Retrato de Washington Allston

Lista de las 68 pinturas más famosas de Washington Allston

Actualizado octubre 2026 · clasificado según nuestro índice de popularidad (búsquedas, visitas y pedidos de cada obra) · 68 obras de Washington Allston en nuestro catálogo

Resumen

La pintura más conocida de Washington Allston es Autorretrato (1799), que forma parte de la colección del Harvard Art Museums, Cambridge. Las siguientes entradas son Portrait of Captain A.H. Pray of the Boston Fusiliers (1796) y Dead Man Restored to Life by Touching the Bones of the Prophet Elisha (1811). El catálogo documenta 68 obras de Washington Allston; las 68 entradas a continuación son las más conocidas, listadas por orden de clasificación con fecha, museo de titularidad y descripción.

1779 – 1843, Charleston Pintura de paisaje romántica Más obras: Museo de Bellas Artes

Washington Allston: las 10 pinturas principales

1
Autorretrato (1799) de Washington Allston

Autorretrato

1799 · Óleo sobre lienzo · Harvard Art Museums, Cambridge

Un joven contempla la oscuridad. Se presenta en una vista de tres cuartos, con una mirada firme e imperturbable dirigida hacia el espectador. Una única y potente fuente de luz incide sobre el lado izquierdo de su rostro, esculpiendo sus facciones entre las tinieblas. Esta iluminación resalta el blanco nítido de su corbatín y los planos suaves de su piel, permitiendo que el resto de su figura se disuelva en…

