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Benozzo Gozzoli Populaarseimad maalid

25 kõige populaarsemat teost Benozzo Gozzoli küsutud teost, järjestatuna populaarsuse järjekorras, koos iga käsitsi maalatud reproduktsiooni kirjelduse ja hinnaga.

Trükki 2026 täideanne · 25 teost Iga teos maaldetakse tellimustööna
Lina-põhine kangas · Autentsiidi sertifikaat · Tarne üle maailma Benozzo Gozzoli · 1420 – 1497

Üks magus Melchoir

Avastage Benozzo Gozzoli teost 'Üks magus Melchoir'! Virl Renaissance-fresko, mis näitab ühte detailset ja rikkalikku sümbolikat. Ideaalne kunstihuvilistele ja sisekujunduse jaoks.

Vaata teos

Madonna and Child with Sts Francis and Bernardine, and Fra Jacopo

Vaata kõige populaarsemat teost kunstnikult Benozzo Gozzoli, mis on järjekorras #2: Madonna and Child with Sts Francis and Bernardine, and Fra Jacopo

1452 · Kunsthistorisches Museum, Viin · originaal 34 x 54 cm

Experience Benozzo Gozzoli's vibrant Renaissance masterpiece of Madonna and Child with Sts Francis and Bernardine; discover this richly detailed Italian gem today.

Tehnika: Käsitööna lina ontoililt maaldetud
Valmistatud: Tellimiseks, koolitatud kunstniku poolt
Populaarsus: No. 2 229 teosepidest kunstniku Benozzo Gozzoli teosena
Tarne: Üle maailma uimeles, u-e 5 nädalat

alates$17741 × 24 cm Tellinige seda teost

Originaadiga samas suuruses$20254 × 34 cm Tellinema originaadmõidus

Madonna della Cintola (detail)

1450 · Pinacoteca Vaticana, Vatican City

Experience the vibrant international gothic splendor of Benozzo Gozzoli's Madonna della Cintola fresco from 1450; discover this masterpiece of Renaissance devotion today.

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Triumph of St Thomas Aquinas

1471 · Louvre'i muuseum, Paris · originaal 230 x 102 cm

A luminous display of divine light and theological grandeur defines Benozzo Gozzoli's 1471 Florentine Renaissance masterpiece Triumph of St Thomas Aquinas, inviting you to explore this exquisite era of sacred art.

Tehnika: Käsitööna lina ontoililt maaldetud
Valmistatud: Tellimiseks, koolitatud kunstniku poolt
Populaarsus: No. 4 229 teosepidest kunstniku Benozzo Gozzoli teosena
Tarne: Üle maailma uimeles, u-e 5 nädalat

alates$17721 × 48 cm Tellinige seda teost

Originaadiga samas suuruses$831102 × 230 cm Tellinema originaadmõidus

Madonna della Cintola

1450 · Pinacoteca Vaticana, Vatican City · originaal 133 x 165 cm

Admire Benozzo Gozzoli's Madonna della Cintola – a stunning Renaissance fresco depicting Mary and Jesus amidst angelic figures, showcasing masterful tempera technique and intricate detail at the Pinacoteca Vaticana.

Tehnika: Käsitööna lina ontoililt maaldetud
Valmistatud: Tellimiseks, koolitatud kunstniku poolt
Populaarsus: No. 5 229 teosepidest kunstniku Benozzo Gozzoli teosena
Tarne: Üle maailma uimeles, u-e 5 nädalat

alates$17733 × 30 cm Tellinige seda teost

Originaadiga samas suuruses$788165 × 133 cm Tellinema originaadmõidus

San Domenico Annunciation

1449 · Pinacoteca Comunale, Narni · originaal 120 x 140 cm

Benozzo Gozzoli’s ‘San Domenico Annunciation,’ painted in 1449, bursts with vibrant color and intricate detail, showcasing the artist's signature international gothic style. This stunning fresco depicts a religious scene with kneeling women and angelic figures – discover this masterpiece or own a unique reproduction.

