Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 39 teost Jan Matsys meie kataloogis
Kokkuvõte
Jan Matsys kõige tuntum teos on Merry Company (1564), mis kuulub Viin Kunsthistorisches Museum kogele. Järgmised esindajad on Saint Jerome (1530) ja The Rent Receiver's Office (1514). Kataloog dokumenteerib 39 teost kunstnikult Jan Matsys; alljärgnevad 39 kirja on kõige tuntumad teosed, esitatud rangis järdkorras koos kuupäeva, muuseumi ja kirjeldusega.
The oil on panel work titled Merry Company is a genre scene by the Flemish painter Jan Matsys. Created in 1564, the painting captures a specific moment of Netherlandish life. It resides within the collection of the Kunsthistorisches Museum in Vienna.
This Northern Renaissance oil painting presents a profound and contemplative scene of Saint Jerome situated within a scholarly study. The composition is centered on the elderly saint, whose figure dominates the midground, framed by an interior setting filled with books and scholarly tools. He is depicted wearing a rich, saturated crimson robe, which stands in stark contrast to the warm, earthy browns of the wooden bookshelves, desk, and architectural elements.…
The Rent Receiver's Office emerges from the hand of Jan Matsys, a Flemish Renaissance painter. Born in Antwerp, Matsys carried the weight of his lineage and the precision of his craft into this specific composition. The work is a product of the early sixteenth century, dating to about 1514.
In this intimate oil painting, titled Holy Family with Saint Elisabeth and Saint John the Baptist, Jan Matsys presents a sacred gathering of figures. Created about 1535, the work focuses on a quiet, domestic moment of divine significance. The composition centers on the Virgin Mary, who holds the Christ Child, creating a focal point of tenderness within the group.
In "Two Men Praying" by Jan Matsys, the world narrows to a shallow, intimate close-up. Two elderly men occupy the frame, their presence heavy with a sense of spiritual closeness. On the left, a man faces forward, eyes closed against the light, his hands clasped in a silent, rhythmic prayer. To his side, another man is captured in profile, his gaze directed toward his companion with a serene, contemplative expression.…
Jan Matsys executed Judith with the Head of Holofernes in 1543. This oil on panel work presents the biblical scene of Judith with the head of Holofernes. The composition captures the moment of the general's decapitation, a subject central to Northern Renaissance religious narratives.
In this work, titled Judith Holding the Head of Holophernes, we encounter a significant example of the Flemish Renaissance. The painting was executed by Jan Matsys around 1543. It represents a moment in the artist's career where his specific handling of the human form and historical narrative began to take on a distinct character.
In this oil painting, the figure of Saint Jerome emerges from the shadows, caught in a moment of profound spiritual weight. Painted by Jan Matsys about 1537, the work presents a man deeply immersed in the quiet struggles of the soul. The subject matter centers on themes of mortality, wisdom, and devotion, pulling the viewer into a private space of intense contemplation. Every line of the saint's weathered form suggests…
The oil on panel work titled Judith with the Head of Holofernes was executed by the Flemish painter Jan Matsys in 1543. This painting captures the moment the heroine Judith beheads the general Holofernes. Her blade serves the purpose of saving the Israelites from the Assyrian king Nebuchadnezzar. The figure of the woman remains the central focus of the composition.
