Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 68 værker af Jan Van Scorel i vores katalog
Oversigt
Ifølge denne rangliste er Portrait of a Man (1525) det mest berømte maleri af Jan Van Scorel; det befinder sig på Staatliche Museen zu Berlin i Berlin. Det efterfølges af Portrait of a Man of Thirty-Two Years (1521) og Pilgrim (1535). Denne liste er baseret på de 68 værker af Jan Van Scorel i kataloget og viser de 68 mest berømte, med dato, museum og beskrivelse for hvert værk.
The year is 1433. Bruges, a burgeoning center of commerce and art in the Low Countries, hums with activity – the clang of blacksmiths' hammers, the chatter of merchants, and the meticulous brushstrokes of artists striving to capture the essence of their subjects. Within this vibrant scene, Jan van Eyck, one of the most innovative painters of his time, embarked on a remarkably intimate undertaking: a self-portrait, now known as…
Jan van Scorel's "Portrait of a Man of Thirty-Two Years," painted in 1521, is more than just a likeness; it’s a carefully constructed meditation on status, intellect, and the quiet dignity of Renaissance man. Emerging from the shadows of early Netherlandish painting, this half-length portrait captures a figure poised between youthful promise and seasoned wisdom – a testament to van Scorel's skill in rendering both physical detail and psychological depth.…
A dignified man emerges from an arched frame, his presence defined by the heavy textures of a fur collar and a dark, structured hat. He holds a wooden staff, a tool of the traveler, while his gaze remains steady and composed. The composition uses a medium close-up perspective, positioning the subject against a muted, teal-grey sky. In the distance, the soft silhouette of a fortification or castle sits upon a…
The scene unfolds within a quiet, sacred geometry. A central group of figures gathers, anchored by the deep blue of the Virgin Mary’s robe. She holds the Christ child, whose soft skin catches a pale, naturalistic light. Kneeling before them, a magus is draped in a cloak of heavy gold, the metallic sheen of the embroidery catching the eye against the muted tones of the surroundings. To the left, a…
The Portrait of Agatha van Schoonhoven is a painting by the Dutch artist Jan van Scorel. This work identifies its subject, Agatha van Schoonhoven, through a specific inscription located on the panel. The artist's hand is confirmed by the presence of a signature and date in the lower right corner of the composition.
The artwork titled Portrait of a Venetian Man is a painting by the artist Jan van Scorel. This work is categorized among Renaissance paintings and depicts a male portrait, though the specific identity of the subject remains unidentified. The piece is dated about 1520.
A young woman meets the viewer's eyes with a steady, unblinking gaze that pierces through the shadows of the past. She sits in a quiet, half-length pose, her body turned slightly away while her face remains fixed upon us, creating an immediate sense of intimacy. The light falls softly from the upper left, tracing the delicate contours of her face and the smooth, porcelain quality of her skin. She wears…
A Quiet Encounter The gaze of the young girl meets yours with an unexpected stillness. In this close-up bust view, the composition pulls us into her immediate presence, positioning her slightly off-center to create a sense of natural, unposed intimacy. There is a profound softness to the way the light falls from the upper left, brushing against her forehead and cheeks before receding into gentle shadows on the right side…
The scene unfolds within The Baptism of Christ, a work that captures a profound moment of spiritual transition. Jan van Scorel brings this biblical event to life, freezing the instant of divine encounter between the earthly and the celestial. The painting exists today within the halls of the Rijksmuseum in Amsterdam, where it remains a significant presence of the Northern Renaissance.
The Portrait of Anna of Lorraine, Consort of René de Chalon, Prince of Orange, Jan van Scorel (possibly copy after), after 1542 is an oil painting on panel attributed to Jan van Scorel. Dated 1542, the work captures the likeness of Anne, daughter of the Duke of Lorraine. She was the spouse of René II, Prince of Chalon, following their marriage on 20 August 1540.