Tehnika: Käsitööna lina ontoililt maaldetud
Valmistatud: Tellimiseks, koolitatud kunstniku poolt
Populaarsus: No. 6 229 teosepidest kunstniku Benozzo Gozzoli teosena
Tarne: Üle maailma uimeles, u-e 5 nädalat

alates$17737 × 27 cm Tellinige seda teost

Originaadiga samas suuruses$639140 × 120 cm Tellinema originaadmõidus

Stigmatization of St. Francis

1452 · originaal 220 x 270 cm

Experience the spiritual devotion of Stigmatization of St. Francis by Benozzo Gozzoli (1452), a vibrant Renaissance fresco masterpiece; discover this timeless piece today.

Vaata teos

Madonna and Child

1460 · Detroit Institute of Arts, Detroit · originaal 84 x 50 cm

Benozzo Gozzoli’s opulent ‘Madonna and Child’ fresco bursts with Renaissance color and intricate detail, showcasing a masterful blend of International Gothic style and religious devotion. Admire this stunning 1460 artwork – a timeless celebration of faith perfect for your collection.

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Expulsion of Joachim from the Temple

1491 · Biblioteca Comunale, Castelfiorentino

Experience the dramatic tension of Benozzo Gozzoli's 1491 fresco depicting Joachim's expulsion from the temple; discover this Renaissance masterpiece today.

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The Dance of Salome

1461 · National Gallery of Art, Washington · originaal 23 x 34 cm

Discover Benozzo Gozzoli’s ‘Dance of Salome,’ a vibrant 1461 tempera panel depicting a religious scene. Explore Early Renaissance detail & dramatic composition at the National Gallery.

Tehnika: Käsitööna lina ontoililt maaldetud
Valmistatud: Tellimiseks, koolitatud kunstniku poolt
Populaarsus: No. 10 229 teosepidest kunstniku Benozzo Gozzoli teosena
Tarne: Üle maailma uimeles, u-e 5 nädalat

alates$37738 × 26 cm Tellinige seda teost

Madonna and Child Giving Blessings

1449 · Santa Maria sopra Minerva, Rooma · originaal 254 x 130 cm

Admire Benozzo Gozzoli's masterpiece – Madonna and Child Giving Blessings – a vibrant fresco depicting a procession before a majestic castle, showcasing intricate detail and international gothic influence.

Vaata teos

Saint Peter and Simon Magus

Metropolitani Kunstimuuseum, New York · originaal 40 x 46 cm

Experience the vibrant storytelling of Benozzo Gozzoli's 'Saint Peter and Simon Magus,' commissioned by Florence's Alessandri family to revitalize a Gothic altarpiece. Explore biblical narratives with meticulous detail and international gothic influence.

Tehnika: Käsitööna lina ontoililt maaldetud
Valmistatud: Tellimiseks, koolitatud kunstniku poolt
Populaarsus: No. 12 229 teosepidest kunstniku Benozzo Gozzoli teosena
Tarne: Üle maailma uimeles, u-e 5 nädalat

alates$17734 × 30 cm Tellinige seda teost

Originaadiga samas suuruses$20246 × 40 cm Tellinema originaadmõidus

Women at the Tomb (detail)

1440 · San Marco kloster, Firenze

Explore Benozzo Gozzoli's masterpiece 'Women at the Tomb,' a vibrant fresco depicting biblical figures at San Marco Cathedral, Florence. Discover its symbolism and artistic innovation.

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View of the Chapel

1459 · Palazzo Medici-Riccardi, Firenze

Benozzo Gozzoli’s radiant ‘View of the Chapel,’ executed in 1459, bursts with joyous procession and vibrant color—a masterful blend of Gothic elegance and Renaissance dynamism. Explore this iconic fresco by Fra Angelico's protégé and Cosimo I’s visionary patron.

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Päevalampi kiriku müür

1450 · San Francesco, Montefalco

Benozzo Gozzoli maalitud Päevalampi kiriku müür aastal 1452. Vaadake rohkem suurte kunstiteoste kogumikesse WikiArt.org – parim visuaalne kunstibüroo.

Vaata teos

The Virgin and Child with Saints

1476 · Rahvusgalerii (National Gallery of Canada), Ottawa · originaal 152.5 x 157.5cm

This Renaissance sacra conversazione by Benozzo Gozzoli features sacred figures in rich detail. Discover the beauty of this masterpiece today.

