Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 367 teost Guercino meie kataloogis
Kokkuvõte
Guercino kõige tuntum teos on Pietà (1638), mis kuulub Chantilly Musée Condé kogele. Järgmised esindajad on St Peter and the angel (1650) ja David with the Head of Goliath (1657). Kataloog dokumenteerib 367 teost kunstnikult Guercino; alljärgnevad 100 kirja on kõige tuntumad teosed, esitatud rangis järdkorras koos kuupäeva, muuseumi ja kirjeldusega.
This painting, titled Pietà (or La Pietà), is a significant work by the Italian artist Giovanni Francesco Barbieri, known to history by his nickname Guercino. Created between 1635 and 1640, the work reflects the artist's profound command over the dramatic language of the Baroque period. It is an oil on canvas that captures a moment of intense human sorrow through a highly controlled use of light and shadow.
Guercino’s “St Peter and the Angel” is not merely a depiction of biblical figures; it's an intensely felt moment of solace, rendered with a raw emotionalism that distinguishes the artist from his more polished contemporaries. Painted in 1650, this work, measuring a modest 30 x 21 cm, embodies the turbulent spirit of Baroque Italy – a world grappling with religious fervor and social upheaval, yet simultaneously yearning for moments of…
A single, heavy silence hangs in the air. David lunges forward, his muscular torso caught in a sudden, sharp light that carves his anatomy from the surrounding shadows. He does not wear the triumphant grin of a conqueror; instead, his face holds a quiet, introspective gravity. His golden cloak, lined with white fur, sweeps across the composition in a diagonal arc, pulling the eye toward the severed head of Goliath.…
The room is heavy with silence and the weight of unseen truths. A woman, the Samian Sibyl, sits anchored beside a weathered wooden desk, her body forming a stable, pyramidal shape that commands the center of this shadowed space. She is lost in deep introspection, perhaps mourning or contemplating a future only she can perceive. Her face and chest catch a sudden, directional light emerging from the upper left, pulling…
The oil on canvas titled SAINT JEAN-BAPTISTE A LA SOURCE depicts the figure of Saint-Jean-Baptiste. This work was executed by the Italian artist Giovanni Francesco Barbieri, known as Guercino. The painting emerged from his brush about 1661, during the later years of his creative life. It captures a moment of quietude through the depiction of the saint at a spring.
In this intimate composition, we find a moment of profound stillness between a mother and her child. The Virgin Mary, draped in a deep red garment, holds the infant Jesus with a tenderness that feels both sacred and deeply human. A small sparrow rests near them, its presence drawing the gaze of both figures. This bird is not merely a casual addition to the scene; it acts as a focal…
The oil on canvas titled Painting and Drawing was executed by the artist Guercino in 1656. This allegorical work captures a quiet moment of creative exchange between two figures. A woman sits at the center, her hands engaged in the act of creation, while an older man observes the progress of a sketch. The scene functions as a visual metaphor for the relationship between different modes of artistic expression.
Guercino’s Portrait of a Woman, created about 1628, presents a close-up bust portrait of a young woman. The subject is positioned with her body slightly turned to her right, while her gaze is directed downward and toward the viewer's left. This orientation creates a sense of quiet introspection. The monochromatic color palette of this specific image emphasizes tonal range and the interplay of light rather than hue.
