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6 kõige kuulsamat maali kunstniku Sofie Ribbing teosena
Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 6 teost Sofie Ribbing meie kataloogis
Kokkuvõte
Sofie Ribbing kõige tuntum teos on Studiehode (1860), mis kuulub Oslo National Museum of Art, Architecture and Design kogele. Järgmised esindajad on Self-portrait (1865) ja Painting (1894). Kataloog dokumenteerib 6 teost kunstnikult Sofie Ribbing; alljärgnevad 6 kirja on kõige tuntumad teosed, esitatud rangis järdkorras koos kuupäeva, muuseumi ja kirjeldusega.
1835 – 1894, Adelöv parish
Enamama teoseid: National Museum of Art, Architecture and Design
Sofie Ribbing: 10 peamist teost
Sofie Ribbing: muuseumide lemmik
Kümne 4 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Sofie Ribbing teosid | Selle nimekirja maalid |
|---|---|---|---|
 National Museum of Art, Architecture and Design |
Oslo | 3 | Studiehode, Painting, Italiensk pike |
 Vasari Corridor |
Florence | 1 | Self-portrait |
 National Portrait Gallery of Sweden |
Strängnäs | 1 | Helena Roed (1843-1926), dansk, verksam i Sverige, författare, kulturskribent, g.m. professorn i estetik Carl Rupert Nyblom |
 Gothenburg Museum of Art |
Gothenburg | 1 | Boys drawing |
Sofie Ribbing: peamised maalid aastaaeglaad
Sellel lehel esitatud Sofie Ribbing teosed ulatuvad aastast 1860 aastat 1894, kandes endas 35 aastat, esitatuna aasta-aastalt.
Teosed aasta kaupa
Valige aasta, et näita selle aasta peamisi maale.
Sofie Ribbing maalid: viiteküsimused
Milline Sofie Ribbing maalis on kõige tuntum?Näita vastust
Studiehode (1860), National Museum of Art, Architecture and Design, Oslo. Järgnevad teosed on Self-portrait (1865) ja Painting (1894).
Kui palju aastaid oli Sofie Ribbing vanal, kui teos Studiehode maalis?Näita vastust
25 aastat: Sofie Ribbing sündis aastal 1835 ning teos Studiehode on pärinev aastast 1860.
Kui palju teoseid kunstnikuga Sofie Ribbing on dokumenteeritud?Näita vastust
Kataloogis on 6 teost kunstnikult Sofie Ribbing, mis on pärinevad ajastust 1860 kuni 1894.
Millistes muuseumides on Sofie Ribbing kõige tuntumad maalid?Näita vastust
Peamiselt National Museum of Art, Architecture and Design (Oslo), Vasari Corridor (Florence) ja National Portrait Gallery of Sweden (Strängnäs). Ülemine muuseumide tabel annab täieliku jaotuse.
Millised on selle nimekirjas Sofie Ribbing kõige varasemad ja hilisemad teosed?Näita vastust
Siin loeteldud kõige vanem teos on Studiehode (1860); kõige uuem on Painting (1894).
Millised Sofie Ribbing teosed kuuluvad National Museum of Art, Architecture and Design kollektsiooni?Näita vastust
Studiehode, Painting ja Italiensk pike on üks 3 teosest National Museum of Art, Architecture and Design, Oslo kollektsioonis sellel lehel.
Sofie Ribbing: elulugu
A Life of Movement and Light
The Södraholm estate in Adelöv parish holds the beginning of Sofie Amalia Ribbing’s story. Born in 1835 to Swedish nobility, her early years are framed by the Bråneryd estate near Jönköping. Her father, Per Arvid Ribbing, manages the local district court, while her mother, Karolina Augusta Ehrencrona, brings a lineage of high standing. This aristocratic upbringing provides more than just status; it offers an early immersion in fine painting collections that shape her developing eye.
The trajectory shifts in 1850. The Royal Swedish Academy of Fine Arts in Stockholm becomes her first formal training ground. But the borders of Sweden are too small for her ambitions. She moves toward the Düsseldorf Academy, seeking the guidance of Karl Ferdinand Sohn. This transition marks a departure from local tradition toward the influential Düsseldorf School style. Her education expands through the streets of Paris, where she works under Jean-BT-Ange Tissier, and into Brussels, studying under Louis Gallait.
The Mastery of Portraiture and Genre
Her brush finds its strength in the intimate and the domestic. She specializes in portraits and genre scenes, often capturing families within their private settings. In 1864, a specific moment of creation emerges: Ritande Gossar, or Boys Drawing. The work gains immediate recognition, eventually being acquired by the Gothenburg Art Association for a record sum. This painting later earns a place in the Europeana 280 project, representing Swedish art to a broader European audience.
Her technical development follows a path of geographic expansion. As she moves through Copenhagen, London, and Rome, her subject matter adapts to the light and people she encounters. Her portfolio includes:
- Portrait of Helena Nyblom, held at the Nationalmuseum in Stockholm.
- Self-portrait in the Uffizi, a reflection of her time in Italy.
- Den övergivna, completed in 1869.
- A Little Chicken Girl, from 1888.
A European Presence
The map of her life is a series of studio visits and exhibitions. She establishes herself in the Brussels Salon in 1866 and participates in the Industrial Exposition of Stockholm that same year. Her presence is felt in London’s Royal Academy during the 1870s, and she displays works in Copenhagen and Amsterdam. These are not merely travels; they are professional engagements that place her work in the hands of major institutions.
Her final chapters unfold far from her Swedish birthplace. She spends time in Rome, sharing the company of fellow artists like Agnes Börjesson. The end comes in 1894 in Christiania, now Oslo, while she is visiting Norway. Her legacy remains anchored in the permanent collections of the Uffizi Gallery, the National Gallery of Norway, and the Nationalmuseum in Stockholm.