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Barkley Leonnard Hendricks, Self Portrait (2013), Chrysler Museum of Art. Reprodukteeritud allujoonaseks; õigused on kaitstud õiguste valdaja poolt.

Faktid

Kunstnik: Barkley Leonnard Hendricks wikioo.org/et/artists/barkley-leonnard-hendricks/
Kunstniku eluaastad: 1945 – 2017
Maalatud: 2013
Tehnika: Acrylic On Canvas
Originaalmõõtud: 97 x 97 cm
Liikumine: Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Peetud koht:: Chrysler Museum of Art wikioo.org/et/museums/chrysler-museum-of-art-norfolk_et/
Artistic style: Realistic portraiture
Influences: European art
Notable elements: Life-size depiction
Subject or theme: Self-representation

Autoriõigused See teos on endiselt kaitse all. Barkley Leonnard Hendricks suri aastal 2017; autoriõigused kestavad 70 aastat pärast kunstniku surma, mistõttu need jäävad kehtivaks kuni 2087. Pilt on siin esitatud vaid õppeotstarbel; kõik õigused jäävad õiguseomanile.

Self Portrait — Barkley Leonnard Hendricks

Mis on selle suurus?

Originaali mõõdud on 97 × 97 cm (kõrgus × laius); teos on joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.

Millal see maalis on tehtud?

1940
1950
1960
1970
1980
1990
2000
2010

Varjatud: Barkley Leonnard Hendricks eluajal (1945–2017) ▲ see teos, 2013

Sarnased teosed

Take All the Time You Need (Adrienne Hawkins), 1975 wikioo.org/et/art/barkley-leonnard-hendricks-take-all-the-time-you-need-adrienne-hawkins-D9PJ9K-en/
Wonder Woman, 1978 wikioo.org/et/art/barkley-leonnard-hendricks-wonder-woman-D9PHW7-en/
Bahsir, 1975 wikioo.org/et/art/barkley-leonnard-hendricks-bahsir-D9PHXK-en/

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: wikioo.org/et/art/similar/barkley-leonnard-hendricks-self-portrait-D435EX-en/

Värvigamma

Pildist mõõdetud palett

Peavärv

Espresso #4a4b4c

Salvestatud palett

#4A4B4C
#D1D2CF
#8F908D
#1B1B1A

Peavärvi nimi: Espresso
Intensiivsus: Monochromatic Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
Kontrast: Statement Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
Harmonia: Balanced Harmony Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
Ereus: Balanced Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
Kintus: Muted Värvide puudus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

Self Portrait — Barkley Leonnard Hendricks

The Genesis of a Vision: Barkley Leonard Hendricks' "Self Portrait"

Barkley Leonard Hendricks’ 2013 photograph, “Self Portrait,” isn’t merely a depiction of an artist; it’s a carefully constructed dialogue between the man and his art, a vibrant snapshot of identity forged within the crucible of Philadelphia’s urban landscape. Created during a pivotal period in Hendricks' career – following years dedicated to addressing the conspicuous absence of Black figures in Western art history – this image embodies a profound shift towards celebrating the everyday realities of African American life. The photograph captures Hendricks not as a distant icon, but as a tangible presence, a teacher, and a proud inhabitant of his community, radiating an undeniable sense of self-assuredness.

Hendricks’ decision to present himself in such a direct and unadorned manner is deliberate. He stands before two of his most celebrated portraits, “Slick” (1977) and “Brilliantly Endowed (Self-Portrait)” (1977), both monumental works that redefined the possibilities of Black portraiture. The inclusion of these paintings – vibrant testaments to his artistic vision – immediately establishes a context of creative accomplishment and intellectual rigor. The photograph’s black and white palette amplifies the impact, stripping away superficial distractions and focusing attention squarely on Hendricks' face and posture; it is a deliberate choice that echoes the stark realism characteristic of his earlier work.

A Study in Composition: Lines, Light, and the Urban Grid

The composition of “Self Portrait” is remarkably balanced, despite its slightly cluttered appearance. The photographer masterfully utilizes leading lines – created by the placement of the two finished portraits – to draw the viewer’s eye towards Hendricks' central figure. These lines converge on his face, establishing a direct connection between the artist and the observer. The strong contrast between light and shadow, generated by natural light streaming through a window, sculpts Hendricks’ form with dramatic precision, highlighting the contours of his face and emphasizing the weight of his gaze.