Washington Allston: entradas de 11 a 68

11Diana on a Chase (1805) de Washington AllstonDiana on a Chase1805 · Harvard Art Museums 12Study for "Jason Returning to Demand His Father's Kingdom" (1807) de Washington AllstonStudy for "Jason Returning to Demand His Father's Kingdom"1807 · Harvard Art Museums 13Jeremiah Dictating His Prophecy of  the Destruction of Jerusalem to Baruch the Scribe (1820) de Washington AllstonJeremiah Dictating His Prophecy of the Destruction of Jerusalem to Baruch the Scribe1820 · Yale University Art Gallery 14Beatrice (1819) de Washington AllstonBeatrice1819 · Museo de Bellas Artes 15Donna Mencia in the Robber's Cavern (1815) de Washington AllstonDonna Mencia in the Robber's Cavern1815 · Museo de Bellas Artes 16Head of a Jew (1817) de Washington AllstonHead of a Jew1817 · Museo de Bellas Artes 17Study for Belshazzar's Feast (1817) de Washington AllstonStudy for Belshazzar's Feast1817 · Museo de Bellas Artes 18Study for "Belshazzar's Feast"; verso: Studies for "Angel Releasing Saint Peter from Prison" (1817) de Washington AllstonStudy for "Belshazzar's Feast"; verso: Studies for "Angel Releasing Saint Peter from Prison"1817 · Harvard Art Museums 19Rebecca at the Well (1816) de Washington AllstonRebecca at the Well1816 · Harvard Art Museums 20A Study from Life [and] Study for Angel Releasing Saint Peter from Prison (1815) de Washington AllstonA Study from Life [and] Study for Angel Releasing Saint Peter from Prison1815 · Metropolitan Museum of Art 21A Tuscan Girl (1831) de Washington AllstonA Tuscan Girl1831 · New Britain Museum of American Art 22Loammi Baldwin, Jr. (1780-1838); verso: Study for Female Head (1823) de Washington AllstonLoammi Baldwin, Jr. (1780-1838); verso: Study for Female Head1823 · Harvard Art Museums 23Ideal Head (1835) de Washington AllstonIdeal Head1835 · Rhode Island School of Design Museum of Art 24Las hermanas (1816) de Washington AllstonLas hermanas1816 · Harvard Art Museums 25Elías alimentado por los cuervos (1818) de Washington AllstonElías alimentado por los cuervos1818 · Museo de Bellas Artes 26A Landscape after Sunset (1819) de Washington AllstonA Landscape after Sunset1819 · National Gallery of Art 27Paisaje iluminado por la luna (1819) de Washington AllstonPaisaje iluminado por la luna1819 · Museo de Bellas Artes 28El surgimiento de una tormenta eléctrica en el mar (1804) de Washington AllstonEl surgimiento de una tormenta eléctrica en el mar1804 · Museo de Bellas Artes 29Italian Shepard Boy de Washington AllstonItalian Shepard BoyDetroit Institute of Arts 30Rising of a Thunderstorm at Sea (1804) de Washington AllstonRising of a Thunderstorm at Sea1804 · Museo de Bellas Artes 31Landscape with a Lake (1804) de Washington AllstonLandscape with a Lake1804 · Museo de Bellas Artes 32Jacob's Dream (1817) de Washington AllstonJacob's Dream1817 · Petworth House 33Hermina and Helena (1815) de Washington AllstonHermina and Helena1815 34Miriam the Prophetess (1821) de Washington AllstonMiriam the Prophetess1821 35Paisaje italiano (1814) de Washington AllstonPaisaje italiano1814 · Toledo Museum of Art 36Ship in a Squall (1827) de Washington AllstonShip in a Squall1827 · Harvard Art Museums 37Landscape, American Scenery: Time, Afternoon, with a Southwest Haze (1835) de Washington AllstonLandscape, American Scenery: Time, Afternoon, with a Southwest Haze1835 · Museo de Bellas Artes 38Landscape Composition (1834) de Washington AllstonLandscape Composition1834 · Harvard Art Museums 39The Angel Releasing St. Peter from Prison de Washington AllstonThe Angel Releasing St. Peter from PrisonMuseo de Bellas Artes 40Romantic Landscape de Washington AllstonRomantic Landscape 41HEAD OF A JEW de Washington AllstonHEAD OF A JEWNational Portrait Gallery of Sweden 42Moses and the Serpent de Washington AllstonMoses and the Serpent 43Benjamin Lynde, Sr de Washington AllstonBenjamin Lynde, Sr 44Saul and the Witch of Endor de Washington AllstonSaul and the Witch of Endor 45Jovencito pastor italiano (1819) de Washington AllstonJovencito pastor italiano1819 · Detroit Institute of Arts 46Dr. John King (1814) de Washington AllstonDr. John King1814 · Fine Arts Museums of San Francisco 47Italian Landscape (1828) de Washington AllstonItalian Landscape1828 · Detroit Institute of Arts 48An American Landscape de Washington AllstonAn American LandscapeNational Gallery of Ireland 49Head of Saint Peter: Study for ''The Angel Releasing Saint Peter from Prison'' de Washington AllstonHead of Saint Peter: Study for ''The Angel Releasing Saint Peter from Prison''Pennsylvania Academy of Fine Arts 50Storm Rising at Sea de Washington AllstonStorm Rising at Sea 51Christ Healing the Sick de Washington AllstonChrist Healing the SickMuseo de Arte de Worcester 52The Spanish Girl in Reverie de Washington AllstonThe Spanish Girl in Reverie 53Classical Landscape de Washington AllstonClassical Landscape 54Samuel Williams de Washington AllstonSamuel WilliamsCleveland Museum of Art 55Jason Returning to Demand his Father's Kingdom de Washington AllstonJason Returning to Demand his Father's KingdomLowe Art Museum 56Landscape With A Lake de Washington AllstonLandscape With A Lake 57The Tippler de Washington AllstonThe Tippler 58David Playing before Saul de Washington AllstonDavid Playing before Saul 59Belshazzar's Feat de Washington AllstonBelshazzar's FeatDetroit Institute of Arts 60Samuel Taylor Coleridge de Washington AllstonSamuel Taylor ColeridgeNational Portrait Gallery 61The Opening of the Casket de Washington AllstonThe Opening of the Casket 62Angel Releasing St. Peter from Prison de Washington AllstonAngel Releasing St. Peter from Prison 63Meeting of Lear and Cordelia de Washington AllstonMeeting of Lear and Cordelia 64Coast Scene on the Mediterranean de Washington AllstonCoast Scene on the Mediterranean 65Hermia and Helena de Washington AllstonHermia and HelenaSmithsonian American Art Museum 66Uriel Standing in the Sun (1817) de Washington AllstonUriel Standing in the Sun1817 · Mugar Memorial Library 67La huida de Florimel (1819) de Washington AllstonLa huida de Florimel1819 · Detroit Institute of Arts 68La joven española en ensueño (1831) de Washington AllstonLa joven española en ensueño1831 · Metropolitan Museum of Art

Washington Allston: obras por período

Temas principales en la obra de Washington Allston

Los cuatro temas más representados en estas obras, cada uno con su ejemplo más emblemático.

