Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 56 teost Sassetta (Stefano Di Giovanni) meie kataloogis
Kokkuvõte
Selle reitingu järgi on Madonna of Humility (1432) kunstniku Sassetta (Stefano Di Giovanni) kõige kuulsam teos; seda hoiab Berliini Riigimuseumid, Berliin. Järgavad Virgin with Child and Four Saints (detail) (1435) ja Saint Francis and the Poor Knight, and Francis's Vision (1437). See nimekiri põhineb kataloogis olevatele 56 teosele kunstnikult Sassetta (Stefano Di Giovanni) ning esitab 54 kõige kuulsamat teost koos kuupäeva, muuseumi ja kirjeldusega.
In the quiet sanctity of the early fifteenth century, few images capture the profound intimacy of the divine as gracefully as Sassetta’s Madonna of Humility. Painted around 1432, this masterpiece serves as a breathtaking window into a period where the ethereal meets the earthly. The composition centers on the Virgin Mary, not seated upon a distant, golden throne, but nestled in a posture of profound humility that defines her very…
The panel titled Saint Francis and the Poor Knight, and Francis's Vision emerges from the hand of the artist Sassetta. Created about 1437, this work exists as the first of eight distinct paintings that once formed the back of a large, richly coloured and elaborate altarpiece. It belongs to the larger San Sepolcro Altarpiece, a significant assembly of devotional imagery.
The work is titled The Funeral of Saint Francis and Verification of the Stigmata. It was executed by the artist Sassetta (Stefano Di Giovanni) between 1437 and 1444. This panel functions as the final movement in a larger narrative cycle, serving as the eighth and concluding scene in a series of eight depictions of the life of Saint Francis.
The Agony in the Garden is a poignant and spiritually charged tempera painting from the Early Renaissance period. The composition depicts the biblical scene of Christ's agony in the Garden of Gethsemane, set against a dark, star-studded nocturnal sky and a landscape of rolling hills and a winding path. In the foreground, several apostles are shown in various states of deep sleep, their bodies slumped and heads bowed in a…
The work titled Saint Francis before the Sultan is a creation of the artist Sassetta. It emerged from the studio between 1437 and 1444. This panel was originally conceived as part of the San Sepolcro Altarpiece, a large and complex structure commissioned for the Franciscans of Borgo Sansepolcro, Italy. The piece functioned as part of a double-sided polyptych, a structural arrangement that allowed the sacred narrative to unfold on both…
In Saint John the Evangelist by Sassetta, a single, elongated figure commands the entire vertical space. The saint occupies the center of the panel, his presence exerting a heavy spiritual gravity that anchors the viewer's gaze. He stands upon a small, rocky ground adorned with intricate patterns, a modest stage for such a monumental figure. The saint holds a book and a stylus, the tools of his sacred vocation, which…
The air feels heavy with the scent of woodsmoke and the weight of a gathering crowd. In this 1423 tempera work, a public execution unfolds under a deep blue sky, framed by the soft, rolling hills of the Italian landscape. At the center of the chaos, a figure is bound to a stake, consumed by bright orange flames that lick upward against the dark, charred tones of the victim. The…
This tempera on poplar panel, dating to c. 1435, presents a solitary figure of Saint Margaret against a shimmering gold ground. The composition is vertical and centered, emphasizing a sense of stillness and spiritual focus. She is draped in a heavy, dark mantle over a deep crimson tunic, her head tilted with a gentle, serene expression. At her feet, a dark, dragon-like creature is visible, a symbolic representation of her…
In this vertical composition, Sassetta presents Saint Apollonia as a single, centered figure. The saint is positioned against a flat, decorative gold background that emphasizes her presence through a sense of divine stillness. Her expression remains calm and contemplative, a quietude that contrasts with the heavy symbolism of her attributes. She holds the pincers used in her martyrdom, a specific detail that identifies her within the religious tradition. This object,…
St. Nicholas of Bari1430
12
Madonna of the Snow Altarpiece1432
13
The Ecstasy of St Francis (detail)1437 · Villa i Tatti
14
The Procession to Calvary1441 · Detroit Institute of Arts
15
The Betrayal of Christ1437 · Detroit Institute of Arts
16
Madonna of Humility1437 · National Gallery of Art
17
St. Anthony of Padua1450
18
Madonna and Child with Angels1437
19
St Matthew1437 · Collezione Vittorio Cini
20
Assumption of Mary with Angel Choirs1450 · Gemäldegalerie
21
The Wolf of Gubbio1450 · National Gallery
22
Virgin of Humility1440 · Collezione Vittorio Cini
23
St Thomas Inspired by the Dove of the Holy Ghost1423 · Szépművészeti Múzeum
24