The Adoration of the Magi1524 · National Gallery of Ireland
12
Virgin and Child1530 · Museum Boijmans Van Beuningen
13
The Virgin with wild roses1530 · Centraal Museum
14
The crucifixion1530 · Centraal Museum
15
Madonna and Child1527 · Centraal Museum
16
Adoration of the Magi.1530 · Centraal Museum
17
Christ Preaching on the Sea of Galilee1524 · Museum of Fine Arts
18
The Baptism of Christ in the Jordan1530 · Frans Hals Museet
19
The Holy Family and Saint John the Baptist under an Oak Tree (after Raphael)1524 · Glasgow Museums Resource Centre
20
Virgin and Child1528 · Gemäldegalerie
21
Portrait of a Man1530 · Musée des Beaux-Arts de Strasbourg
22
DECAYED Triptych,1538 · Groninger Museum
23
The bearing of the cross (interior left wing), the crucifixion (centre panel), the resurrection (interior right wing); portrait of the donor (exterior left wing), portrait of the donatric (exterior right wing)1534 · Museum Catharijneconvent
24
Portrait of a donor1534 · Museum Catharijneconvent
25
St. Paul1540 · Museum Catharijneconvent
26
Five Members of the Utrecht Brotherhood of Jerusalem Pilgrims1541 · Centraal Museum
27
Lamentation of Christ with donor1535 · Centraal Museum
28
Portrait of Cornelis Aertsz. van der Dussen (1481-1556)1537
29
Portrait of Willem van Lockhorst (1514-1564)1539 · Westfälisches Landesmuseum
30
Portrait of a man, possibly of Cornelis Aerentsz van der Dussen1537 · Kunsthandel P. de Boer
31
Portrait of Joost Aemsz. van der Burch (died 1570)1541
32
Portrait of Cornelis Aerentsz. van der Dussen, secretary of Delft as of 15361549 · Gemäldegalerie
33
Baptism of Christ1540 · Gemäldegalerie
34
Presentation of Jesus in the Temple1524 · Kunsthistorisches Museum
35
Cartouche with inscription and the motto of Johannes de Visscher van der Gheer: reeds that bend but do not break in the waves; the coats of arms De Visscher, bastard branch Culenborg and Van de Leck1555 · Centraal Museum
36
The Baptism of Christ1550 · Indianapolis Kunstmuseum
37
The raising of Lazarus1550 · Centraal Museum
38
Johannes Mellinchus1536 · Nationalmuseum
39
Virgin and Child1526 · Nationalmuseet for Antik Kunst
40
Madonna of the Daffodils with the Child and Donors1535 · Thyssen-Bornemisza Museum
41
Landscape with Tobias and the Angel1521 · Kunstpalast
42
Mary Magdalen1528 · Rijksmuseum
43
Portrait of a Man1520 · Liechtenstein Museum
44
Portrait of a Man1530 · Städel Museum
45
Landscape with Tournament and Hunters1519 · Art Institute of Chicago
46
Diptych1525
47
The Baptism of Christ1530 · Frans Halsmuseum
48
Portrait of a Schoolboy1531 · Museum Boijmans Van Beuningen
49
12 Members of the Haarlem Brotherhood of Jerusalem Pilgrims1528 · Frans Halsmuseum
50
David and Goliath1537 · Staatliche Kunstsammlungen Dresden
51
Portrait of a WomanDet Kongelige Museum for Fin Kunst Antwerpen
52
Male portraitBavarian State Painting Collections
53
the founder with uer patron
54
Lucretia1535 · Staatliche Museen zu Berlin
55
Landscape with Bathsheba, Jan van Scorel, c. 1540 - c. 15451545 · Rijksmuseum
56
Portrait of a Haarlem Citizen, Jan van Scorel, 15291529 · Rijksmuseum
57
Landscape with St. Magdalena as penitent
58
Maria + child and St. Anna
59
Portrait of Reinoud III of Brederode, Jan van Scorel, c. 15451545 · Rijksmuseum
60
Portrait of René de Chalon (c. 1519-1544), Prince of Orange, Jan van Scorel (possibly copy after), after 15421542
61
Virgin and Child1525 · Kartinnaja Galerija
62
Portrait of Joris van Egmond, Jan van Scorel, c. 1535 - c. 15401540 · Rijksmuseum
63
Solomon and the Queen of Sheba, Jan van Scorel (circle of), c. 1540 - c. 15451545 · Rijksmuseum
64
Portrait of Willem van Lokhorst (1514-64), Jan van Scorel (copy after), 15541554
65
The Dying Cleopatra, Jan van Scorel (attributed to), c. 1520 - c. 15241524 · Rijksmuseum
66
Portrait of David Joris1540 · Kunstmuseum Basel
67
Frangipani Altar1550
68
Mary Magdalene, Jan van Scorel, c. 15301530 · Rijksmuseum
De fire motiver, der er hyppigst repræsenteret i disse værker, hver med sit mest kendte eksempel.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Jan Van Scorel | Malerier fra denne liste |
|---|---|---|---|
 Rijksmuseum |
Amsterdam | 9 | The Baptism of Christ, Mary Magdalen, Landscape with Bathsheba, Jan van Scorel, c. 1540 - c. 1545 |
 Centraal Museum |
Utrecht | 8 | The Virgin with wild roses, The crucifixion, Madonna and Child |
 Gemäldegalerie |
Berlin | 3 | Virgin and Child, Portrait of Cornelis Aerentsz. van der Dussen, secretary of Delft as of 1536, Baptism of Christ |
 Museum Catharijneconvent |
Utrecht | 3 | The bearing of the cross (interior left wing), the crucifixion (centre panel), the resurrection (interior right wing); portrait of the donor (exterior left wing), portrait of the donatric (exterior right wing), Portrait of a donor, St. Paul |
 Staatliche Museen zu Berlin |
Berlin | 2 | Portrait of a Man, Lucretia |
 Art Institute of Chicago |
Chicago | 2 | Adoration of the Magi, Landscape with Tournament and Hunters |
 Kunsthistorisches Museum |
Wien | 2 | Girl's Head, Presentation of Jesus in the Temple |
 Museum Boijmans Van Beuningen |
Rotterdam | 2 | Virgin and Child, Portrait of a Schoolboy |
Vælg et årti for at vise dets vigtigste maleri.
