1614 - 1681

Factsheet

  • Creative periods: mature period
  • Typical colors: espresso
  • Died: 1681
  • Lifespan: 67 years
  • Movements: baroque
  • Museums on this site:
    • Kunstmuseum Basel
    • Varssavi Rahvusmuuseum
    • Rijksmuseum
    • Museum Boijmans Van Beuningen
    • Rahvuslik Galerii Praha
  • Corpus themes:
    • dutch golden age
    • jan davidszoon de heem
    • flower still life specialist
    • vanitas symbolism
  • Mediums: oil on canvas

Jacob Marrel: Life and Legacy

Early Life and Training

  • Born: Frankenthal, Germany in 1614.
  • In 1624, Marrel moved with his family to Frankfurt.
  • He began his artistic training in 1627 as a student of Georg Flegel, a prominent still life painter specializing in pantry and flower pieces.
  • This early exposure laid the foundation for Marrel’s future specialization.

Utrecht and the Influence of Jan Davidszoon de Heem

  • Attracted by the lucrative market for flower still lifes, Marrel traveled to Utrecht between 1632 and 1650.
  • He studied extensively under Jan Davidszoon de Heem, a master of opulent and detailed still life compositions.
  • De Heem’s influence is evident in Marrel's later works, particularly his use of rich colors, dramatic lighting, and complex arrangements.
  • This period was crucial for Marrel’s artistic development, refining his technique and establishing his style.

Return to Frankfurt and Family Connections

  • Around 1650, Marrel returned to Frankfurt and married Johanna Sybilla Heim(ius), the widow of Matthäus Merian.
  • He took on students, fostering a workshop environment.
  • A significant connection: His step-daughter, Maria Sibylla Merian, became a renowned painter and naturalist specializing in insects and flowers – rivaling Rachel Ruysch in fame.
  • Merian later married one of Marrel’s pupils, Johann Andreas Graff, further solidifying the artistic lineage.

Artistic Style and Major Works

Later Years and Legacy

  • Marrel revisited Utrecht in 1660 with his student Abraham Mignon.
  • He established a flower painting school in Frankfurt after returning to Germany in 1665.
  • He remained active as an art dealer in Utrecht until 1669.
  • Death: Jacob Marrel died in Frankfurt in 1681.
  • Historical Significance: He played a vital role in popularizing flower still life painting during the Dutch Golden Age and influenced subsequent generations of artists, most notably his step-daughter Maria Sibylla Merian.

Küsimused ja vastused

Kas saan külastada Jacob Marrel teoste virtuaalset muuseumi?

Jacob Marrel virtuaalne 3D-galeria 3D-galeria on leht, kus saab vaadata kunstniku teoseid kolmemõõdimeses galeriis.

Kust saan näha Jacob Marrel teoseid kronoloogilises järjekorras?

Kunstniku Teoseline ajaline joon lehel on esitatud Jacob Marrel teosed ajastatud järjekorras, aasta aastale.

Kust saan vaadata kõiki kunstiteoseid autori Jacob Marrel kohta?

Kõiki Jacob Marrel teoseid see veebileht lehel saab vaadata artisti Kõik teosed lehelt.

Kas saan Jacob Marrel teoseid värvispektri järgi uurida?

Lehekülg Värvitoonide indeks koondab Jacob Marrel teosed värvide järgi.

Self-test

Iga küsimuse kohta on ainult üks õige vastus.

Küsimus 1:
Jacob Marrel initially studied under which artist, before moving to Utrecht?
Küsimus 2:
Marrel is primarily known for painting what subject matter?
Küsimus 3:
Maria Sibylla Merian, a renowned artist in her own right, was related to Jacob Marrel how?
Küsimus 4:
During which period did Jacob Marrel primarily work?
Küsimus 5:
Besides painting, what other activity was Jacob Marrel involved in during his later years?