Robert Smithson portree

Robert Smithson: 4 kuulsamat maali kataloog

Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 6 teost Robert Smithson meie kataloogis

Kokkuvõte

Non Site - Site Uncertain on kirjeldatud kui Robert Smithson kuulsaim teos; seda hoiab Detroit Institute of Arts, Detroit. Three-Sided Vortex (1966) ja Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967) võitlevad teises ja kolmandas kohas. Kataloogis olevatest Robert Smithson 6 teosest on alljärgnevalt toodud 4 kõige tuntumat, koos iga teose kuupide, säilitavat museumite ja märkmetega.

1938 – 1973, Passaic Enamama teoseid: Detroit Institute of Arts
Non Site - Site Uncertain autor Robert Smithson1. Non Site - Site Uncertain Three-Sided Vortex (1966) autor Robert Smithson2. Three-Sided Vortex 1966 Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967) autor Robert Smithson3. Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) 1967

1.–10. koht: ku名umad Robert Smithson maalid

1
Non Site - Site Uncertain autor Robert Smithson

Non Site - Site Uncertain

Sculpture · Detroit Institute of Arts, Detroit

Non Site - Site Uncertain is a sculpture created by the American artist Robert Smithson. The work was produced in 1968. Smithson was born in 1938 and remained active in the art world until his death in 1973 in Tucson, Arizona.

Loe artiklit

Robert Smithson: muuseumide lemmik

Kümne 2 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.

Muuseumid Linn Robert Smithson teosid Selle nimekirja maalid
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 1 Non Site - Site Uncertain
Chrysler Museum of Art, NorfolkChrysler Museum of Art Norfolk 1 Three-Sided Vortex

Aastakompakt: peamised Robert Smithson teosed

Robert Smithson: sellel lehel on 5 aastat kuupäevastatud teoseid, aastast 1966 kuni 1970, dokumenteerituna aasta-aastalt.

Teosed aasta kaupa

Valige aasta, et näita selle aasta peamisi maale.

Kordat esitatud küsimused kunstniku Robert Smithson maalidest

Mis on Robert Smithson kõige tuntum teos?Näita vastust

Non Site - Site Uncertain, Detroit Institute of Arts, Detroit. Järgnevad teosed on Three-Sided Vortex (1966) ja Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967).

Kui palju teoseid kunstniku Robert Smithson kataloog sisaldab?Näita vastust

Kataloogis on 6 teost kunstnikult Robert Smithson, mis on pärinevad ajastust 1966 kuni 1970.

Kus asuvad Robert Smithson peateosed?Näita vastust

Peamiselt Detroit Institute of Arts (Detroit) ja Chrysler Museum of Art (Norfolk). Ülemine muuseumide tabel annab täieliku jaotuse.

Millised on Robert Smithson tuntumad varased ja hilised teosed?Näita vastust

Siin loeteldud kõige vanem teos on Three-Sided Vortex (1966); kõige uuem on Torn Photograph from the 2nd Stop (Rubble) (2nd Mountain of Six Stops on a Section) from Artists Photographs (1970).

Robert Smithson elulugu

Early Life and Artistic Beginnings

  • Born: January 2, 1938, in Passaic, New Jersey
  • Early years spent in Rutherford and Clifton, New Jersey
  • Studied painting and drawing at the Art Students League of New York (1955-1956)
  • Early artwork explored collage influenced by homoerotic themes, science fiction, and pop art. Primarily identified as a painter during this period.
  • Influenced by William Carlos Williams, who was his pediatrician.

The Shift to Minimalism and Conceptual Art

  • After a three-year break from the art world, emerged in 1964 as a proponent of the minimalist movement.
  • Abandoned figurative work, focusing on glass sheet and neon lighting tubes exploring visual refraction and mirroring.
  • Developed interest in entropy (the second law of thermodynamics) – decay, renewal, chaos, order, non-sites, and earthworks. Saw entropy not as a disadvantage but as a form of transformation.
  • Associated with minimalist artists like Nancy Holt (his wife), Robert Morris, and Sol LeWitt.
  • Became a critic for *Arts Magazine* and *Artforum*, gaining recognition as a writer before his art.

Land Art and Earthworks: Spiral Jetty and Beyond

  • Fascination with industrial areas in New Jersey led to the development of "Non-Sites" – sculptures incorporating earth and rocks from specific locations, often combined with mirrors or glass.
  • Spiral Jetty (1970): His most famous work, a massive coil of basalt rock extending into the Great Salt Lake in Utah. A key example of land art, exploring themes of entropy, time, and geological processes.
  • Explored temporary sculptures using mirrors in the Yucatan Peninsula, documented in "Incidents of Mirror-Travel in the Yucatan."
  • Recovered 18th- and 19th-century conceptions of landscape architecture, influencing his later earthwork explorations.

Theoretical Writings and Landscape Perspectives

  • Wrote extensively on art theory, including "A Heap of Language," exploring how writing could become an artwork.
  • Examined Frederick Law Olmsted's design for Central Park in New York City, recovering issues of site specificity, human intervention, and the picturesque landscape.
  • His writings demonstrate a deep engagement with history, philosophy, geology, and cultural theory.

Legacy and Historical Significance

  • Died: July 20, 1973, in Tucson, Arizona (due to a heart attack while hiking).
  • Considered a pivotal figure in Land Art and Earthworks movements.
  • His work expanded the definition of art, blurring boundaries between sculpture, landscape, and natural processes.
  • Influenced generations of artists with his conceptual approach, exploration of entropy, and engagement with geological time scales.
  • The Holt/Smithson Foundation continues to preserve and promote his legacy.
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