin egen underside som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du ønsker.
