Henrik Plötz portree

Henrik Plötz: 4 kuulsamat maali kataloog

Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 4 teost Henrik Plötz meie kataloogis

Kokkuvõte

Charles Bonnet, Swizz Naturalist and Philosopher (1785) on kirjeldatud kui Henrik Plötz kuulsaim teos; seda hoiab Nationalmuseum, Stockholm. Portrait of Prince Willem George Frederik (1795) ja Portrait of a woman (1800) võitlevad teises ja kolmandas kohas. Kataloogis olevatest Henrik Plötz 4 teosest on alljärgnevalt toodud 4 kõige tuntumat, koos iga teose kuupide, säilitavat museumite ja märkmetega.

1747 – 1830, Pinneberg Enamama teoseid: Nationalmuseum

1.–10. koht: ku名umad Henrik Plötz maalid

Henrik Plötz: muuseumide lemmik

Kümne 2 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.

Muuseumid Linn Henrik Plötz teosid Selle nimekirja maalid
Nationalmuseum, StockholmNationalmuseum Stockholm 2 Charles Bonnet, Swizz Naturalist and Philosopher, King Khristian VII of Denmark and Norway
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 2 Portrait of Prince Willem George Frederik, Portrait of a woman

Aastakate indeks: iga aasta peamine Henrik Plötz maal

Teosed aastakate kaupa

Valige vuosakülg, et näita selle peateos.

Kordat esitatud küsimused kunstniku Henrik Plötz maalidest

Mis on Henrik Plötz kõige tuntum teos?Näita vastust

Charles Bonnet, Swizz Naturalist and Philosopher (1785), Nationalmuseum, Stockholm. Järgnevad teosed on Portrait of Prince Willem George Frederik (1795) ja Portrait of a woman (1800).

Kui vana Henrik Plötz oli aastal Charles Bonnet, Swizz Naturalist and Philosopher?Näita vastust

38 aastat: Henrik Plötz sündis aastal 1747 ning teos Charles Bonnet, Swizz Naturalist and Philosopher on pärinev aastast 1785.

Kui palju teoseid kunstniku Henrik Plötz kataloog sisaldab?Näita vastust

Kataloogis on 4 teost kunstnikult Henrik Plötz, mis on pärinevad ajastust 1785 kuni 1800.

Kus asuvad Henrik Plötz peateosed?Näita vastust

Peamiselt Nationalmuseum (Stockholm) ja Rijksmuseum (Amsterdam). Ülemine muuseumide tabel annab täieliku jaotuse.

Millised on Henrik Plötz tuntumad varased ja hilised teosed?Näita vastust

Siin loeteldud kõige vanem teos on Charles Bonnet, Swizz Naturalist and Philosopher (1785); kõige uuem on Portrait of a woman (1800).

Milliseid Henrik Plötz maalid on Nationalmuseum kogumuses?Näita vastust

Charles Bonnet, Swizz Naturalist and Philosopher ja King Khristian VII of Denmark and Norway on üks 2 teosest Nationalmuseum, Stockholm kollektsioonis sellel lehel.

Henrik Plötz elulugu

The Life and Versatility of Henrik Plötz

Henrik Plötz was a multifaceted German artist and inventor born in Pinneberg. His diverse talents spanned several disciplines, as he was a painter, flautist, and miniaturist. His early life was marked by significant transitions; after losing his parents at a young age, he was raised by the Danish General Caesar Lüttichau, who ensured he received flute lessons in Fredericia. By 1768, he secured a position in the Royal Chapel in Copenhagen. However, his musical career was altered after a journey to Switzerland, where an illness prevented him from playing the flute further.

Following this, Plötz turned his focus toward visual arts and mechanics. He studied under an enamel painter and later with the mechanician P. J. Droz. His intellectual pursuits led him to Genthod, where he worked with the naturalist Charles Bonnet, creating plates of insects and plants and assisting with botanical and mechanical experiments.

Mechanical Innovations and Artistic Legacy

Plötz was a man of profound technical curiosity, known for inventing precision instruments. He developed a physionotrace and a pantograph to create profile portraits with mechanical accuracy. His inventive spirit continued in Naples and later in Berlin, where he shared an atelier with Christian Hornemann. In 1799, he moved to Copenhagen to serve as a court mechanician under Christian Günther von Bernstorff. During his time in Copenhagen, he invented various devices, including a stamping machine designed to produce non-copyable banknotes.

His artistic output was notable for its dedication to the European tradition of miniature painting. His legacy also extended through his family, as his son, Carl Ludwig, followed in his footsteps as a miniature painter.