Portræt af John Ramage

List of the 23 Most Famous Paintings by John Ramage

Opdateret oktober 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 23 værker af John Ramage i vores katalog

Sammendrag

The most widely known painting by John Ramage is Portrait of a Gentleman (1780), in the collection of the Metropolitan Museum of Art, New York. The next entries are Major Greene, B.A (1777) and Gilbert Van Cortlandt (1785). The catalogue documents 23 works by John Ramage; the 23 entries below are the best known, listed in rank order with date, holding museum and description.

1748 – 1802, Dublin Neoclassicism Flest værker: Metropolitan Museum of Art

John Ramage: the 10 principal paintings

John Ramage: entries 11 to 23

Principal subjects in the work of John Ramage

The four subjects most frequently represented among these works, each with its best-known example.

John Ramage: holding museums

De 5 museer, der rummer flest af malerierne på denne side.

Museum By Værker af John Ramage Malerier fra denne liste
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 17 Portrait of a Gentleman, Major Greene, B.A, Gilbert Van Cortlandt
Nationalmuseum, StockholmNationalmuseum Stockholm 1 Mrs. James Bleecker (Sarah Bache)
Hermitage Museum, Sankt PetersborgHermitage Museum Sankt Petersborg 1 George Washington
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 1 Col. Josiah Parker
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 Portrait of Augustine Taylor

John Ramage: principal painting of each decade

Værker per årti

Select a decade to display its principal painting.

John Ramage's paintings: reference questions

Which painting by John Ramage is the most widely known?Display the answer

Portrait of a Gentleman (1780), Metropolitan Museum of Art, New York. The following entries are Major Greene, B.A (1777) and Gilbert Van Cortlandt (1785).

What was the age of John Ramage when Portrait of a Gentleman was painted?Display the answer

32 years: John Ramage was born in 1748 and Portrait of a Gentleman is dated 1780.

Which ten paintings by John Ramage are the best known?Display the answer

Portrait of a Gentleman, Major Greene, B.A, Gilbert Van Cortlandt, Governor George Clinton, Mrs. James Bleecker (Sarah Bache), Portrait of a Gentleman, Mrs. William Few (Catherine Nicholson), Mrs. Gulian Ludlow (Maria Ludlow), Thomas Witter og Theophylact Bache. The list above records the date and holding museum of each.

How many works by John Ramage are documented?Display the answer

The catalogue records 23 works by John Ramage, dated between 1777 and 1795.

Which museums hold the best-known paintings of John Ramage?Display the answer

Principally in Metropolitan Museum of Art (New York), Nationalmuseum (Stockholm) og Hermitage Museum (Sankt Petersborg). The museum table above gives the full distribution.

In which period were John Ramage's best-known works painted?Display the answer

In 1780s: 13 of the 23 works listed on this page are dated to that period, including Portrait of a Gentleman.

Which are the earliest and latest dated works by John Ramage on this list?Display the answer

The earliest dated work listed here is Major Greene, B.A (1777); the latest is Mrs. James Bleecker (Sarah Bache) (1795).

Which subjects recur most in the work of John Ramage?Display the answer

18th century (4), Historical figure (4) og Portraiture (3), out of the 23 works listed on this page.

With which art movement is John Ramage associated?Display the answer

Neoclassicism, as documented by the works on this page.

Which works by John Ramage are in the collection of the Metropolitan Museum of Art?Display the answer

Portrait of a Gentleman, Major Greene, B.A og Gilbert Van Cortlandt are among the 17 works on this page in the collection of the Metropolitan Museum of Art, New York.

Are reproductions of paintings by John Ramage available?Display the answer

Yes. Each work listed on this page can be ordered from its own entry as a hand-painted oil reproduction or a fine art print, in a size of your choice.

John Ramage: biographical notes

A Life Bridging Worlds: The Story of John Ramage

John Ramage’s life unfolded as a remarkable confluence of artistic passion and historical circumstance, transporting him from the refined elegance of Dublin goldsmithing to the burgeoning dynamism of colonial America. Details concerning his early familial origins remain shrouded in obscurity—however, it is established that he received formal instruction at the Dublin Society of Artists in 1763, establishing a foundational understanding of drawing and painting techniques destined to shape his future endeavors. Ramage’s initial vocation proved remarkably versatile; he seamlessly blended the precision demanded by goldsmithing with the delicate artistry inherent in miniaturist pursuits—a reflection of his innate aptitude for meticulous detail and decorative arts. This formative period instilled within him not merely technical proficiency but also a profound appreciation for craftsmanship that would characterize his artistic output throughout his life.

