Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 241 teost Mabuse meie kataloogis
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Selle reitingu järgi on Adam and Eve (1525) kunstniku Mabuse kõige kuulsam teos; seda hoiab Rhode Island School of Design Museum of Art, Providence. Järgavad Portrait of a man (1528) ja Man of Sorrow (1525). See nimekiri põhineb kataloogis olevatele 241 teosele kunstnikult Mabuse ning esitab 100 kõige kuulsamat teost koos kuupäeva, muuseumi ja kirjeldusega.
In the profound stillness of Jan Gossaert’s 1525 masterpiece, Adam and Eve, we are invited into a moment of primordial intimacy that transcends the boundaries of time. This breathtaking oil painting serves as a cornerstone of Northern Renaissance artistry, capturing the very dawn of humanity with a level of anatomical precision and dramatic flair that was revolutionary for its era. The composition centers on the tender, almost vulnerable embrace of…
The gaze of the subject in Portrait of a man by Jan Gossaert meets the viewer with a steady, unwavering presence. Created about 1530, this work captures a man seated within a space that feels both cramped and cozy, a private nook where the tools of a specific life reside. The artist, Jan Gossaert, who is also known by the moniker Mabuse, renders the figure with a profound sense of…
The body of Christ hangs heavy, a pale anchor in a sea of deep reds and shadows. Every muscle is rendered with a sharp, anatomical clarity that feels almost tactile, as if the skin might still hold warmth despite the stillness of death. Light strikes the torso from a single direction, carving out the hollows of the ribs and the tension in the limbs. Around this central suffering, figures gather…
Step closer and observe the stillness of this young man. He is presented in a bust-length view, framed within a gentle oval that focuses our attention entirely on his psychological state. There is a certain gravity in his gaze, a stoic and thoughtful expression that suggests a life of intellectual depth and high social standing. He does not perform for us; he simply exists in a moment of quiet contemplation.…
The heavy wooden panels of the triptych stand partially open, revealing a world caught in a moment of sacred stillness. These two exterior wings, crafted in 1521, act as a threshold between the mundane and the divine. On one side, a woman holds a book, her gaze steady and quiet; on the other, an angel appears, bringing a celestial presence to the earthly realm. They exist within a framework of…
To gaze upon Jan Gossaert’s Virgin and Child Enthroned is to step directly into the luminous, deeply spiritual atmosphere of the Northern Renaissance. This masterpiece, painted in 1527, transcends mere portraiture; it is a profound theological statement rendered with breathtaking technical skill. At its heart sits the Virgin Mary, regal and serene, enthroned as she cradles the infant Jesus. The immediate visual impact is drawn to the vibrant sweep of…
A middle-aged man is captured in a bust-length composition, his gaze directed toward the left of the frame. He wears a dark, beret-style hat and a black doublet over a white undershirt, with a single gold ring featuring a gemstone visible on his hand. The lighting is directional, descending from the upper left to cast soft shadows across the right side of his face and neck. This chiaroscuro effect provides…
The Holy Family is a painting by Jan Gossaert, executed in 1507. This oil on panel work captures a quiet, domestic moment within a grander architectural framework. The Virgin Mary occupies the center of the scene, her hands cradling the Christ Child. Their presence forms the heart of the composition, anchored by the weight of their figures against the stone and sky.