The composition presents a close-up profile view of two male figures positioned against a dark, indistinct background. On the left, a figure with long dark hair and a beard looks downward, his expression settled into a contemplative or sorrowful state. He is dressed in a reddish-brown garment. To the right, a second figure is shown in profile, wearing a white turban accented with blue stripes. This man possesses a weathered…
In this intimate composition, we find St. Anthony of Padua cradling the Infant Christ. The scene is stripped of grandiosity, focusing instead on the profound connection between the Franciscan friar and the child. There is a palpable tenderness in the way the figures interact, a moment of stillness that invites the viewer into a private space of devotion. The light falls softly upon the figures, pulling them from the shadows…
Lot and His Daughters1651 · Toledo Museum of Art
12
God the Father1630 · Varssavi Rahvusmuuseum
13
Saint Francis with an angel playing violin1620 · Varssavi Rahvusmuuseum
14
Study of Saint Matthew turned to his right, reading a book
15
The Glory of All the Saints. Fragment1613
16
The Glory of All the Saints. Fragment1613
17
Jael and Sisera1616
18
Madonna and Child with Saint John The Baptist1616 · Museum of Fine Arts
19
Abraham and Hagar1616 · Statens Museum For Kunst
20
St. Francis in Ecstasy with St. Benedict and an Angel1620
21
The Persian Sybil1628 · Bavaria riiklikud maalidema kogumikud
22
St Sebastian1628 · Bavaria riiklikud maalidema kogumikud
23
Martyrdom of Saints John and Paul1632 · Musée des Augustins
24
Saint Joseph with the Christ Child1637 · National Gallery of Ireland
25
Circé1637
26
Mary Magdalene1645
27
The Sick Child1660
28
St. Paul the Hermit Fed by the Raven1660 · Dayton Art Institute
29
Absalom and Tamar1655
30
The Virgin and Child appearing to Saint Jerome1650
31
Santa Palazia1658 · Museo Civico
32
Virtuous Love1666
33
Assumption of the Virgin1650 · Detroit Institute of Arts
34
Saint Paul1700 · Slovak National Gallery
35
Cleopatra1621 · Armenia Riiklik Kunstimuuseum
36
La Madonna del Carmine con San Giuseppe e Santa Teresa e Gloria d' Angeli
37
The Vocation of Saint Aloysius (Luigi) GonzagaMetropolitan Museum of Art
38
Saint Margaret of Cortona
39
Apparition of Christ to Saint Therese
40
The Holy Family1620
41
Fame, Honor and Virtue
42
Stilleben mit Melonen + Papagei1616
43
Amnon and TamarNational Gallery of Art
44
Madonna and ChildFinnish National Gallery
45
Saint Paul
46
Child seen from behind, standing between its mother's knees
47
BAPTISM OF CHRIST
48
St. Hieronymus
49
San Filippo Neri
50
Esther before Ahasuerus1750 · University of Michigan Museum of Art
51
The Pensive MuseNational Gallery of Ireland
52
Saint AgathaNational Gallery of Ireland
53
The Triumph of DavidNational Gallery of Ireland
54
Study for St. William of AquitaineRhode Island School of Design Museum of Art
55
Bust of a Soldier in ArmorRhode Island School of Design Museum of Art
56
The Holy Family on the Flight meets the infant St JohnFitzwilliam Museum
57
PrimaveraMuseum of Fine Arts
58
David with the head of Goliath
59
Saint Alexius in a brown wrap, holding a staff
60
Man Kneeling
61
Landscape with a Fisherman
62
Landscape with Figures and a Wel
63
Landscape with Figures and Trees
64
Landscape with Figures and a Tent
65
Landscape with Figures and a Bridge
66
Landscape with Figures and a Bridge 1
67
Saint Francis in Adoration
68
St. John the Baptist in the Wilderness
69
Portrait of a Man
70
An Old Man
71
A Woman Drinking from a Cup
72
St. John the Baptist in the Wilderness 1
73
A Woman Outstretched ArmsBavaria riiklikud maalidema kogumikud
74
The Flaying of Marsyas
75
God the Father
76
Saint Jerome
77
Two Women and an Infant
78
HEAD OF A GIRL, SEEN FROM BEHIND
79
A seated man training a dog
80
Cupid holding a vase of flowers
81
Study of a woman holding a sieve
82
Susanna and the Elders 1
83
The Martyrdom of St Peter
84
A study of Christ
85
Madonna of the Swallow
86
Landscape with tree in the foreground
87
Annunciation
88
Warrior Kneeling with Arms Outstretched
89
Putto in the Clouds
90
Saint John the Evangelist in Meditation
91
The Resurrected Christ Appears to the Virgin
92
Saint Peter
93
Nude figure of a woman, seen from the side
94
STUDIES FOR THE VISION OF SAINT PHILIP NERI
95
The Virgin and Child with the Infant Saint John the BaptistScottish National Gallery
96
David the violonist
97
St Augustine
98
Study of the God Almighty
99
Magdalen and Two Angels
100
The Dead Christ mourned by Two Angels
Neli kõige sagedamini esindatud teemat nende teosede seas, millist igaüks on esindatud oma kõige tuntema näidega.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Guercino teosid | Selle nimekirja maalid |
|---|---|---|---|
 Bavaria riiklikud maalidema kogumikud |
München | 8 | Portrait of a Woman, Christ and the Moneylender, The Persian Sybil |
 National Gallery of Ireland |
Dublin | 6 | Saint Joseph with the Christ Child, The Pensive Muse, Saint Agatha |
 Varssavi Rahvusmuuseum |
Varssavi | 2 | God the Father, Saint Francis with an angel playing violin |
 Rhode Island School of Design Museum of Art |
Providence | 2 | Study for St. William of Aquitaine, Bust of a Soldier in Armor |
 National Gallery |
London | 8 | The Samian Sibyl with a Putto |
 Staatliche Kunstsammlungen Dresden |
Dresden | 4 | Painting and Drawing |
 Fitzwilliam Museum |
3 | The Holy Family on the Flight meets the infant St John | |
 Scottish National Gallery |
Edinburgh | 3 | The Virgin and Child with the Infant Saint John the Baptist |
Valige vuosakülg, et näita selle peateos.