Washington Allston: en museos

Los 8 museos que albergan la mayoría de las pinturas de esta página.

Museos Ciudad Obras de Washington Allston Pinturas de esta lista
Museo de Bellas Artes, BostonMuseo de Bellas Artes Boston 14 The Poor Author and the Rich Bookseller, William Ellery Channing, Self Portrait
Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 11 Autorretrato, First study for "Christ Healing the Sick", Samuel Taylor Coleridge (1772-1834)
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 5 Italian Shepard Boy, Jovencito pastor italiano, Italian Landscape
Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 2 Portrait of Captain A.H. Pray of the Boston Fusiliers, Ideal Head
Pennsylvania Academy of Fine Arts, FiladelfiaPennsylvania Academy of Fine Arts Filadelfia 2 Dead Man Restored to Life by Touching the Bones of the Prophet Elisha, Head of Saint Peter: Study for ''The Angel Releasing Saint Peter from Prison''
Metropolitan Museum of Art, Nueva YorkMetropolitan Museum of Art Nueva York 2 A Study from Life [and] Study for Angel Releasing Saint Peter from Prison, La joven española en ensueño
Philadelphia Museum of Art, FiladelfiaPhiladelphia Museum of Art Filadelfia 1 Katharina and Petruchio (Scene from Shakespeare's "The Taming of the Shrew")
Yale University Art Gallery, New HavenYale University Art Gallery New Haven 1 Jeremiah Dictating His Prophecy of the Destruction of Jerusalem to Baruch the Scribe

Washington Allston: pintura principal de cada década

Obras por década

Seleccione una década para mostrar su pintura principal.

Pinturas de Washington Allston: preguntas de referencia

¿Cuál es la pintura más conocida de Washington Allston?Mostrar la respuesta

Autorretrato (1799), Harvard Art Museums, Cambridge. Las siguientes entradas son Portrait of Captain A.H. Pray of the Boston Fusiliers (1796) y Dead Man Restored to Life by Touching the Bones of the Prophet Elisha (1811).

¿Qué edad tenía Washington Allston cuando se pintó Autorretrato?Mostrar la respuesta

20 años: Washington Allston nació en 1779 y Autorretrato data de 1799.

¿Cuáles son las diez pinturas más conocidas de Washington Allston?Mostrar la respuesta

Autorretrato, Portrait of Captain A.H. Pray of the Boston Fusiliers, Dead Man Restored to Life by Touching the Bones of the Prophet Elisha, The Poor Author and the Rich Bookseller, William Ellery Channing, Self Portrait, Katharina and Petruchio (Scene from Shakespeare's "The Taming of the Shrew"), Petruchio attacks the Tailor in Act III, scene IV of The Taming of the Shrew, First study for "Christ Healing the Sick" y Samuel Taylor Coleridge (1772-1834). La lista anterior indica la fecha y el museo que las custodia.

¿Cuántas obras de Washington Allston están documentadas?Mostrar la respuesta

El catálogo registra 68 obras de Washington Allston, fechadas entre 1796 y 1835.

¿Qué museos albergan las pinturas más conocidas de Washington Allston?Mostrar la respuesta

Principalmente en Museo de Bellas Artes (Boston), Harvard Art Museums (Cambridge) y Detroit Institute of Arts (Detroit). La tabla de museos anterior muestra la distribución completa.

¿En qué periodo se pintaron las obras más conocidas de Washington Allston?Mostrar la respuesta

En 1810s: 22 de las 68 obras listadas en esta página pertenecen a ese periodo, incluyendo Dead Man Restored to Life by Touching the Bones of the Prophet Elisha.

¿Cuáles son las obras más antiguas y más recientes de Washington Allston en esta lista?Mostrar la respuesta

La obra con la fecha más antigua listada aquí es Portrait of Captain A.H. Pray of the Boston Fusiliers (1796); la más reciente es Ideal Head (1835).