Geometric Lines: The photograph is defined by geometric lines – the sharp angles of the studio equipment, the rectangular frames of the paintings, and the structured arrangement of Hendricks' clothing.

Organic Shapes: Despite the dominant geometric elements, organic shapes are subtly present in Hendricks’ body, his posture, and the textures of his shirt.

Texture: The wood floor, the fabric of his t-shirt, and the surfaces of the paintings all contribute to a rich tapestry of texture, adding depth and tactile quality to the image.

Symbolism and Context: A Reflection on Representation

Beyond its formal qualities, “Self Portrait” carries significant symbolic weight. Hendricks’ wearing a t-shirt referencing Simon Gratz High School – where he taught for many years – subtly anchors him within his community and underscores his commitment to education. This detail speaks volumes about his role as both an artist and a mentor, bridging the gap between the art world and the everyday experiences of Philadelphia's youth.

The photograph’s deliberate lack of embellishment is itself a powerful statement. Hendricks doesn’t pose theatrically or attempt to project an idealized image; instead, he presents himself as he truly is – a thoughtful, engaged individual deeply connected to his roots. This approach directly challenges the traditional conventions of portraiture, which often prioritize beauty and social status over authenticity and lived experience. It's a bold assertion that Black identity can be powerfully represented through realism and directness.

A Legacy in Monochrome: The Enduring Power of Hendricks’ Vision

“Self Portrait” is more than just a photograph; it’s a testament to Barkley Leonard Hendricks’ artistic vision and his unwavering commitment to representing the complexities of Black life. The image's stark beauty, combined with its subtle layers of symbolism, invites viewers to contemplate themes of identity, representation, and the enduring power of art to shape our understanding of the world. Reproductions of this compelling work offer a window into Hendricks’ creative process and his profound contribution to contemporary American art.

Kunstnik

Barkley Leonnard Hendricks

Sündinud koht: Philadelphia, United States of America

Early Life and Education

Born: April 16, 1945, in Philadelphia, Pennsylvania

Family Background: Grew up in a family that valued art and education. His parents migrated from Halifax County, Virginia to Philadelphia.

Education: Attended Simon Gratz High School, Pennsylvania Academy of the Fine Arts (PAFA), and Yale University where he earned both a Bachelor's and Master’s degree. Studied with notable artists like Bernard Chaet, Lester Johnson, Gabor Peterdi, Robert Reed, and Walker Evans.

Artistic Development and Influences

European Influence: Early career was significantly influenced by travels to Europe, particularly the portrait styles of artists such as van Dyck and Velázquez.

Addressing Representation: Troubled by the absence of Black people in Western art history, he dedicated his work to correcting this imbalance.

Style Characteristics: Paintings are characterized by life-sized, realistic depictions of Black Americans against monochromatic backdrops. A unique blend of American realism and postmodernism.

Key Influences: The Black Power movement influenced his desire to portray Black Americans with pride and dignity.

Notable Works and Exhibitions

Significant Paintings: Notable works include Lawdy Mama (portrait of his second cousin) and What’s Going On (inspired by Marvin Gaye's single).

Exhibition Highlights: His work has been exhibited at prestigious venues including the Frick Collection in Manhattan (first African American artist to have a solo exhibit), the Nasher Museum of Art at Duke University, and the Chrysler Museum of Art.

Self-Portraits: Created notable self-portraits like Brilliantly Endowed (Self portrait) and Slick in response to critical reviews.

Legacy and Historical Significance

Contribution to Black Portraiture: Made significant contributions to Black portraiture and conceptualism, challenging traditional Western art representations.

Black Arts Movement Figure: A key figure in the Black Arts Movement, advocating for greater representation of Black artists and culture.

Recognition and Awards: His work has been widely recognized for its unique style and powerful message.

Availability: Paintings are available for viewing and purchase on AllPaintingsStore.com.