The scene unfolds within a quiet, sacred geometry. A central group of figures gathers, anchored by the deep blue of the Virgin Mary’s robe. She holds the Christ child, whose soft skin catches a pale, naturalistic light. Kneeling before them, a magus is draped in a cloak of heavy gold, the metallic sheen of the embroidery catching the eye against the muted tones of the surroundings. To the left, a…
The year is 1433. Bruges, a burgeoning center of commerce and art in the Low Countries, hums with activity – the clang of blacksmiths' hammers, the chatter of merchants, and the meticulous brushstrokes of artists striving to capture the essence of their subjects. Within this vibrant scene, Jan van Eyck, one of the most innovative painters of his time, embarked on a remarkably intimate undertaking: a self-portrait, now known as…
A dignified man emerges from an arched frame, his presence defined by the heavy textures of a fur collar and a dark, structured hat. He holds a wooden staff, a tool of the traveler, while his gaze remains steady and composed. The composition uses a medium close-up perspective, positioning the subject against a muted, teal-grey sky. In the distance, the soft silhouette of a fortification or castle sits upon a…
The Portrait of Anna of Lorraine, Consort of René de Chalon, Prince of Orange, Jan van Scorel (possibly copy after), after 1542 is an oil painting on panel attributed to Jan van Scorel. Dated 1542, the work captures the likeness of Anne, daughter of the Duke of Lorraine. She was the spouse of René II, Prince of Chalon, following their marriage on 20 August 1540.
Portrait of a Man (1525), Staatliche Museen zu Berlin, Berlin. De følgende værker er Portrait of a Man of Thirty-Two Years (1521) og Pilgrim (1535).
30 år: Jan Van Scorel blev født i 1495, og Portrait of a Man er dateret 1525.
Portrait of a Man, Portrait of a Man of Thirty-Two Years, Pilgrim, Adoration of the Magi, Portrait of Agatha van Schoonhoven, Portrait of a Venetian Man, Portrait of a Lady, Girl's Head, The Baptism of Christ og Portrait of Anna of Lorraine, Consort of René de Chalon, Prince of Orange, Jan van Scorel (possibly copy after), after 1542. Listen ovenfor viser datoen og det museum, der ejer hvert værk.
Kataloget indeholder 68 værker af Jan Van Scorel, dateret mellem 1519 og 1555.
Primært i Rijksmuseum (Amsterdam), Centraal Museum (Utrecht) og Gemäldegalerie (Berlin). Tabellen over museer ovenfor viser den fulde fordeling.
I 1530s: 25 af de 68 værker, der er listet på denne side, er dateret til den periode, herunder Pilgrim.
Det tidligste værk på listen er fra Adoration of the Magi (1519); det nyeste er fra Cartouche with inscription and the motto of Johannes de Visscher van der Gheer: reeds that bend but do not break in the waves; the coats of arms De Visscher, bastard branch Culenborg and Van de Leck (1555).
Landscape (13), Woman (11) og Man (10) ud af de 68 værker, der er listet på denne side.
Oil On Panel, i 14 af de 68 værker, der er listet på denne side.
Northern renaissance og Renaissance, som dokumenteret af værkerne på denne side.
The Baptism of Christ, Mary Magdalen og Landscape with Bathsheba, Jan van Scorel, c. 1540 - c. 1545 er blandt de 9 værker på denne side i Rijksmuseum, Amsterdams samling.
Ja. Hvert værk på denne side kan bestilles fra sin egen underside som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du ønsker.