¿Qué temas se repiten más en la obra de Washington Allston?Mostrar la respuesta

Romanticismo (6), Men (5) y Landscape (4), de un total de 68 obras listadas en esta página.

¿Qué técnica predomina en la obra de Washington Allston?Mostrar la respuesta

Óleo sobre lienzo, en 8 de las 68 obras listadas en esta página.

¿Con qué movimiento artístico se asocia Washington Allston?Mostrar la respuesta

Pintura de paisaje romántica, tal como lo documentan las obras de esta página.

¿Qué obras de Washington Allston forman parte de la colección del Museo de Bellas Artes?Mostrar la respuesta

The Poor Author and the Rich Bookseller, William Ellery Channing y Self Portrait se encuentran entre las 14 obras de esta página en la colección del Museo de Bellas Artes, Boston.

Washington Allston: notas biográficas

A Pioneer of American Romanticism

Washington Allston, a name perhaps less immediately recognizable than some of his contemporaries, occupies a pivotal position in the development of American art. Born November 5, 1779, on a South Carolina rice plantation – a landscape that would subtly inform his later artistic sensibilities – Allston’s life was one of intellectual pursuit and aesthetic experimentation. His early years were marked by both privilege and complexity; the shadow of familial loss hung over him following his father's death during the Revolutionary War, and the realities of plantation life undoubtedly shaped his worldview. A solid education at Harvard College provided a foundation for his burgeoning artistic ambitions, but it was a journey to Europe in 1801 that truly ignited his creative spirit.

European Influences and Artistic Formation

London became Allston’s crucible, where he entered the Royal Academy Schools under the tutelage of Sir Benjamin West, a prominent figure in British art and a key link between European traditions and American aspirations. This period was transformative. He immersed himself in the Old Masters, particularly the Venetian Renaissance artists whose mastery of light, color, and atmospheric perspective would profoundly influence his own style. Travel throughout Europe – Paris and Italy especially – exposed him to a wealth of artistic heritage and fostered intellectual connections with luminaries like Washington Irving and Samuel Taylor Coleridge. These friendships were not merely social; they represented a confluence of Romantic thought that permeated Allston’s work, imbuing it with literary and philosophical depth. He wasn't simply replicating what he saw; he was absorbing the spirit of an era defined by emotion, imagination, and a fascination with the sublime. His stylistic kinship with Venetian masters like Titian cemented his reputation as “The American Rembrandt,” highlighting the profound impact of European artistic traditions on his creative process.

A Distinctly American Voice

Upon his return to America in 1818, Allston settled in Cambridge, Massachusetts, and began to forge a distinctly American Romantic aesthetic. He rejected academic conventions, prioritizing expressive color palettes and dramatic compositions that captured the grandeur and terror of nature. His paintings moved beyond mere representation, aiming instead to evoke emotional and spiritual responses in the viewer. He was often lauded as “The American Titian,” a testament to his stylistic similarities with the Venetian master, but this comparison doesn’t fully capture the originality of his vision. Works like "Storm Rising at Sea" and "Moonlit Landscape," both housed at the Museum of Fine Arts, Boston, exemplify his masterful use of light and shadow, his ability to convey the power and mystery of nature, and his exploration of literary themes – particularly those drawn from biblical stories. He wasn’t simply painting landscapes; he was creating visual poems, imbued with a sense of awe and wonder. His unfinished masterpiece, “Belshazzar's Feast,” though never completed in his lifetime, stands as a testament to his ambition and his willingness to grapple with complex narratives and profound emotional states.

Major Achievements and Legacy

Washington Allston’s contribution to American art is undeniable. He established himself as one of the foremost landscape painters of his time, securing commissions from prominent patrons and garnering critical acclaim for his evocative depictions of wilderness scenes. His paintings continue to inspire artists and scholars alike, demonstrating the enduring power of Romantic idealism and artistic innovation. Furthermore, he fostered intellectual dialogues with fellow writers and thinkers like Ralph Waldo Emerson, shaping the cultural landscape of Boston during the Transcendentalist movement. The establishment of the Allston Club by William Morris Hunt solidified his legacy, ensuring that his techniques and artistic vision were passed down to subsequent generations. He was more than just a painter; he was a visionary who helped define what it meant to be an American artist in the 19th century—a figure whose influence resonates even today.