Further Information

Wikipedia: https://en.wikipedia.org/wiki/Barkley_L._Hendricks

AllPaintingsStore Profile: /en/artists/barkley-leonnard-hendricks/

Muuseum

Chrysler Museum of Art

Näitustel paikal Norfolk, USA

Valgusest ja visiolist pühakoda

Virginias, Norfolkis, südaikumas asuv Chrysler Museum of Art seisab kui sügav pühendumus visiooni ja largemoodsuse transformatsioonile. See, mis algas 1933. aastal skromse Norfolk Museum of Arts and Sciences nimega, õukas tipptasemel kultuuridestinatsiooniks, suurelt tänu Walter P. Chrysler Jr-i 1971. aastal teostatud võtmeajalisele annetusele. Täna toimib see luminotse pühakoduna, kus kohtuvad viis millenni inimloovust, pakkudes kronoloogilist oodysseia, mis kutsub külastajaid läbi kunstilise evolutsiooni laia maastiku rändama. Alates varajaste tsivilisatsioonide iidsest sosinast kuni kaasaegsete meistriteostega karge ja visceralse energiaga, pakub muuseum sügavustundlikku kogemust, mis ületab nii aja kui ka geograafia.

Chryleri hing on peitnud tema hingetuldu diversiteetne kogum, kus monumentaalne kohtab habikat. Ei saa kõlada selle saalides ilma, et ei tõelduks maailma kuulsa klaasikogumiga – särav panorama, mis jälgib selle materjali teekonda haavatavast antikverumist kuni modernse innovatsioonini. Siin loovad

Louis Comfort Tiffany

lambilaud iriseeruvat sära ja loovad miniatuurseid valguse universume, käimides dialoogis massiivsete ja vapustavate vitralidega. See valguse meisterlikkus peegeldub ka muuseumi Euroopa galeriides, kus Caravaggio draamatiline

chiroloscuro

ja Vermeeri täpne ning vaikne interjöör pakuvad vaateid inimolu olemusele. Kollektsioon laieneb edasi baroki ajastu grandioossusest Bernini ja Rubens, liitudes John Singleton Copleyi peenile Ameerika portreendile ja lõppes Jackson Pollocki ning Mark Rothko puhta, emotiivse abstraksiooniga.

Arsitektuuriline elegants ja elav kunstiline loovus

Arhitektuuriliselt on muuseum modernistliku disaini meistriteos, mis on spetsiaalselt loodud toimima valguse vasakana. 2014. aastal tehtud laiendamine muutis institutsiooni künnikuks laaditud galeriidest ja kõrgetest laudest, mis on loodud maksimeerima loomulikku valgust ja soodustama sügavat kontemplatsiooni. Seda arhitektuurilist elegantsi tämbavad ka lummavad hetked, nagu Florentijn Hofmani

Rubber Duck

skulptuur, mis on mänguline austamine Norfolki merelisele pärandile. Neile, kes soovivad näha loovusrippu, pakub muuseum Perry Glass Studio – interaktiivset ruumi, kus saab oma silmaga jälgida sulanud klaasi ja käsitöö rütmilist tantsu, ühendades nii valmis meistriteose ja kunstniku käe vahelise tühimuse.

Lisaks oma rollile väärtuslikku säilitavale varandusena, määrab Chrysler Museum end oma vankumatult pühendumusega inklusiivsusele ja kogukonnaga kaasaminele. Pakkudes tasuta sisse pääsu, tagab institutsioon, et kunst jääks kättesaadavaks luksuseks, murdes sotsioökonomilised barjäärid, et tervitada kõiki ilu otsijaid. Sisekujundajatele ja kogujatele toimib muuseum ammendamatu inspiratsiooni allikas, pakkudes rikkalikku tekstuuride, ajalooliste motiivide ja värviharmoniate paletti. See on rohkem kui muuseum; see on elav kultuurilise vahetuse keskus, koht, kus minevik ja olevik koos hingavad, tuletades iga külastajale meelde, et ilu ja innovatsioon on hästi elasitud elu hädavajalikud elemendid.

