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4 kõige kuulsamat maali kunstniku Cornelia Scheffer teosena
Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 4 teost Cornelia Scheffer meie kataloogis
Kokkuvõte
Cornelia Scheffer kõige tuntum teos on Self-portrait (1795), mis kuulub Dordrecht Dordrechts Museum kogele. Järgmised esindajad on Woman with Two Children on a Country Road (1811) ja The Women of Souli (1833). Kataloog dokumenteerib 4 teost kunstnikult Cornelia Scheffer; alljärgnevad 4 kirja on kõige tuntumad teosed, esitatud rangis järdkorras koos kuupäeva, muuseumi ja kirjeldusega.
1769 – 1839, Dordrecht
Enamama teoseid: Dordrechts Museum
Cornelia Scheffer: 10 peamist teost
Cornelia Scheffer: muuseumide lemmik
Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.
| Muuseumid | Linn | Cornelia Scheffer teosid | Selle nimekirja maalid |
|---|---|---|---|
 Dordrechts Museum |
Dordrecht | 4 | Self-portrait, Woman with Two Children on a Country Road, The Women of Souli |
Cornelia Scheffer: iga kümnendikumma peamine maala
Teosed aastakate kaupa
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Cornelia Scheffer maalid: viiteküsimused
Milline Cornelia Scheffer maalis on kõige tuntum?Näita vastust
Self-portrait (1795), Dordrechts Museum, Dordrecht. Järgnevad teosed on Woman with Two Children on a Country Road (1811) ja The Women of Souli (1833).
Kui palju aastaid oli Cornelia Scheffer vanal, kui teos Self-portrait maalis?Näita vastust
26 aastat: Cornelia Scheffer sündis aastal 1769 ning teos Self-portrait on pärinev aastast 1795.
Kui palju teoseid kunstnikuga Cornelia Scheffer on dokumenteeritud?Näita vastust
Kataloogis on 4 teost kunstnikult Cornelia Scheffer, mis on pärinevad ajastust 1795 kuni 1833.
Millistes muuseumides on Cornelia Scheffer kõige tuntumad maalid?Näita vastust
Peamiselt Dordrechts Museum (Dordrecht). Ülemine muuseumide tabel annab täieliku jaotuse.
Millised on selle nimekirjas Cornelia Scheffer kõige varasemad ja hilisemad teosed?Näita vastust
Siin loeteldud kõige vanem teos on Self-portrait (1795); kõige uuem on The Women of Souli (1833).
Millised Cornelia Scheffer teosed kuuluvad Dordrechts Museum kollektsiooni?Näita vastust
Self-portrait, Woman with Two Children on a Country Road ja The Women of Souli on üks 4 teosest Dordrechts Museum, Dordrecht kollektsioonis sellel lehel.
Cornelia Scheffer: elulugu
A Life of Miniature Precision
Dordrecht, 1769. Cornelia Lamme enters the world as the daughter of Arie Lamme, a landscape painter whose influence likely shaped her early hands. She grows up within an artistic circle, learning the delicate nuances of portrait miniatures. Her childhood is marked by linguistic agility, mastering French, German, and English. The stability of the Dutch Republic shifts in 1787 when Prussian forces arrive; the family flees to the southern Netherlands for two years before returning home.
In October 1794, a union occurs that merges two artistic lineages. Cornelia marries Johann Baptist Scheffer. This partnership is defined by shared skill and the movement of a family through The Hague, Rotterdam, and Amsterdam. She carries the title of miniature painter, working with watercolor and gouache on ivory to capture the likenesses of her own kin.
The Move to Paris
The year 1809 brings a sudden fracture. Johann dies at age 45. The financial weight of the family shifts. Following the death of her husband, Cornelia moves to Brussels, and by 1811, she settles in Paris. This relocation is a calculated decision; she believes the French capital offers better prospects for an artist than the Netherlands. She brings her sons, Ary and Hendrik, into this new environment.
Life in Paris involves navigating the district of Saint-Germain under difficult financial circumstances. As her son Ary gains prominence, Cornelia finds a new rhythm within his orbit. Starting in 1821, she begins working as a copyist for him and Hendrik. She uses her brush to replicate their paintings, effectively building a personal collection of their work through duplication.
Legacy in Miniature
Cornelia’s presence in the Parisian art scene is felt through her proximity to the great figures of the era. While living with Ary in his villa near Montmartre, she likely encounters the likes of Eugene Delacroix, Theodore Gericault, and Jean Baptiste-Dominating Ingres. Her role as a mother and a copyist places her at the center of a significant artistic household.
Her technical output remains rooted in the intimate scale of her training:
- Self-portrait Cornelia Scheffer-Lamme: A 1795 painting capturing her own likeness.
- Miniature portraits of her family: Executed in watercolor and gouache on ivory, held in the Dordrechts museum.
- Genre works: Including pieces such as The women of Souli, a copy of her son's work.
She remains in Paris until her death in 1839 at age 70. She is laid to rest in the Montmartre Cemetery.