Loyalty, Love, and Revolution: Navigating Turbulent Times

Ramage’s arrival in North America coincided with an era defined by palpable political tension—the American Revolution. A staunch Loyalist, his allegiance steadfastly adhered to the British Crown, propelling him into membership of “the Loyal Irish Volunteers” in Boston—a military unit dedicated to safeguarding the city against rebel aggression. This unwavering devotion to the monarchy profoundly impacted his personal life; in 1776, he married Victoria Ball, yet this union swiftly complicated by another marriage to a woman known solely as “Mrs. Taylor” whilst stationed in Halifax. The ensuing legal disputes and eventual divorce granted to Ball illuminated the complexities of Ramage’s existence during wartime—a period underscored not merely by political upheaval but also by personal turmoil. Forced to evacuate Boston with British forces under General William Howe, he embarked upon a journey back to Halifax before ultimately relocating by June 1777 to New York City, seeking refuge amidst the ongoing conflict and continuing his artistic practice within a landscape dominated by British occupation. His commitment extended beyond mere artistic creation; Ramage served as a second lieutenant in the City Militia of New York, demonstrating an active engagement with defending the city he had come to consider home.

The Miniature Master: A Portraitist of an Emerging Nation

Despite the pervasive anxieties engendered by revolution and political division, Ramage flourished as an artist, swiftly gaining renown for his exquisite portrait miniatures on ivory—a particularly fashionable art form at the time, prized for its intimacy and portability. His skill resided in the masterful application of delicately shaded cross-hatching and fine linear strokes to sculpt faces with astonishing realism and sensitivity. He didn’t merely replicate likenesses; he captured character, social standing, and a palpable sense of individual presence within each miniature—a testament to his artistic vision. Ramage’s clientele rapidly expanded to encompass prominent figures from New York society—the Pintards, Gerrys, Ludlows, Van Rensselaers, and Van Cortlands all sought his services—reflecting the prestige he achieved as a miniaturist during this formative period. Beyond his painting prowess, Ramage’s goldsmithing skills were equally valued; he crafted elegant cases for his miniatures, demonstrating a holistic artistic sensibility that harmonized artistry with meticulous craftsmanship. Contemporaries recognized his exceptional talent, proclaiming him “the best artist in his branch in America,” as documented by William R. Dunlap—a judgment reflecting the enduring significance of Ramage’s contribution to the art world.

Notable Works

  • Portrait of George Washington (1789): This iconic miniature portrait, commissioned by Martha Washington and authenticated by George Washington's diary, stands as Ramage’s most celebrated achievement—marking him as the inaugural artist tasked with formally portraying the President upon his inauguration. Sold at auction in 2001 for $1.2 million, it represents the highest price ever paid for an American miniature.
  • John Maunsell (1785): A rare and elegantly rendered miniature depicting John Maunsell—a distinguished gentleman adorned in a russet coat and gold vest embellished with stripes—demonstrates Ramage’s mastery of capturing character and conveying subtle nuances of expression.
  • Miniature Portraits of Prominent New York Families: Ramage produced numerous portraits commemorating influential families residing in New York City during the revolutionary era, including commissions from figures such as Pintards, Gerrys, Ludlows, Van Rensselaers, and Van Cortlands—providing invaluable insights into colonial society’s artistic tastes and social dynamics.
## A Final Chapter Marked by Hardship and Legacy The latter years of John Ramage’s life were unfortunately burdened by considerable financial difficulties and personal sorrow—facing mounting debts in 1794, he fled to Montreal in an attempt to evade prosecution for bigamy—a perilous undertaking that culminated in a harrowing ordeal during his journey—including near drowning and debilitating illness. Despite these adversities, Ramage persevered in pursuing his artistic vocation, documenting his efforts as “extraordinary pictures,” though success proved elusive. On October 24, 1802, John Ramage breathed his last in Montreal—leaving behind a legacy enshrined primarily through his distinction as the first artist to portray George Washington during his presidency—a feat that secures his place within history and underscores the enduring impact of his artistic talent. His miniatures continue to fascinate scholars and collectors alike, offering invaluable glimpses into the visual culture of late eighteenth-century America—a testament to Ramage’s profound contribution to the annals of art history.

Alle 23 værker af John Ramage →