Paberikuju

Õpilaste kunstiteoste juhend

2

Nimi Klass Kuupäev

Taro Yamamoto, 2 (1970). Reprodukteeritud allujoonaseks; õigused on kaitstud õiguste valdaja poolt.

Faktid

Kunstnik
Taro Yamamoto wikioo.org/et/artists/taro-yamamoto/
Kunstniku eluaastad
1919 – 1994
Maalatud
1970
Originaalmõõtud
147 x 86 cm
Liikumine
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.

Kontekstis

2 — Taro Yamamoto

Mis on selle suurus?

Originaali mõõdud on 147 × 86 cm (kõrgus × laius); teos on joonistatud siin võrdluseks keskmise kõrgusega täiskasvanuga.

Millal see maalis on tehtud?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990

Varjatud: Taro Yamamoto eluajal (1919–1994) ▲ see teos, 1970

Sarnased teosed

Vali üks eelnev teos: too kaks asja, mis sellega ühendavad, ja üks asi, mis sellest erineb.

Veel sarnaseid teoseid, mida selle kõrvale asetada: wikioo.org/et/art/similar/taro-yamamoto-2-AS7US3-en/

Värvigamma

Pildist mõõdetud palett

    Peavärv

    Walnut #744c2e

    Salvestatud palett

    • #744C2E
    • #9D8250
    • #CE8C2C
    • #D3C091
    Palett
    Dark Pildis domineeriv värvigrupp.
    Peavärvi nimi
    Walnut
    Intensiivsus
    Vivid Kui kütkestavad ja mitmekülgsed värvid on, alates ühest peenust toonist kuni paljude ere värvini.
    Kontrast
    Gentle Kuidas värvid pildil valguse ja kяmbuse osas erinevad.
    Harmonia
    Strong Color Unity Värvide omavaheline kooskõlevus, alates kontrastsetest kuni täielikult ühtlaste toonidega.
    Ereus
    Bright Kuidas pilt üldiselt vaatub – alates sügavast varjust kuni eredast kõrvalvalgusest.
    Kintus
    Clear Color Presence Värvide puudus ja intensiivsus ulatub halli lähedastest toonidest kuni täielikult elavate värvide kuni.

    Kunstnik ja muuseum

    Kunstnik

    Taro Yamamoto

    Sündinud koht: Los Angeles, United States of America

    Taro Yamamoto: A Life in Abstract Expressionism

    Early Life and Education

    Taro Yamamoto (born October 29, 1919, in Hollywood, California – died 1994) was a significant figure within the New York School of Abstract Expressionist artists. His early life was marked by a unique cultural experience; he lived in Japan from the age of six to nineteen, an upbringing that would profoundly influence his artistic vision.

    Born in California but deeply connected to Japanese culture.

    Served in the U.S. Army during World War II (November 7, 1941 – February 23, 1946).

    Artistic Development and Influences

    Following his military service, Yamamoto dedicated himself to formal artistic training. He studied at several prestigious institutions:

    Santa Monica City College (1949).

    The Art Students League of New York (1950-1952), under the guidance of Yasuo Kuniyoshi, Morris Kantor, Byron Browne, and Vaclav Vytlacil.

    Hans Hofmann School of Fine Arts in New York City (1951-1953).

    The teachings of Hans Hofmann were particularly influential, shaping Yamamoto’s understanding of color and form. His exposure to the vibrant art scene of post-war New York further solidified his commitment to abstract expressionism.

    Key Achievements and Recognition

    Won the John Sloan Memorial Fellowship at The Art Students League of New York in 1952.

    Received the Edward G. McDowell Traveling Fellowship in 1953, allowing him to study art in Europe.

    Yamamoto’s work gained recognition within the burgeoning Abstract Expressionist movement, exhibiting alongside prominent artists like Jackson Pollock and Willem de Kooning.

    Artistic Style and Themes

    Yamamoto's paintings are characterized by a dynamic interplay of abstract forms, bold colors, and layered textures. While rooted in the principles of Abstract Expressionism, his work often reveals subtle references to Japanese aesthetics and cultural motifs.

    His pieces frequently explore themes of memory, identity, and the intersection of Eastern and Western artistic traditions.

    Historical Significance

    Taro Yamamoto played a vital role in bridging the gap between American Abstract Expressionism and Japanese artistic sensibilities. As part of the New York School, he contributed to the movement’s international acclaim during the post-World War II era. His work demonstrates the power of art to transcend cultural boundaries and express universal human experiences.

    Though not as widely celebrated as some of his contemporaries, Yamamoto's contributions remain significant in understanding the diversity and complexity of Abstract Expressionism.

    Loe lähemalt siit

    Leidke seda internetist

    QR-kood, mis viib 2 allalaadimislehele

    wikioo.org/et/art/download/taro-yamamoto-2-AS7US3-en/

    Viige seda teost allintena

    MLA
    Yamamoto, Taro. 2. 1970, https://wikioo.org/et/art/taro-yamamoto-2-AS7US3-en/
    APA
    Yamamoto, Taro (1970). 2 [Painting]. https://wikioo.org/et/art/taro-yamamoto-2-AS7US3-en/
    Chicago
    Taro Yamamoto. 2. 1970. https://wikioo.org/et/art/taro-yamamoto-2-AS7US3-en/
    Harvard
    Yamamoto, Taro (1970) 2. Available at: https://wikioo.org/et/art/taro-yamamoto-2-AS7US3-en/

    Vaata lähedalt

    2 — Taro Yamamoto

    Vaata lähemalt

    Vasta oma sõnadega. Siin ei ole vale vastuseid — on vaid vastuseid, mida saad selgitada.

    1. Mis esimesena silma kõige rohkem paneb ja miks?
    2. Millised värvid või kujundid loovad meeleolu — ja milline see meeleolu on?
    3. Meie kataloog liigitab seda teost kategooria abstract, cosmic, circles alla. Olete nõus? Mida te lisaksin või eemaldasite?
    4. Vaadake tagasi selle juhendi alguses esitatud teosele Memorial Byobu for Kumamoto (2017). Tooge kaks asja, mis seda teost sellega ühendavad, ning üks erinevus.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Kus seda teoses näha saab?

    Teie vastus

    Kirjutage sellest teosest lühike lõik, kasutades selle juhendi varasemate osade fakte ja eelmist annetud vastuseid.