Arnold Bocklin

Style: Symbolism;

Place: Basel

Born: 1827

Death: 1901

Biography:

Early Life and Training

Arnold Böcklin

, a Swiss symbolist painter, was born on October 16, 1827, in Basel, Switzerland. His father, Christian Frederick Böcklin, descended from an old family of Schaffhausen and engaged in the silk trade. Arnold's mother, Ursula Lippe, was a native of the same city. He studied at the Düsseldorf academy under Schirmer, becoming a friend of Anselm Feuerbach. Böcklin is associated with the Düsseldorf school of painting.

Artistic Career and Symbolism

Böcklin's artistic journey took him to various cities, including Paris, where he worked at the Louvre, and Rome, where he was influenced by its sights. His work often featured allegorical and mythological figures in settings involving classical architecture, exploring themes of death and mortality.

Great Park, one of his earliest works, showcased ancient mythology.
Nymph and Satyr (1858) and Sappho (1859) were notable works from this period.
Böcklin's Portrait of Myself, with Death playing a violin (1872) exemplified his unique style.

Legacy and Influence

Böcklin is best known for his five versions of The Isle of the Dead (1880-1886), which evoked the English Cemetery in Florence, where his daughter was buried. His work influenced younger artists like Hans Thoma and inspired several late-Romantic composers.

Clement Greenberg described Böcklin's work as "one of the most consummate expressions" of its time.
Böcklin's style overlapped with the Pre-Raphaelites, emphasizing the world of dreams and mysticism.