Yhteenveto
Girl with Parasol (1931) on merkitty Annot -taiteilijan kuuluisimmaksi teokseksi. Katalogiin merkityistä Annot -taiteilijan 1 teoksesta 1 tunnetuinta on lueteltu alla; jokaisesta teoksesta on ilmoitettu sen päivämäärä, säilyttävä museo sekä huomautus teoksesta.
Sijoitukset 1–10: tunnetuimmat Annot -maalaukset
Vuosiluettelo: Annot merkittävimmät maalaukset
Jokaisessa tällä sivulla olevassa päivätyksessä Annot on päivämäärä 1931; teokset on lueteltu sijoituksen mukaan.
Usein kysytyt kysymykset Annot'n maalauksista
Mikä on Annot tunnetuin teos?Näytä vastaus
Girl with Parasol (1931)
Kuinka vanha Annot oli teoksen Girl with Parasol vuonna?Näytä vastaus
37 vuotta: Annot syntyi vuonna 1894 ja teos Girl with Parasol on vuodelta 1931.
Kuinka monta Annot -teosta luettelossa on?Näytä vastaus
Luettelo sisältää 1 teosta taiteilijalta Annot.
Annot elämäkerta
The Life and Art of Annot
Born in Berlin, Germany, as Anna Ottilie Krigar-Menzel, the artist known as Annot was part of an academic family; her father was a professor of theoretical physics and her mother a professional singer. Her artistic journey began at the Drawing and Painting School of the Verein der Berliner Künstlerinnen, later studying at the painting school of Lovis Corinth. A member of the Berlin Succession, she signed her works simply as Annot. Her stylistic approach was influenced by French Impressionism, often characterized by a loose, generous surface treatment. In the late 1920s, she produced a painting cycle portraying the faces of working women, including a surgeon, a lawyer, and a physiotherapist.
Exhibitions and Global Travels
Annot’s life was marked by significant movement and activism. After studying in Paris with André Lhote, she and her husband, the painter Rudolf Jacobi, opened the Malschule Annot in Berlin. Following the rise of the Nazi regime, which designated her paintings as "degenerate," she emigrated to the United States. In New York, she opened the Annot Art School and Gallery at Rockefeller Center. Her work was exhibited at the Marie Sterner Gallery in New York and the Katharine Kuh Gallery in Chicago. Later, she lived in Puerto Rico before returning to Germany, where she died in Munich.