Tehnika: Käsitööna lina ontoililt maaldetud
Valmistatud: Tellimiseks, koolitatud kunstniku poolt
Populaarsus: No. 16 229 teosepidest kunstniku Benozzo Gozzoli teosena
Tarne: Üle maailma uimeles, u-e 5 nädalat

alates$32732 × 32 cm Tellinige seda teost

Originaadiga samas suuruses$997158 × 153 cm Tellinema originaadmõidus

Virgin and Child Enthroned between Saint Dominic and a Papal Saint (formerly attributed to Domenico di Michelino)

Vaata kõige populaarsemat teost kunstnikult Benozzo Gozzoli, mis on järjekorras #17: Virgin and Child Enthroned between Saint Dominic and a Papal Saint (formerly attributed to Domenico di Michelino)

1430 · Courtauld Gallery, London · originaal 16.4 x 10.9cm

This Early Renaissance tempera painting by Benozzo Gozzoli features sacred figures in rich colors. Discover this divine masterpiece today.

Tehnika: Käsitööna lina ontoililt maaldetud
Valmistatud: Tellimiseks, koolitatud kunstniku poolt
Populaarsus: No. 17 229 teosepidest kunstniku Benozzo Gozzoli teosena
Tarne: Üle maailma uimeles, u-e 5 nädalat

alates$22725 × 39 cm Tellinige seda teost

Fall of Simon Magus

1461 · Royal Collection, London · originaal 24 x 35 cm

Delving deeper into Benozzo Gozzoli’s artistic legacy reveals collaborations with Fra Angelico and Lorenzo Ghiberti, showcasing his influence on Renaissance art. His monumental frescoes in Florence and Rome stand as testaments to his skill and vision.

Tehnika: Käsitööna lina ontoililt maaldetud
Valmistatud: Tellimiseks, koolitatud kunstniku poolt
Populaarsus: No. 18 229 teosepidest kunstniku Benozzo Gozzoli teosena
Tarne: Üle maailma uimeles, u-e 5 nädalat

alates$17737 × 27 cm Tellinige seda teost

Madonna and Child between Sts Andrew and Prosper (detail)

1466 · Museo Civico, San Gimignano · originaal 137 x 138 cm

Benozzo Gozzoli’s ‘Madonna and Child’ (1466) bursts with vibrant color and intricate detail in a classic Renaissance style, depicting the Virgin Mary with Sts. Andrew and Prosper amidst angelic figures. Explore this exquisite fresco and bring home a timeless masterpiece.

Tehnika: Käsitööna lina ontoililt maaldetud
Valmistatud: Tellimiseks, koolitatud kunstniku poolt
Populaarsus: No. 19 229 teosepidest kunstniku Benozzo Gozzoli teosena
Tarne: Üle maailma uimeles, u-e 5 nädalat

alates$17728 × 36 cm Tellinige seda teost

Originaadiga samas suuruses$700137 × 138 cm Tellinema originaadmõidus

Madonna and Child with Angels

1450 · Barnes Foundation, Philadelphia · originaal 47.0 x 28.6cm

This serene Early Renaissance painting by Benozzo Gozzoli features the Madonna and Child. Explore this divine masterpiece today.

Tehnika: Käsitööna lina ontoililt maaldetud
Valmistatud: Tellimiseks, koolitatud kunstniku poolt
Populaarsus: No. 20 229 teosepidest kunstniku Benozzo Gozzoli teosena
Tarne: Üle maailma uimeles, u-e 5 nädalat

alates$30225 × 40 cm Tellinige seda teost

Originaadiga samas suuruses$31229 × 47 cm Tellinema originaadmõidus

Tabernacle of the Madonna delle Tosse: Maria lactans

1484

Experience the rich earth tones of Benozzo Gozzoli's Early Renaissance fresco, Maria Lactans, depicting a divine scene; discover this masterpiece reproduction today.

Vaata teos

St Anthony of Padua

1450 · Santa Maria in Aracoeli, Roma

Benozzo Gozzoli (1420-1497) was a Florentine Renaissance painter celebrated for his monumental frescoes—particularly the Magi Chapel cycle—that blended Gothic grandeur with emerging Renaissance sensibilities. Trained by Fra Angelico, he collaborated on iconic projects like the Baptistery Doors of Florence.

