plonk
et replonk
Plonk et Replonk: Architects of Absurdity in the Belle Époque The Swiss collective Plonk et Replonk isn’t merely creating art; they're excavating a peculiar, delightfully skewed history. Emerging from the quiet Jura mountains of La Chaux-de-Fonds in 1995 – a town historically synonymous with watchmaking …
A portrait built from plonk et replonk's own colours
Every 1 approved work contributes its dominant tone to a single flowing field. Sorted along the hue wheel, the strip reads as a smooth spectrum. Click any band to reveal its full four-colour palette.
Bands follow the hue wheel; visually identical tones are merged.
Every painting, placed on the hue wheel
Each dot is a work — its angle set by hue, its distance from the centre by saturation. Hover a dot to see the painting.
The signature, in numbers
Where the colour came from
Up to 24 paintings representing the most frequent palette tones — each shown with its dominant colours.