Loe lähemalt siit

Kunstnik Barkley Leonnard Hendricks wikioo.org/et/artists/barkley-leonnard-hendricks/
Muuseum Chrysler Museum of Art wikioo.org/et/museums/chrysler-museum-of-art-norfolk_et/
Sarnased teosed Rohkem võrdlust pakkuvad teosed wikioo.org/et/art/similar/barkley-leonnard-hendricks-self-portrait-D435EX-en/
Teos Dark Masterpieces: 10 Iconic Paintings Dominated by Black Tones wikioo.org/et/articles/dark-masterpieces-10-iconic-paintings-dominated-by-black-tones-en/
Teos Mars Black Masterpieces: 10 Iconic Paintings & Timeless Art Decor Ideas wikioo.org/et/articles/mars-black-masterpieces-10-iconic-paintings-timeless-art-decor-ideas-en/
Teos Ivory Black Masters: 10 Paintings That Define Dramatic Art wikioo.org/et/articles/ivory-black-masters-10-paintings-that-define-dramatic-art-en/
Teos Documentary Photography's Defining Moments: 10 Masterpieces for Your Home wikioo.org/et/articles/documentary-photography-s-defining-moments-10-masterpieces-for-your-home-en/

Leidke seda internetist

QR-kood, mis viib Self Portrait allalaadimislehele

wikioo.org/et/art/download/barkley-leonnard-hendricks-self-portrait-D435EX-en/

Viige seda teost allintena

MLA: Hendricks, Barkley Leonnard. Self Portrait. 2013, Chrysler Museum of Art. https://wikioo.org/et/art/barkley-leonnard-hendricks-self-portrait-D435EX-en/
APA: Hendricks, Barkley Leonnard (2013). Self Portrait [Painting]. Chrysler Museum of Art. https://wikioo.org/et/art/barkley-leonnard-hendricks-self-portrait-D435EX-en/
Chicago: Barkley Leonnard Hendricks. Self Portrait. 2013. Chrysler Museum of Art. https://wikioo.org/et/art/barkley-leonnard-hendricks-self-portrait-D435EX-en/
Harvard: Hendricks, Barkley Leonnard (2013) Self Portrait. Chrysler Museum of Art. Available at: https://wikioo.org/et/art/barkley-leonnard-hendricks-self-portrait-D435EX-en/

Self Portrait — Barkley Leonnard Hendricks

Vaata lähemalt

Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

Mis esimesena silma kõige rohkem paneb ja miks?
Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
Kui palju näiteid sa leiad? ____ (meie kataloog loeb 2 — kas oled sama arvamust?)
Meie kataloog liigitab seda teost kategooria self-portrait, artist studio, black and white alla. Olete nõus? Mida te lisaksin või eemaldasite?
Vaadake tagasi selle juhendi alguses esitatud teosele Take All the Time You Need (Adrienne Hawkins) (1975). Tooge kaks asja, mis seda teost sellega ühendavad, ning üks erinevus.

Teie vastus

Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.

Self Portrait — Barkley Leonnard Hendricks

Kui hästi tunned seda teost?

Märkige üks vastus iga 5 allpool esitatud küsimuse kohta. Igal on täpselt üks õige vastus.

1. What is the primary subject of Barkley Leonard Hendricks’ ‘Self Portrait’?
- A A depiction of a historical event.
- B A realistic portrayal of an African American man in his studio.
- C An abstract representation of the artist's emotions.
2. According to the description, what is notable about the lighting in the photograph?
- A It’s uniformly bright and even.
- B It creates strong shadows and highlights.
- C It's primarily diffused natural light.
3. What school did Barkley Leonard Hendricks teach at before retiring?
- A Pennsylvania Academy of the Fine Arts (PAFA)
- B Yale University
- C Simon Gratz High School
4. The photograph includes a reference to which of Barkley Leonard Hendricks’ secondary schools?
- A Harvard University
- B Yale University
- C Simon Gratz High School
5. What is a key characteristic of Barkley Leonard Hendricks' paintings, as mentioned in the description?
- A They are exclusively landscapes.
- B They feature monochromatic backdrops and life-sized depictions of Black Americans.
- C They primarily depict portraits of European royalty.

Minu tulemus: ____ 5 kohta

Vastuste võti — õpetajale

See algab uue trükitud lehe, mistするため saab koopiidist lihtsalt eesmislõiguga eemaldada.

1B · 2B · 3C · 4C · 5B