Õpilaste kunstiteoste juhend
Autoriõigused See teos on avalik. Kenyon Cox surmas aastal 1919; autoriõigused kestavad 70 aastat pärast kunstniku surma, mistõttu need lõppesid aastal 1989.
Kontekstis
Study for Christ — Kenyon Cox
Originaali mõõdud on 35 × 25 cm (kõrgus × laius); teos on joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.
Row above: the year. Row below: the artist's age in that year.
Painted when the artist was 49. The artist lived to 63. 36 of the 66 dated works by this artist in our catalogue came earlier.
Varjatud: Kenyon Cox eluajal (1856–1919) ▲ see teos, 1905
First works: up to 1888 Main working years: 1888–1910 Late works: from 1910
Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell.
Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.
Veel sarnaseid teoseid, mida selle kõrvale asetada: wikioo.org/et/art/similar/kenyon-cox-study-for-christ-AS7RMV-en/
Pildist mõõdetud palett
Peavärv
Espresso #572712
Salvestatud palett
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 74,6% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 67 works by this artist, of which 30 were looked at at least once. This painting ranks 3 of them, with 5,1% of that attention.
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
Kunstnik ja muuseum
Born: October 27, 1856, in Warren, Ohio.
Parents: Jacob Dolson Cox and Helen Finney Cox.
Kenyon Cox initially studied at the Art Academy of Cincinnati (formerly the McMicken School of Art). However, he quickly recognized the limited artistic opportunities available in the city.
Following a visit to the Centennial Exposition in Philadelphia, he decided to pursue further education at the Pennsylvania Academy of Fine Arts, hoping it would lead to studies in Europe.
In 1877, Cox moved to Paris, joining a wave of American artists seeking artistic inspiration. He believed Paris was experiencing a “second renaissance” in art.
Influential Teachers: Carolus-Duran, Jean-Léon Gérôme, and Alexandre Cabanel at the École des Beaux-Arts.
He initially studied under Carolus-Duran but became frustrated with what he perceived as a “vulgarity” in Duran’s style.
Travels throughout France and Italy exposed him to the works of Renaissance masters, profoundly shaping his artistic vision.
In 1882, Cox returned to New York City, where he established himself as a painter and illustrator.
Illustration Work: He became well-known for his magazine illustrations, which reached a wider audience than his paintings.
Art Criticism: Cox also wrote unsigned art criticisms for the New York Evening Post, supplementing his income.
His artistic style leaned towards realism, with a focus on landscapes, portraits, and genre studies. He was known for idealized nudes and traditional treatments of classical themes.
Art Students League of New York: Cox became a highly influential instructor at the Art Students League, shaping generations of artists. He designed the League’s logo featuring the motto “Nulla Dies Sine Linea” (No Day Without a Line).
Elected an Associate Academician of the National Academy of Design in 1900 and a full Academician in 1903.
Founding Member: He was one of the founders and secretary of the National Free Arts League.
Leadership Roles: Served as president of the National Society of Mural Painters from 1915 to 1919, and held memberships in various prestigious art organizations.
Cox’s work represented a commitment to classical ideals at a time when modern art movements were emerging. He advocated for careful drawing, modulated color, and the use of allegory and symbolism.
His writings, such as “Two Ways of Painting,” articulated his views on figurative art versus abstract or representational styles.
Legacy: Though not a radical innovator, Kenyon Cox played a crucial role in maintaining traditional artistic standards and educating aspiring artists. His influence extended through his teaching and his contributions to the American art establishment.
Death: March 17, 1919.
wikioo.org/et/art/download/kenyon-cox-study-for-christ-AS7RMV-en/
Vaata lähedalt
Study for Christ — Kenyon Cox
Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.
Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.
Teose „Study for Christ“, autor Kenyon Cox loomimisaeg on 1905.
Teose „Study for Christ“, autor Kenyon Cox tajutav heledus on bright. Seda saab kohandada mõeldud ruumi valgusest koos.
Teose "Study for Christ" loovis Kenyon Cox. Selle lehe info kirjeldab Kenyon Cox algteost.
Kenyon Cox oli 49 aastane, kui ta lõi teose "Study for Christ" aastal 1905. Empiiriline vanus on arvutatud kunstniku sünnaaasta põhjal, 1856.
Teose "Study for Christ" värviharmonia on Softly Mixed Palette.
Teose „Study for Christ“, autor Kenyon Cox väripalett on kirjeldatud kui Neutrals. See on lühike kirjeldus teose värvide kohta.
Teose „Study for Christ“, autor Kenyon Cox tehes digitaalset pilti saab alla laadida selle Laadi alla lehelt vormatsis kõrge resolutsiooniga digitaalse pildi allalaadimine.