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Death of Mary

1484 · Biblioteca Comunale, Castelfiorentino

Witness the poignant 'Death of Mary' by Benozzo Gozzoli (1484). This stunning fresco, part of the Tabernacle of the Madonna delle Tosse, depicts a dramatic scene with layered space and profound symbolism. Explore its rich narrative & Renaissance artistry.

Tehnika: Käsitööna lina ontoililt maaldetud
Valmistatud: Tellimiseks, koolitatud kunstniku poolt
Populaarsus: No. 23 229 teosepidest kunstniku Benozzo Gozzoli teosena
Tarne: Üle maailma uimeles, u-e 5 nädalat

alates$17732 × 31 cm Tellinige seda teost

Madonna with Child

1460 · Krakovi Riiklik Muuseum, Krakov · originaal 34.5 x 25.2cm

Tehnika: Käsitööna lina ontoililt maaldetud
Valmistatud: Tellimiseks, koolitatud kunstniku poolt
Populaarsus: No. 24 229 teosepidest kunstniku Benozzo Gozzoli teosena
Tarne: Üle maailma uimeles, u-e 5 nädalat

alates$20228 × 36 cm Tellinige seda teost

Saint Ursula with Two Angels and Donor

1460 · originaal 61 x 42 cm

Tehnika: Käsitööna lina ontoililt maaldetud
Valmistatud: Tellimiseks, koolitatud kunstniku poolt
Populaarsus: No. 25 229 teosepidest kunstniku Benozzo Gozzoli teosena
Tarne: Üle maailma uimeles, u-e 5 nädalat

alates$17725 × 40 cm Tellinige seda teost

Originaadiga samas suuruses$22342 × 61 cm Tellinema originaadmõidus

Kunstnik

Benozzo Gozzoli

1420 – 1497

Kiired faktid

Museums on APSLouvre'i muuseum, Detroit Institute of Arts, Kunsthistorisches Museum, Thyssen-Bornemisza Museo, Pinacoteca di Brera
Lifespan77 years
Movementsearly renaissance
Copyright statusPublic domain
NationalityItaalia
Art periodRenessanss
Creative periodsearly renaissance
Best occasionsaktsentne element, kultuuriline

Biograafia

The Life and Training of Benozzo Gozzoli

Born Benozzo di Lese, the man who would become known as Benozzo Gozzoli entered the world around 1421. His early years were shaped by the movement of his family, who left their village of Sant'Ilario a Colombano to settle in Florence in 1427. This relocation placed him at the very heart of a changing era, where the traditions of the past were beginning to meet new ways of seeing the world. Before he ever took up the brush to command a large fresco, he learned the meticulous discipline of a goldsmith. This early training in metalwork instilled in him a precision that would later define his approach to every surface he touched.

His path as a painter was cleared when he entered the workshop of Fra Angelico. As a pupil and assistant to the master, Benozzo Gozzoli did more than simply observe; he labored alongside him, helping to execute the sacred decorations that adorned the dormitory cells of the Convent of San Marco in Florence. Through this apprenticeship, he absorbed a refined sense of grace and a devotion to detail that would remain with him throughout his long career. He was a man of great industry, moving between the workshops of Florence and the grander commissions of the papacy, always carrying the lessons of his early masters into the service of his patrons.

Artistic Activity in Florence and Rome

The path of Benozzo Gozzoli led him through the most significant centers of the Italian Renaissance, where his hands were shaped by the hands of masters. In Florence, his early years were spent in the shadow of Fra Angelico. As a pupil and assistant, he labored within the Convent of San Marco, helping to execute the fresco decorations that adorn the dormitory cells. This period of apprenticeship was not merely about learning technique, but about absorbing a specific way of seeing the divine through meticulous detail. His presence in the city was constant, as he moved between the workshops of Florence and the sacred spaces of the surrounding hills.

By 1447, his reputation and his association with Fra Angelico drew him toward the heart of papal power. He traveled to Rome, entering a world of high patronage and grand ambitions. There, under the watchful eye of Pope Eugene IV, he worked within the Vatican Palace. These years in Rome allowed him to expand his reach beyond the Tuscan borders, establishing himself as a painter capable of meeting the demands of the highest ecclesiastical authorities. His movement between the spiritual quietude of the Florentine convents and the political splendor of the Roman court defined his professional life for decades.