Two figures sit locked in a quiet, muscular embrace. Hercules and Deianeira occupy a marble-paneled niche, their limbs entwined in a way that feels both heavy and strangely delicate. The man’s skin carries the sculptural weight of antiquity, his form defined by the tension of bone and muscle. Beside him, Deianeira rests, her pose a study in soft curves and sudden stillness. They do not look at the viewer; they…
The Triptych of the Holy Family is a religious oil on panel painting dating to 1501. This work is presented in a classic triptych format, housed within an ornate, carved wooden frame featuring scalloped tops. The central panel is the largest and most complex, depicting the Holy Family—the Virgin Mary, Saint Joseph, and the Christ Child—arranged in a pyramidal composition and surrounded by an angelic host within a lush landscape.…
The Virgin preparing the bath of the Child1500 · Bob Jones University Museum and Gallery
12
Madonna with the Child1500 · Hämeenlinna Art Museum
13
Virgin and child in the veil1500 · Belgia Kuninglikud Fine Artsi muuseumid
14
Madonna with child1495
15
Portrait of Isabella of Austria1514
16
Floris van Egmond, Count of Buren1510 · Brighton Museum & Art Gallery
17
Saint Jerome1512 · Statens Museum For Kunst
18
Christ on the Mount of Olives1507 · Gemäldegalerie
19
Portrait of a Man1515 · Pushkini riiklik kunstimuuseum
20
The Beheading of St John the Baptist1510 · École Nationale Supérieure des Beaux-Arts
21![Saint Jerome Penitent [right panel] (1512) autor Mabuse](/media/artworks/images-thumb/95/ad/95ada119db2ef8e277bc791f8836200f.jpg)
Saint Jerome Penitent [right panel]1512 · National Gallery of Art
22![Saint Jerome Penitent [left panel] (1512) autor Mabuse](/media/artworks/images-thumb/d3/f3/d3f3c45e9279abe486979f615cf3518c.jpg)
Saint Jerome Penitent [left panel]1512 · National Gallery of Art
23
The Malvagna Altarpiece (centre panel, detail)1513
24
Agony in the Garden1510
25
Holy Family with Coats of Arms of Charles...1528 · Saint Louis Art Museum
26
Virgin and Child in a Landscape1531 · Cleveland Museum of Art
27
Self-portrait1525 · Currier Gallery of Art
28
Madonna and Child1529 · Rijksmuseum Twenthe
29
Christ on Mount Olive1525 · Bavaria riiklikud maalidema kogumikud
30
The Holy Family1520 · Museum of Fine Arts
31
Portrait of Henry III, Count of Nassau1530 · Museu Nacional d'Art de Catalunya
32
Christ sitting on the Cold Stone1531 · Royal Museum of Fine Arts Antwerp
33
Virgin and Child with a Patron1530 · Statens Museum For Kunst
34
Portrait of Anna de Bergh, Marquise de Veere1530 · McNay Art Museum
35
Saint Luke painting the Virgin1520 · Rahvuslik Galerii Praha
36
Portrait of a Man1524
37
Madonna with Child Jesus1531 · Rahvusmuuseum Varssavis
38
Christus rust na de geseling1527 · Staatliche Kunsthalle Karlsruhe
39
Madonna and Child1532
40
Madonna and Child playing with the veil1530
41
Cain Killing Abel1525
42
Portrait of a Man1524
43
Danaë1527 · Alte Pinakothek
44
Scenes from the Life of St Giles1520 · Statens Museum For Kunst
45
The Martyrdom of St Cyriacus and His Companions1520 · Statens Museum For Kunst
46
An Elderly Couple1525 · National Gallery
47
Young Girl with Astronomic Instrument1530
48
Virgin Mary, Christ Blessing, and St John the Baptist (Deesis)1525
49
Abbot Johann Ingenray1535 · Detroit Institute of Arts
50
The Adoration of the Kings1510 · National Gallery
51
Wings of the Norfolk Triptych1525 · Musées Royaux des Beaux-Arts
52
Virgin and Child1525 · Art Institute of Chicago
53
Adam and Eve1510 · Thyssen-Bornemisza Museum
54
Danaë (detail)1527 · Alte Pinakothek
55
The Carondelet Diptych: Jean Carondelet (left panel), Virgin and Child (right panel)1517 · Louvre'i muuseum
56
Danaë1527 · Alte Pinakothek
57
Two Kings and a Woman Leaving a Palace1510
58
Madonna and Child1527 · Museo del Prado
59
The Adoration of the Kings (detail)1500
60
The Adoration of the Kings1500
61
Holy Family with St. Catherine and St. Barbara1515
62
St Jerome Penitent1510
63
Hercules and Deianira1517 · Barber Institute of Fine Arts
64
Neptune and Amphitrite, - (188x123.)1516
65
Hercules of the Forum Boarium1509
66
Neptune and Amphitrite1516
67
Virgin and Child with Musical Angels1510
68
A Reliquary1510 · Pierpont Morgani raamatukogu ja muuseum
69
The Agony in the Garden1510
70
Standing Warrior in Fantastic Armour1509
71
The Carondelet Diptych left wing, Jean Carondelet1517
72
St John the Evangelist on Patmos1515
73
The Holy Family Seated at the Foot of a Tree1510
74
Apollo Citharoedus of the Casa Sassi1509
75
Neptune and Amphitrite (detail)1516
76
The Malvagna Altarpiece (right wing, detail)1513
77