Damnation of the Soul of the Miser of Citerna1437 · Louvre'i muuseum
25
The Ecstasy of St Francis1437 · Villa i Tatti
26
St Thomas Inspired by the Dove of the Holy Ghost (detail)1423 · Szépművészeti Múzeum
27
St Thomas Inspired by the Dove of the Holy Ghost (detail)1423 · Szépművészeti Múzeum
28
Miracle of the Eucharist1423 · Bowes Museum
29
Death of the Heretic on the Bonfire1423 · National Gallery of Victoria
30
St Jerome (detail)1423 · Pinacoteca Nazionale
31
Founding of Santa Maria Maggiore1430
32
The mystical marriage of Saint Francis of Assisi1444
33
The Annunciation "1435 · Metropolitan Museum of Art
34
Virgin with Child and Four Saints (detail)1435 · Museo Diocesano
35
The Stigmatisation of St Francis1437 · National Gallery
36
The Blessed Ranieri Frees the Poor from a Prison in Florence1437 · Louvre'i muuseum
37
Virgin with Child and Four Saints (detail)1435 · Museo Diocesano
38
Virgin and Child with Saints1437 · Louvre'i muuseum
39
The Blessed Ranieri Frees the Poor from a Jail in Florence1444 · Louvre'i muuseum
40
St Thomas Before the Cross1423 · Vatikani Pinakoteek
41
The Blessed Raniero of Borgo San Sepolcro Appearing to a Cardinal in a Dream1444 · Berliini Riigimuseumid
42
St. Francis Kneeling before Christ on the CrossCleveland Museum of Art
43
The Last Supper1423 · Pinacoteca Nazionale
44
St Anthony the Hermit Tortured by the Devils1423 · Pinacoteca Nazionale
45
St Thomas Inspired by the Dove of the Holy Ghost (detail)1423 · Szépművészeti Múzeum
46
Madonna and Child with AngelsMetropolitan Museum of Art
47
The Annunciation
48
The Meeting of St. Anthony and St. PaulNational Gallery of Art
49
The Journey of the Magi1435 · Metropolitan Museum of Art
50
Marriage of St Francis to Lady Poverty1437 · Musée Condé
51
Saint Francis renounces his Earthly Father1437 · National Gallery
52
St. Anthony Beaten by Devils1423 · Pinacoteca Nazionale
53
Madonna of Humility with Four Saints1435 · Museo Diocesano
54
The Virgin and Child with Saints1430 · Galleria degli Uffizi
Neli kõige sagedamini esindatud teemat nende teosede seas, millist igaüks on esindatud oma kõige tuntema näidega.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Sassetta (Stefano Di Giovanni) teosid | Selle nimekirja maalid |
|---|---|---|---|
 National Gallery |
London | 6 | Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis, Saint Francis before the Sultan |
 Museo Diocesano |
Cortona | 4 | Virgin with Child and Four Saints (detail), Virgin with Child and Four Saints (detail), Virgin with Child and Four Saints (detail) |
 National Gallery of Art |
Washington | 4 | Saint Margaret, Saint Apollonia, Madonna of Humility |
 Szépművészeti Múzeum |
Budapest | 4 | St Thomas Inspired by the Dove of the Holy Ghost, St Thomas Inspired by the Dove of the Holy Ghost (detail), St Thomas Inspired by the Dove of the Holy Ghost (detail) |
 Louvre'i muuseum |
Pariis | 4 | Damnation of the Soul of the Miser of Citerna, The Blessed Ranieri Frees the Poor from a Prison in Florence, Virgin and Child with Saints |
 Pinacoteca Nazionale |
Siena | 4 | St Jerome (detail), The Last Supper, St Anthony the Hermit Tortured by the Devils |
 Detroit Institute of Arts |
Detroit | 3 | The Agony in the Garden, The Procession to Calvary, The Betrayal of Christ |
 Metropolitan Museum of Art |
New York | 3 | The Annunciation ", Madonna and Child with Angels, The Journey of the Magi |
Valige vuosakülg, et näita selle peateos.
In Saint John the Evangelist by Sassetta, a single, elongated figure commands the entire vertical space. The saint occupies the center of the panel, his presence exerting a heavy spiritual gravity that anchors the viewer's gaze. He stands upon a small, rocky ground adorned with intricate patterns, a modest stage for such a monumental figure. The saint holds a book and a stylus, the tools of his sacred vocation, which…
The air feels heavy with the scent of woodsmoke and the weight of a gathering crowd. In this 1423 tempera work, a public execution unfolds under a deep blue sky, framed by the soft, rolling hills of the Italian landscape. At the center of the chaos, a figure is bound to a stake, consumed by bright orange flames that lick upward against the dark, charred tones of the victim. The…
In the quiet sanctity of the early fifteenth century, few images capture the profound intimacy of the divine as gracefully as Sassetta’s Madonna of Humility. Painted around 1432, this masterpiece serves as a breathtaking window into a period where the ethereal meets the earthly. The composition centers on the Virgin Mary, not seated upon a distant, golden throne, but nestled in a posture of profound humility that defines her very…
The work is titled The Funeral of Saint Francis and Verification of the Stigmata. It was executed by the artist Sassetta (Stefano Di Giovanni) between 1437 and 1444. This panel functions as the final movement in a larger narrative cycle, serving as the eighth and concluding scene in a series of eight depictions of the life of Saint Francis.
