Päivitetty lokakuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 22 teosta taiteilijalta David Bailly luettelossamme
Yhteenveto
Tämän sijoituksen mukaan Johanna Visscher (1628) on David Bailly -taiteilijan tunnetuin maalaus; teos sijaitsee Slovak National Gallery -museossa, kaupungissa Bratislava. Sitä seuraavat Portrait of Ripperd Van Groenendijk (1650) ja Portrait of Claudina Van Groenendijk (1633). Tämä lista perustuu David Bailly teoksiin, joita on luettelossa yhteensä 22 kappaletta, ja se esittelee 22 tunnetuinta teosta sisältäen jokaisesta tiedot päivämäärästä, museosta ja kuvauksesta.
David Bailly painted Johanna Visscher about 1628. The portrait presents a woman of high social standing, captured in a formal bust-length composition. She faces the viewer with a calm, direct gaze that establishes an immediate connection. Her status is signaled through the elaborate details of her attire, including a large, crisp white ruff collar and a jeweled bodice.
In this bust-length portrait, David Bailly presents the subject, Ripperd Van Groenendijk, with a quiet and dignified presence. The man is positioned slightly off-center, turned toward the viewer's right, yet his gaze meets the observer directly. This direct eye contact creates an immediate sense of connection between the sitter and the viewer. The composition is set against a dark, indistinct, and flat background, which ensures that the focus remains entirely…
Created in 1633, this work is a product of the Dutch Golden Age. The style reflects the period's preoccupation with technical precision and the realistic depiction of social status through costume. The portrait adheres to the conventions of 17th-century Dutch Baroque portraiture, where the focus remains entirely on the individual and the material markers of their identity. The meticulous attention to the textures of lace, linen, and silk demonstrates the…
Young man with a fur hat is a bust-length portrait by the Dutch Golden Age painter David Bailly. Known in Dutch as Jonge man met bontmuts, the work functions as a tronie, focusing on the character and expression of the subject rather than a specific individual's likeness. The sitter is presented in a close-up view, centered against a dark, indistinct background.
This oil on canvas work, titled Portrait of Antonius Walaeus, Professor of Jurisprudence at Leiden, was executed by the Dutch artist David Bailly. Dated about 1601, the painting presents a formal study of a man of high academic status. The subject is captured in a moment of quiet dignity, his presence defined by the scholarly weight of his position.
A young man emerges from a deep, indeterminate darkness, his presence defined by a sudden, sharp light that sweeps across his features. This is Gerrit Schaep, captured in a moment of quiet dignity. He sits in a three-quarter view, his body angled slightly away while his gaze meets the viewer with a steady, calm composure. The light, descending from the upper left, carves the contours of his face, casting soft…
The Portrait of Willem Ruychaver is an oil painting executed by David Bailly in 1632. This work belongs to the Dutch Golden Age, a period marked by significant developments in portraiture and still-life painting within the Netherlands.
A single figure emerges from a void of deep browns and blacks. This young man, captured in a three-quarter view, gazes out with a quiet, heavy stillness. His face is a landscape of soft light and subtle shadow, carved by a light source from the upper left. The skin possesses a smooth, painterly quality, transitioning gently into the dark collar at his neck. He wears a large, textured cap that…
In this 1640 oil portrait, we encounter Dirck van Egmond van de Nijenburg, a man whose steady gaze meets ours with a quiet, unyielding dignity. David Bailly has composed this bust-length study with a profound sense of gravity, placing the subject slightly off-center to create a natural, breathing presence. The lighting is deliberate, employing a chiaroscuro effect that pulls the man’s features out of a deep, dark background. One side…
The oil on canvas work titled Vanitas is a large and splendid example of the vanitas still life genre. Created by the Dutch painter David Bailly, the composition captures a dense arrangement of objects that speak to the fleeting nature of existence. The artist, born in 1584, rendered this scene with a focus on the material world's inevitable decay.
Portrait of an unknown woman wearing pearls1650
12
Self-Portrait1625 · Rijksmuseum
13
Portrait of a Man1641 · Metropolitan Museum of Art
14
Self-Portrait1625 · Rijksmuseum
15
Portrait of a Man, Possibly a Botanist1641 · Metropolitan Museum of Art
16
Portrait of Claudius Salmasius (Saumaise), philologist
17
Portrait of David Bailly in Cornelis de Bie's Gulden Cabinet.
18
Portrait of the Painter François Gysels
19
Portrait of Anthony de Wale1636 · Rijksmuseum
20
Portrait of Prince Janusz RadziwiłłNational Museum in Wrocław
21
Self-Portrait with Vanitas Symbols1651 · Stedelijk Museum De Lakenhal
22
Portrait of Aertje WitsenRijksmuseum
Nämä teokset esittävät neljää yleisintä aihetta, joista jokaisesta on tässä tunnetuin esimerkki.
