1
Werner Büttner: Katalog over de 1 mest berømte malerier
Opdateret november 2026 · rangeret efter vores popularitetsscore (søgninger, besøg og ordrer for hvert værk) · 2 værker af Werner Büttner i vores katalog
Oversigt
The third world pushing its way to the regulars' table (1981) er registreret som Werner Büttners mest berømte maleri; det er i Städel Museums samling i Frankfurt. Af de 2 værker af Werner Büttner, der er registreret i kataloget, er de 1 mest kendte listet nedenfor, hver med dato, det museum der besidder værket og en note om værket.
født 1954, Jena
Flest værker: Städel Museum
Nummer 1 til 10: de mest berømte Werner Büttner malerier
Werner Büttner: museer med værker
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Werner Büttner | Malerier fra denne liste |
|---|---|---|---|
 Städel Museum |
Frankfurt | 1 | The third world pushing its way to the regulars' table |
Årstal: de vigtigste Werner Büttner malerier
Hver dateret Werner Büttner-indgang på denne side er angivet med årstallet 1981; værkerne er opført efter rangering.
Værker per år
Vælg et årstal for at se de vigtigste malerier fra det år.
Ofte stillede spørgsmål om Werner Büttner's malerier
Hvad er Werner Büttners mest kendte værk?Vis svaret
The third world pushing its way to the regulars' table (1981)
Hvor gammel var Werner Büttner i året for The third world pushing its way to the regulars' table?Vis svaret
27 år: Werner Büttner blev født i 1954, og The third world pushing its way to the regulars' table er dateret 1981.
Hvor mange værker af Werner Büttner er registreret i kataloget?Vis svaret
Kataloget indeholder 2 værker af Werner Büttner.
Hvor findes de vigtigste værker af Werner Büttner?Vis svaret
Primært i Städel Museum (Frankfurt). Tabellen over museer ovenfor viser den fulde fordeling.
Biografi om Werner Büttner
The Artistic Evolution of Werner Büttner
Born in Jena, Germany, Werner Büttner moved to Munich with his parents in 1961 before relocating to Berlin in 1968. After studying law at the Freie Universität Berlin from 1973 to 1977, he worked as a social assistant in the Tegel correctional facility. His early career was marked by the founding of various organizations, such as the Dum-Dum-Liga-Journal and the Liga zur Bekämpfung des widersprüchlichen Verhaltens, the latter established with Albert Oehlen. During the 1980s, Büttner was associated with the Neuen or Jungen Wilden movement, a group of painters who advocated for a Rückkehr der Malerei, or a return to painting, moving away from conceptual art. His work during this period was characterized as neo-expressionist and neo-dadaist, often utilizing humorous and sarcastic references to everyday life within his titles and subjects.
Teaching and Later Works
Büttner’s influence extended into academia, where he served as a lecturer and later as a professor at the Hochschule für Bildende Künste in Hamburg from 1989 to 2021. During his tenure, he taught painting and was involved in university politics, mentoring students such as Daniel Richter and Matvey Slavin. In addition to his teaching, he co-founded the Meter-Verlag with Albert Oehlen. His later artistic focus has shifted toward neo-dadaist collages, which have been exhibited at venues like the Deichtorhallen in Hamburg. His work is held in several collections, including: