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pierre joseph redouté

1759 - 1840

Quick Facts

  • Art period: Early Modern
  • Top-ranked work: Over cup white oak, or, Quercus macrocarpa
  • Top 3 works:
    • Over cup white oak, or, Quercus macrocarpa
    • Yucca Filamentosa, from Les Liliacees
    • Baccharis halimifolia
  • Nationality: Belgium
  • Born: 1759, Saint-Hubert, Belgium
  • Museums on APS:
    • The Morton Arboretum
    • Huntington Museum of Art
    • Huntington Museum of Art
    • The Morton Arboretum
    • Huntington Museum of Art
  • More…
  • Also known as: pierre joseph redoute
  • Copyright status: Public domain
  • Creative periods: mature period
  • Lifespan: 81 years
  • Works on APS: 24
  • Died: 1840

Art Quiz

There is only one correct answer for each question.

Question 1:
Where was Pierre-Joseph Redouté born?
Question 2:
Who was a significant patron of Redouté, leading to his work at the Château de Malmaison?
Question 3:
What artistic medium was Redouté most known for using in his botanical illustrations?
Question 4:
Which of the following best describes Redouté's nickname?

Early Life and Training

  • Born: July 10, 1759, in Saint-Hubert, Belgium
  • Family of Artists: His father and grandfather were painters; his elder brother was a scenery designer.
  • Early Career: Left home at age 13 to work as an itinerant painter, creating interior decorations, portraits, and religious commissions.
  • Move to Paris (1782): Joined his brother in painting scenery for theaters in Paris.

Botanical Illustration and Patronage

  • Meeting Botanists: Met Charles Louis L'Héritier de Brutelle and René Desfontaines, who introduced him to botanical illustration.
  • Mentorship: Studied under L'Héritier and Gerard van Spaendonck, learning dissection techniques and watercolor handling.
  • Royal Patronage: Became draughtsman and painter to Queen Marie Antoinette.
  • Empress Joséphine’s Patronage (1798): Became the official artist for Empress Joséphine de Beauharnais at the Château de Malmaison, gaining access to a vast collection of exotic plants.
  • Teaching: Taught painting to Princess Adélaïde of Orléans in 1809.

Major Works and Artistic Style

  • Les Liliacées (The Lilies): A series of books published between 1802 and 1816, featuring over 400 hand-colored plates depicting lily-like plants.
  • Les Roses (The Roses): Published between 1817 and 1824, containing nearly 170 plates showcasing different rose varieties.
  • Watercolor Technique: Mastered watercolor painting, using meticulous brushwork and subtle shading to capture the delicate beauty of flowers.
  • Composition: Often featured a single flower as the central focus, surrounded by leaves and stems.

Influences and Historical Significance

  • Flemish and Dutch Flower Painters: Considered an important heir to the tradition of Brueghel, Ruysch, van Huysum, and de Heem.
  • Jan van Huysum: Inspired by the work of this Dutch eighteenth-century flower painter during his early career.
  • "Raphael of Flowers": Nicknamed for his exceptional skill and artistry.
  • Legacy: Considered one of the greatest botanical illustrators of all time, influencing subsequent generations of artists. His works remain highly valued for their precision, accuracy, and beauty.

Later Life and Death

  • Appointment at the Museum: Appointed a master of draughtsmanship for the National Museum of Natural History in 1822.
  • Legion of Honour: Became a Chevalier of the Legion of Honour in 1825.
  • Death: Died suddenly on June 19 or 20, 1840, and was interred in Père Lachaise Cemetery.



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