In A Merry Company, Jan Matsys presents a lively genre scene that captures a moment of social gathering. The painting depicts a group of men and women clustered around a table in an indoor setting. There is a palpable sense of revelry as the figures engage in music and drinking. Some figures appear lost in the rhythm of a lute, while others focus on the contents of their goblets. This…
St. Jerome in Meditation1550 · Dallas Museum of Art
12
The Virgin and the Infant Christ1550 · Kunsthandel P. de Boer
13
Susannah and the Elders1556
14
Cheerful Company1562 · Moravian Gallery in Brno
15
The Card Players1557 · Petworth House
16
Lot and his Daughter1563 · Kunsthistorisches Museum
17
Old Woman tearing at her Hair1553 · Museo del Prado
18
The Healing of Tobit1550 · Royal Museum of Fine Arts Antwerp
19
Mary and Joseph find no lodgings in Bethlehem1558 · Royal Museum of Fine Arts Antwerp
20
The ill-matched lovers1561 · Statens Museum For Kunst
21
Susanna and the Elders1564 · Norton Simoni muuseum
22
Holy Family1550
23
Mary Magdalene1560
24
Saint Jerome in His Study1574
25
The apostle Paul1565 · Bavaria riiklikud maalidema kogumikud
26
The Calling of Elisha1572 · Royal Museum of Fine Arts Antwerp
27
The Ill-matched Pair1566 · Nationalmuseum
28
Susanna spyed upon by the Elders (Daniel 13:1-63)1567 · Belgia Kuninglikud Fine Artsi muuseumid
29
Elijah and the widow of Zarephath (1 Kings 17:7-24)1565 · Staatliche Kunsthalle Karlsruhe
30
Tarquin and LucretiaPalais des Beaux-Arts de Lille
31
LucretiaGemäldegalerie
32
Ill-Matched CoupleRoyal Museum of Fine Arts Antwerp
33
De Kruisdraging1515 · Rijksmuseum
34
Head of An Old Man1525 · Museu Nacional d'Art de Catalunya
35
Virgin and Child, Saint Catherine and Saint Barbara1510
36
Portrait of Peter Gilles1517 · Royal Museum of Fine Arts Antwerp
37
Venus Cythereia1561 · Nationalmuseum
38
Ill-Matched Marriage (The Marriage Contract)1530 · Museu de Arte de São Paulo Assis Chateaubriand
39
Charity1550 · Palazzo Bianco
Neli kõige sagedamini esindatud teemat nende teosede seas, millist igaüks on esindatud oma kõige tuntema näidega.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Jan Matsys teosid | Selle nimekirja maalid |
|---|---|---|---|
 Royal Museum of Fine Arts Antwerp |
Antverp | 5 | The Healing of Tobit, Mary and Joseph find no lodgings in Bethlehem, The Calling of Elisha |
 Nationalmuseum |
Stockholm | 4 | The Rent Receiver's Office, A Merry Company, The Ill-matched Pair |
 Kunsthistorisches Museum |
Viin | 3 | Merry Company, Saint Jerome, Lot and his Daughter |
 Bavaria riiklikud maalidema kogumikud |
München | 3 | Two Men Praying, Judith with the Head of Holofernes, The apostle Paul |
 Museo del Prado |
Madrid | 2 | Saint Jerome, Old Woman tearing at her Hair |
 Carnegie Kunstimuuseum |
Pittsburgh | 1 | Holy Family with Saint Elisabeth and Saint John the Baptist |
 Museum of Fine Arts |
Boston | 1 | Judith with the Head of Holofernes |
 Dallas Museum of Art |
Dallas | 1 | St. Jerome in Meditation |
Valige vuosakülg, et näita selle peateos.
The gaze of the subject meets us directly in Head of An Old Man, a portrait that emerges from the shadows of the Northern Renaissance. Created by Quentin Matsys in 1525, this work captures a singular moment of human presence. The artist, Quentin Matsys, focuses entirely on the weathered features of the sitter, stripping away the distractions of a wider landscape to prioritize the character etched into the skin. Every…
This Northern Renaissance oil painting presents a profound and contemplative scene of Saint Jerome situated within a scholarly study. The composition is centered on the elderly saint, whose figure dominates the midground, framed by an interior setting filled with books and scholarly tools. He is depicted wearing a rich, saturated crimson robe, which stands in stark contrast to the warm, earthy browns of the wooden bookshelves, desk, and architectural elements.…
In "Two Men Praying" by Jan Matsys, the world narrows to a shallow, intimate close-up. Two elderly men occupy the frame, their presence heavy with a sense of spiritual closeness. On the left, a man faces forward, eyes closed against the light, his hands clasped in a silent, rhythmic prayer. To his side, another man is captured in profile, his gaze directed toward his companion with a serene, contemplative expression.…
St. Jerome in Meditation is an oil painting by Jan Matsys, dated about 1550. The work presents the saint in a moment of profound religious contemplation, surrounded by the tools of his scholarship and the symbols of his ascetic life.