The work titled Saint Francis before the Sultan is a creation of the artist Sassetta. It emerged from the studio between 1437 and 1444. This panel was originally conceived as part of the San Sepolcro Altarpiece, a large and complex structure commissioned for the Franciscans of Borgo Sansepolcro, Italy. The piece functioned as part of a double-sided polyptych, a structural arrangement that allowed the sacred narrative to unfold on both…
Madonna of Humility (1432), Berliini Riigimuseumid, Berliin. Järgnevad teosed on Virgin with Child and Four Saints (detail) (1435) ja Saint Francis and the Poor Knight, and Francis's Vision (1437).
40 aastat: Sassetta (Stefano Di Giovanni) sündis aastal 1392 ning teos Madonna of Humility on pärinev aastast 1432.
Madonna of Humility, Virgin with Child and Four Saints (detail), Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis, The Agony in the Garden, Saint Francis before the Sultan, Saint John the Evangelist, The burning of a heretic, Saint Margaret ja Saint Apollonia. Üleolev nimekiri sisaldab iga teose kuupõeva ja säilitav müsenum.
Kataloogis on 56 teost kunstnikult Sassetta (Stefano Di Giovanni), mis on pärinevad ajastust 1412 kuni 1450.
Peamiselt National Gallery (London), Museo Diocesano (Cortona) ja National Gallery of Art (Washington). Ülemine muuseumide tabel annab täieliku jaotuse.
Ajalisel perioodil 1430s: 27 54 sellel lehel loetletud teosest kuulub sellesse ajajuhku, sealhulgas Madonna of Humility.
Siin loeteldud kõige vanem teos on Saint John the Evangelist (1412); kõige uuem on Saint Francis before the Sultan (1450).
People (10), Gold background (9) ja Woman (7), 54 sellel lehel loetletud teose külmest.
Tempera On Panel, 54 tööd sellel lehel, sellest 27 tööd.
Early renaissance, mida dokumenteerivad sellel lehel olevad teosed.
Saint Francis and the Poor Knight, and Francis's Vision, The Funeral of Saint Francis ja Saint Francis before the Sultan on üks 6 teosest National Gallery, London kollektsioonis sellel lehel.
Itaalse Quattrocento valgusrikkas ajastu jooksul on vähe, kes võiks nii võragalt meenutada üleminekut keskaegast modernsesse nagu Stefano di Giovanni, kes ajaloolaste seas tuntub armsamalt nimega Sassetta. Sienese koolkonnad võtmetegeluna sümboliseerib tema kunstiline visjon sügavast sillast dekoratiivse lõppgootika elegantsi ja renessanssi alguse pölevat realismi vahel. Kuigi tema elu täpne algus on mähitud ajaloohmistesse — teadlased vaidlevad, kas ta sündis Sienas või hoopis Cortonas — on tema kohalolu Toskana maastikul vääramatu. Tema looming kannab endas Sienas südame rütmilist ja lyrilist hingust, kuid hingab samas uue, tähelepaneliku elujõuga, mis viitab kunstnikule, kes oli sügavalt seotud oma ajastu muutuvate tuultega.
Sassetta loominguline teekond oli sofisteetne sündmus. Ta omas haruldast võimet austada traditsioonilist Sienese stiili — mida iseloomustavad intricate detailid ja vaimne sügavus — samas kui ta imeldis endasse Florentsist tulnud revolutsionaarseid uuendusi. Meistrite nagu Masaccio,
Sassetta teos on tunnistus tema meistriklasest narratiivses maalias, kus iga pintoon on suurema vaimse eesmärgi teenija. Tema teosed toimivad sageli kui aknad õildu, kasutades sofisteetset värvipaletti ja rütmilisi kompositsioone, et juhatada vaatajat läbi püha ajalugude. Masterpiece-ides nagu Viimane õhtusöögi, demonstreerib ta erakordset oskust keeruliste emotsionaalsete seisundite tabamisel, kasutades mullivärve ja hoolikat perspektiivi, et annda sügav religioosne narratiiv kättesaadavaks ja tumedadaks reaalsuseks. Tema võime tasakaalutada gootika traditsiooni ornamentaalset ilu kasvava inimliku draama tunnetega teeb tema paneelid ainulaadselt lummavaks.
Lisaks tema väiksemate paneelide intiimsele mõõdukusest saavutas Sassetta suurt mainet oluliste altarplaanide ja polüptikumite kaudu, mis määrdisid tema ajastu religioosset maastikku. Mõned tema kõige märkimistavama kunstilised saavutused on:
Sassetta ajalooline tähtsus peitub tema rollis nii hoidjana kui ka uuendajana. Ta tagas, et Sienese kooli unikaalne identiteet ei kadunud Florentsi domineerimise ees, vaid arenes edasi, sisaldades uut realismi ja sügavuse keelt. Tema maalid ei ole pelgalt möödunud ajastu relikvid; need on elavad dialoogid vanema ja uue maailma vahel. Oma õrna valgusmanipuleerimise, sümbolilise ikonograafia meisterlikkuse ja oma teemade sügava empaatia kaudu jättis Sassetta temmat kustumatut jälgi Itaalia kunstile, kinnitades oma koha kui üks Sienese renessanssi kõige olulisemaid esindajaid.