Jean Carondelet1503 · Toledo kunstimuuseum
78
The Adoration of the Magi1515
79
Agony in the Garden (detail)1510
80
Bust of a Warrior in Fantastic Armour1509
81
Study after the Spinario (detail)1509 · Universiteitsbibliotheek
82
Virgin and Child with Sts Catherine and Barbara1510
83
The Doria Pamphilj Diptych (right wing)1510 · Galleria Doria Pamphilj
84
Carondelet Diptych (left wing)1517
85
Study after the Spinario (recto)1509 · Universiteitsbibliotheek
86
Neptune and Amphitrite1516
87
The Malvagna Altarpiece (exterior wings)1513
88
The Mystic Marriage of St Catherine1503 · Statens Museum For Kunst
89
Carondelet Diptych (right wing)1517
90
Emperor Augustus and the Tiburtine Sibyl1503
91
Carondelet Diptych1517
92
The Malvagna Altarpiece (side wings)1513
93
View of the Colosseum Seen from the West1509
94
Carondelet Diptych (verso)1517
95
The Malvagna Altarpiece (centre panel)1513
96
Portrait of a Man, possibly Jan Snoeck1530 · National Gallery of Art
97
Mary with Child1525 · Gemäldegalerie
98
The Mocking of Christ or the Man of Sorrows1525
99
King Christian II of Denmark1525
100
Virgin and Child Seated at the Foot of a Tree1522
Neli kõige sagedamini esindatud teemat nende teosede seas, millist igaüks on esindatud oma kõige tuntema näidega.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Mabuse teosid | Selle nimekirja maalid |
|---|---|---|---|
 Statens Museum For Kunst |
Kooberemaa | 5 | Saint Jerome, Virgin and Child with a Patron, Scenes from the Life of St Giles |
 National Gallery of Art |
Washington | 4 | Saint Jerome Penitent [right panel], Saint Jerome Penitent [left panel], Portrait of a Man, possibly Jan Snoeck |
 Alte Pinakothek |
München | 3 | Danaë, Danaë (detail), Danaë |
 Gemäldegalerie |
Berliin | 9 | Christ on the Mount of Olives, Mary with Child |
 National Gallery |
London | 7 | An Elderly Couple, The Adoration of the Kings |
 Belgia Kuninglikud Fine Artsi muuseumid |
Brüssel | 4 | Portrait of a man, Virgin and child in the veil |
 Royal Museum of Fine Arts Antwerp |
Antverp | 4 | Portrait of a Man, Christ sitting on the Cold Stone |
 Kunsthistorisches Museum |
Viin | 3 | Virgin and child enthroned, Portrait of a man |
Valige vuosakülg, et näita selle peateos.
The artwork titled Madonna with child is a painting by the artist Jan Gossaert. This work depicts the Virgin Mary and the infant Jesus. It is a product of the Northern Renaissance, a period characterized by a focus on detailed realism and the technical precision of the Low Countries.
The Holy Family is a painting by Jan Gossaert, executed in 1507. This oil on panel work captures a quiet, domestic moment within a grander architectural framework. The Virgin Mary occupies the center of the scene, her hands cradling the Christ Child. Their presence forms the heart of the composition, anchored by the weight of their figures against the stone and sky.
Two figures sit locked in a quiet, muscular embrace. Hercules and Deianeira occupy a marble-paneled niche, their limbs entwined in a way that feels both heavy and strangely delicate. The man’s skin carries the sculptural weight of antiquity, his form defined by the tension of bone and muscle. Beside him, Deianeira rests, her pose a study in soft curves and sudden stillness. They do not look at the viewer; they…
In the profound stillness of Jan Gossaert’s 1525 masterpiece, Adam and Eve, we are invited into a moment of primordial intimacy that transcends the boundaries of time. This breathtaking oil painting serves as a cornerstone of Northern Renaissance artistry, capturing the very dawn of humanity with a level of anatomical precision and dramatic flair that was revolutionary for its era. The composition centers on the tender, almost vulnerable embrace of…
Adam and Eve (1525), Rhode Island School of Design Museum of Art, Providence. Järgnevad teosed on Portrait of a man (1528) ja Man of Sorrow (1525).
47 aastat: Mabuse sündis aastal 1478 ning teos Adam and Eve on pärinev aastast 1525.
Adam and Eve, Portrait of a man, Man of Sorrow, Portrait of a Man, Two Wings from a Triptych (exterior), Virgin and child enthroned, Portrait of a man, The Holy Family, Hercules and Deianeira ja Triptych of the Holy Family. Üleolev nimekiri sisaldab iga teose kuupõeva ja säilitav müsenum.
Kataloogis on 241 teost kunstnikult Mabuse, mis on pärinevad ajastust 1495 kuni 1532.
Peamiselt Statens Museum For Kunst (Kooberemaa), National Gallery of Art (Washington) ja Alte Pinakothek (München). Ülemine muuseumide tabel annab täieliku jaotuse.
Ajalisel perioodil 1510s: 39 100 sellel lehel loetletud teosest kuulub sellesse ajajuhku, sealhulgas Hercules and Deianeira.