The oil on panel work titled Merry Company is a genre scene by the Flemish painter Jan Matsys. Created in 1564, the painting captures a specific moment of Netherlandish life. It resides within the collection of the Kunsthistorisches Museum in Vienna.
Saint Jerome in His Study is an oil painting by Jan Matsys. The work is dated 1530. This composition depicts a man engaged in the act of writing within a scholarly and religious setting. The subject matter focuses on themes of mortality, wisdom, and devotion.
Merry Company (1564), Kunsthistorisches Museum, Viin. Järgnevad teosed on Saint Jerome (1530) ja The Rent Receiver's Office (1514).
55 aastat: Jan Matsys sündis aastal 1509 ning teos Merry Company on pärinev aastast 1564.
Merry Company, Saint Jerome, The Rent Receiver's Office, Holy Family with Saint Elisabeth and Saint John the Baptist, Two Men Praying, Judith with the Head of Holofernes, Judith Holding the Head of Holophernes, Saint Jerome, Judith with the Head of Holofernes ja A Merry Company. Üleolev nimekiri sisaldab iga teose kuupõeva ja säilitav müsenum.
Kataloogis on 39 teost kunstnikult Jan Matsys, mis on pärinevad ajastust 1517 kuni 1574.
Peamiselt Royal Museum of Fine Arts Antwerp (Antverp), Nationalmuseum (Stockholm) ja Kunsthistorisches Museum (Viin). Ülemine muuseumide tabel annab täieliku jaotuse.
Ajalisel perioodil 1560s: 11 39 sellel lehel loetletud teosest kuulub sellesse ajajuhku, sealhulgas Merry Company.
Siin loeteldud kõige vanem teos on Portrait of Peter Gilles (1517); kõige uuem on Saint Jerome in His Study (1574).
Man (20), Woman (19) ja People (7), 39 sellel lehel loetletud teose külmest.
Oil, 39 tööd sellel lehel, sellest 19 tööd.
Northern renaissance, mida dokumenteerivad sellel lehel olevad teosed.
The Healing of Tobit, Mary and Joseph find no lodgings in Bethlehem ja The Calling of Elisha on üks 5 teosest Royal Museum of Fine Arts Antwerp, Antverp kollektsioonis sellel lehel.
See, mis teeb Matsys'i töödest tõeliselt eristuva, on peidetud, kuid igas asjas kättesaga symbolism kasutamine. Ta ei leinunud pelgalt stseenide kirjeldamisega; ta täitis need tähenduste kihtidega, pakkudes sageli varjatud sotsiaalset kommentaari või moraalset õpetust. Tema maalid on täis peidetud objekte ja žeste, mis kutsuvad vaatajat pilgama alémast ja kontemplatsiooni sügavamate tõdede üle. Näiteks teoses Pankur ja tema naine (1514) on spetsiifiliste esemete — visatletud roosatari, liivakella ja raamatupõlve — lisamine peidetud kritika varus, mis suunab tähelepanu rikkuse ja materialismipõhise eluviisi järguleminele. See symbolismi eelistus peegeldab Antwerpi intellektuaalset õstukliimat aastal, mil humanismide ideed levisid ning kaitsesid traditsioonilisi uskumusi. Matsys näitas ka hämmastavat võimet tabada oma figureeritud isikute psühholoogilist nüanssi, andes neile siseelu tunde, mis oli selle perioodi jaoks haruldane. Tema portreedid ei ole lihtsalt sarnaskujendid; need on aknad tema tegelaste hingedesse.