In this fragment from 1613, we find ourselves drawn into a dense, crowded space where the boundaries between the earthly and the divine seem to dissolve. The composition is tightly cropped, creating a sense of claustrophobia that forces the viewer into an intimate encounter with a cluster of holy figures. There is a palpable tension here, a feeling of spiritual upheaval captured in a single, breathless moment. The figures are…
Guercino’s Portrait of a Woman, created about 1628, presents a close-up bust portrait of a young woman. The subject is positioned with her body slightly turned to her right, while her gaze is directed downward and toward the viewer's left. This orientation creates a sense of quiet introspection. The monochromatic color palette of this specific image emphasizes tonal range and the interplay of light rather than hue.
This painting, titled Pietà (or La Pietà), is a significant work by the Italian artist Giovanni Francesco Barbieri, known to history by his nickname Guercino. Created between 1635 and 1640, the work reflects the artist's profound command over the dramatic language of the Baroque period. It is an oil on canvas that captures a moment of intense human sorrow through a highly controlled use of light and shadow.
Guercino’s “St Peter and the Angel” is not merely a depiction of biblical figures; it's an intensely felt moment of solace, rendered with a raw emotionalism that distinguishes the artist from his more polished contemporaries. Painted in 1650, this work, measuring a modest 30 x 21 cm, embodies the turbulent spirit of Baroque Italy – a world grappling with religious fervor and social upheaval, yet simultaneously yearning for moments of…
The oil on canvas titled SAINT JEAN-BAPTISTE A LA SOURCE depicts the figure of Saint-Jean-Baptiste. This work was executed by the Italian artist Giovanni Francesco Barbieri, known as Guercino. The painting emerged from his brush about 1661, during the later years of his creative life. It captures a moment of quietude through the depiction of the saint at a spring.
Pietà (1638), Musée Condé, Chantilly. Järgnevad teosed on St Peter and the angel (1650) ja David with the Head of Goliath (1657).
47 aastat: Guercino sündis aastal 1591 ning teos Pietà on pärinev aastast 1638.
Pietà, St Peter and the angel, David with the Head of Goliath, The Samian Sibyl with a Putto, Saint-Jean-Baptiste, La Madonna del passero, Painting and Drawing, Portrait of a Woman, Christ and the Moneylender ja St Anthony of Padua with the Infant Christ. Üleolev nimekiri sisaldab iga teose kuupõeva ja säilitav müsenum.
Kataloogis on 367 teost kunstnikult Guercino, mis on pärinevad ajastust 1613 kuni 1666.
Peamiselt Bavaria riiklikud maalidema kogumikud (München), National Gallery of Ireland (Dublin) ja Varssavi Rahvusmuuseum (Varssavi). Ülemine muuseumide tabel annab täieliku jaotuse.
Ajalisel perioodil 1650s: 9 100 sellel lehel loetletud teosest kuulub sellesse ajajuhku, sealhulgas St Peter and the angel.
Siin loeteldud kõige vanem teos on The Glory of All the Saints. Fragment (1613); kõige uuem on Virtuous Love (1666).
Woman (16), Man (15) ja Religious (10), 100 sellel lehel loetletud teose külmest.
Oil On Canvas, 100 tööd sellel lehel, sellest 20 tööd.
Baroque, mida dokumenteerivad sellel lehel olevad teosed.
Portrait of a Woman, Christ and the Moneylender ja The Persian Sybil on üks 5 teosest Bavaria riiklikud maalidema kogumikud, München kollektsioonis sellel lehel.