Siin loeteldud kõige vanem teos on Madonna with child (1495); kõige uuem on Madonna and Child (1532).
Woman (22), Man (21) ja Child (12), 100 sellel lehel loetletud teose külmest.
Oil On Panel, 100 tööd sellel lehel, sellest 34 tööd.
Põhjarenessanss, mida dokumenteerivad sellel lehel olevad teosed.
Saint Jerome, Virgin and Child with a Patron ja Scenes from the Life of St Giles on üks 5 teosest Statens Museum For Kunst, Kooberemaa kollektsioonis sellel lehel.
Jah. Iga sellel lehel toodud teose saab tellida oma lehelt kas käsitööna maalatud õlireproduktsiona või kunstiprintina, oma valitud suuruses.
XVI sajandi alguse muutliku maastiku keskel ei olnud vähe kunstnikke, kes suutsid nii meisterlikult ühendada Põhja põhjalikud traditsioonid ja lõuna kasvava humanismi, kui Jan Gossaert. Ajalukku jäänud kütkestava nime Mabuse all tuntud visjonärlik maalari tõus Prantsusmaa Maubeugest sai romanismi liikumingu nurgakivi. Tema elu looming on sügav metamorfoos neerlandistlikus kunstis, kus flaamlaste meistrite terav ja füüsiline realism kohtas Itaalia renessanssi suurepärset, skulptuurset elegantsi. Gossaerti uurimine on kui silmitlemine täpselt selle hetkega, mil keskaegne hing hakkas omastama antikva klassikalist valgust.
Kuigi tema varajase koolituse täpsed detailid on ajaloohirmus kadunud, oli Gossaerti kunstiline DNA sügavalt juurdunud Madensõidumaade traditsioonidesse. Arvatakse, et tema kujunendus aastad veetsin absorbeerides Rogier van der Weydeni ja Hugo van der Goesi nagu tehnilist täpsust ja rangust. Nendelt eelkäijaid päris temalt võrratu pühendumus detailidele – viis tekstuuride, kangaste ja valguse kujundamiseks, mis tundus vaatajale peaaegu kättesaadav. Gossaert polnud aga pelgalt mineviku imitator; temas elas vastuastamatu uudishimu, suunates pilgu lõunasse, et integreerida Itaalia renessanssi anatomiline täpsus ja arhitektiline suurepärasus oma kodandlikku stiili.
Mabuse true genius peitub tema võimes harmoniseerida kahte näibuse järgi eraldi maailma. Tema areng kui romanistliku maalari märkis lahkumist puhtast gootika tundlikkusest, mis oli kau lâu domineerinud Põhja-Euroopas. Seal, kus varajased kunstnikud keskendusid sümbolilisele sügavusele ja vaimulikule ikonograafiale, tõid Gossaert kaasa füüsilise massi ja klassikalise proportsiooni tunnet. Ta uuris inimvormi uue, teadusliku jõuga, võimaldades oma figuuridel olla ruumis olemas suurepärase skulptuurse esiga, mis oli tema ajast revolutsionaalne.
See stiililine evolutsioon on kõige selgemalt nähtav tema valguse ja atmosfääri käsitluses. Tema kätes ei valgusta valgus pelgalt stseenit, vaid see seda skulptureerib. Ta kasutas atmosfäärset perspektiivi, et luua laia ja uputavat maastikku, mis tunduvad lõputult kaugusse vajuvad, pakkudes oma teemade jaoks dramaatilist lavat.
Gossaerti viljakat karjääri toetas prestiižne patroonide võrgustik, mis ulatus rikkate kaupmeestest kuni kõrgetest vaimulikest ja mõrgust kuni. Tema looming oli märkimisväärselt mitmekesine, hõludes nii monumentaalseid altarpide, mis ankurdisid katedraali siseosad, kui ka intiimseid portreete, mis tabasid oma istujate psühholoogilist olemust. Mõned tema püsivaimsemad panused on:
Jan Gossaerti ajaloolist tähtsust ei saa ümarate sõnadega väljendada. Ta toimis kui elutähtis kanal, transportides Itaalia klassikalisi ideaale üle Alpid ja istutades need kindlalt Madensõidumaade viljakasse mulda. Segades flaamlase traditsiooni täiusliku käsitöö oskuse Rooma renessanssi struktuursete uuendustega, teavastas ta teed tulevatele Põhja-Euroopa kunstnike põlvkondadele. Tema pärand on etmintatud kunstiloo kanga, esindades kultuurilise sünkroonimise ja kunstilise taassündimise triumfaalset ajastut.