Tämän sivun teoksista eniten sisältävät 8 museota.
| Museo | Kaupunki | David Bailly teokset | Tämän listan maalaukset |
|---|---|---|---|
 Rijksmuseum |
Amsterdam | 5 | Young man with a fur hat, Self-Portrait, Self-Portrait |
 Slovak National Gallery |
Bratislava | 2 | Johanna Visscher, The Portrait of Gerrit Schaep |
 Fine Arts Museums of San Francisco |
San Francisco | 2 | Portrait of Ripperd Van Groenendijk, Portrait of Claudina Van Groenendijk |
 Metropolitan Museum of Art |
New York | 2 | Portrait of a Man, Portrait of a Man, Possibly a Botanist |
 Museum van Loon |
Amsterdam | 1 | Portrait of Willem Ruychaver |
 Stedelijk Museum |
Alkmaar | 1 | Portrait of Dirck van Egmond van de Nijenburg (1614-1663) |
 Herbert F. Johnson Museum of Art |
Ithaca | 1 | Vanitas |
 National Museum in Wrocław |
Wrocław | 1 | Portrait of Prince Janusz Radziwiłł |
Valitse vuosikymmen nähdäksesi sen merkittävimmän maalauksen.
This oil on canvas work, titled Portrait of Antonius Walaeus, Professor of Jurisprudence at Leiden, was executed by the Dutch artist David Bailly. Dated about 1601, the painting presents a formal study of a man of high academic status. The subject is captured in a moment of quiet dignity, his presence defined by the scholarly weight of his position.
David Bailly painted Johanna Visscher about 1628. The portrait presents a woman of high social standing, captured in a formal bust-length composition. She faces the viewer with a calm, direct gaze that establishes an immediate connection. Her status is signaled through the elaborate details of her attire, including a large, crisp white ruff collar and a jeweled bodice.
Created in 1633, this work is a product of the Dutch Golden Age. The style reflects the period's preoccupation with technical precision and the realistic depiction of social status through costume. The portrait adheres to the conventions of 17th-century Dutch Baroque portraiture, where the focus remains entirely on the individual and the material markers of their identity. The meticulous attention to the textures of lace, linen, and silk demonstrates the…
In this 1640 oil portrait, we encounter Dirck van Egmond van de Nijenburg, a man whose steady gaze meets ours with a quiet, unyielding dignity. David Bailly has composed this bust-length study with a profound sense of gravity, placing the subject slightly off-center to create a natural, breathing presence. The lighting is deliberate, employing a chiaroscuro effect that pulls the man’s features out of a deep, dark background. One side…
In this bust-length portrait, David Bailly presents the subject, Ripperd Van Groenendijk, with a quiet and dignified presence. The man is positioned slightly off-center, turned toward the viewer's right, yet his gaze meets the observer directly. This direct eye contact creates an immediate sense of connection between the sitter and the viewer. The composition is set against a dark, indistinct, and flat background, which ensures that the focus remains entirely…
Johanna Visscher (1628), Slovak National Gallery, Bratislava. Seuraavat teokset ovat Portrait of Ripperd Van Groenendijk (1650) ja Portrait of Claudina Van Groenendijk (1633).
44 vuotta: David Bailly syntyi vuonna 1584 ja teos Johanna Visscher on vuodelta 1628.
Johanna Visscher, Portrait of Ripperd Van Groenendijk, Portrait of Claudina Van Groenendijk, Young man with a fur hat, Portrait of Antonius Walaeus, Professor of Jurisprudence at Leiden, The Portrait of Gerrit Schaep, Portrait of Willem Ruychaver, Young Man in a Black Cap, Portrait of Dirck van Egmond van de Nijenburg (1614-1663) ja Vanitas. Yllä oleva lista sisältää kunkin teoksen päivämäärän ja museon, jossa se sijaitsee.
Luettelo sisältää 22 teosta taiteilijalta David Bailly, ajoitettu välille 1601–1651.
Pääasiassa Rijksmuseum (Amsterdam), Slovak National Gallery (Bratislava) ja Fine Arts Museums of San Francisco (San Francisco). Yllä oleva museotaulukko antaa täydellisen jakauman.
Aikakaudella 1630s: 5 sivulla luetelluista 22 teoksesta kuuluu kyseiselle ajanjaksolle, mukaan lukien Portrait of Claudina Van Groenendijk.
Täällä luetelluista teoksista vanhin on Portrait of Antonius Walaeus, Professor of Jurisprudence at Leiden (1601) ja uusin on Self-Portrait with Vanitas Symbols (1651).
Man (8), Portrait (4) ja White collar (3) sivulla luetelluista 22 teoksesta.
Oil On Canvas, 5 teoksista sivulla listatuista 22 teoksesta.
Baroque ja Dutch baroque, kuten tämän sivun teokset osoittavat.
Young man with a fur hat, Self-Portrait ja Self-Portrait ovat yksi 5 teoksesta, jotka löytyvät Rijksmuseum, Amsterdam kokoelmasta tältä sivulta.