Women at the Tomb (detail) - Convent of San Marco, Florence
St Anthony of Padua - Santa Maria in Aracoeli, Rome

Artistic Style and Technical Mastery

The hand of Gozzoli carried the lingering grace of the International Gothic style into the changing light of the early Renaissance. He possessed a particular talent for weaving together a sense of elegance with a sophisticated understanding of perspective, allowing his figures to inhabit spaces that felt both decorative and structured. His brushwork often favored an elaborate ornamentation, dressing his subjects in a manner that spoke of worldly splendor. This was most evident in his preference for a palette of deep, commanding colors, where reds and golds were used to catch the light and draw the eye through his compositions.

In his most ambitious works, he relied heavily on the fresco technique, applying his pigments directly onto wet plaster to achieve a lasting luminosity. This method required a steady hand and a quick mind, as the artist had to work while the surface was still damp to ensure the colors became a permanent part of the wall. Through this process, he achieved a textural depth that brought his religious narratives to life, blending the meticulous detail he learned from his training with a new, more naturalistic approach to the world around him. His ability to layer glazes and pigments allowed for subtle gradations of color, creating a shimmering effect that made the celestial and the earthly feel closely intertwined.

The Feast of Herod and the Beheading of Saint John the Baptist, 1461-1462
Saint Ursula with Two Angels and Donor, c. 1455/1460
The Raising of Lazarus, mid 1490s

Major Commissions and Notable Works

The artist’s hands were often occupied by the grandest tasks of his age. Between 1444 and 1447, he found himself working alongside Lorenzo Ghiberti on the Paradise Doors of the Florence Baptistery, a collaboration that placed his skill among the most significant bronze works of the era. This period of intense activity saw him moving through the sacred spaces of Italy, bringing his particular vision to various altars and chapels. In 1450, he traveled to Narni to paint an Annunciation, a work that captured the attention of those seeking the refined grace he had learned from his master.

His most celebrated narrative work emerged in the Magi Chapel of the Palazzo Medici-Riccardi. From 1459 to 1461, he filled the walls with the procession of the Magi to Bethlehem, creating a scene of movement and life that reflected the splendor of the Medici court. These frescoes were not merely religious scenes but were filled with the details of contemporary life, populating the sacred story with a sense of worldly presence. He brought this same devotion to the monastery of San Fortunato near Montefalco, where he painted the Madonna and Child positioned between St. Francis and St. Bernardine of Siena.

The Paradise Doors of the Florence Baptistery (1444–1447)
Annunciation in Narni (1450)
The Magi Chapel frescoes (1459–1461)
Madonna and Child with St. Francis and St. Bernardine of Siena

Where to See His Masterpieces Today

To witness the splendor of his most celebrated frescoes, one must travel to Florence. There, within the Palazzo Medici-Riccardi, the walls of the Magi Chapel hold the details of the procession of the Magi. These murals capture a sense of movement and life that once filled the private spaces of the Medici family. The colors and the intricate details of the figures remain as they were when the artists first applied pigment to the plaster.

Beyond the borders of Italy, his hand can be found in many great halls and galleries. In Paris, the Louvre holds the Triumph of St. Thomas Aquinas, a work that displays his ability to handle tempera on panel. Across the Atlantic, the National Gallery of Art in Washington presents The Feast of Herod and the Beheading of Saint John the Baptist, a piece that reveals the dramatic weight of his storytelling. In the Detroit Institute of Arts, one may find the Madonna and Child, which offers a glimpse into the devotional works that defined his career.

Women at the Tomb, 1440–1441
Madonna and Child, 1460
The Dance of Salome, 1461
The Vintage and Drunkenness of Noah, 1469–1484

Küsimused ja vastused

Millest riigist on pärit Benozzo Gozzoli?

Benozzo Gozzoli sündis riigis Itaalia.

Kust leida Benozzo Gozzoli teoseid tehnika järgi grupeerituna?

Et leida kõik Benozzo Gozzoli teosed teatud tehnikas, külastage artisti lehte Kõik tehnikad.

Kas saan Benozzo Gozzoli teoseid otsida märksõnade alusel?

Benozzo Gozzoli teoseid saab otsida märksõnade kaupa artisti Märksõnade kaupa lehelt. Iga märksõna koondab endasse vastavad teosed.

WikiOO.org toimetus Uuendatud: 15. oktoober 2026

Kogumisi harrastavate quiz

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