Yhteenveto
The Bolshevik (1918) on merkitty David Jagger -taiteilijan kuuluisimmaksi teokseksi; sen omistaa Canadian War Museum, Ottawa. Thomas Newbould (1845–1933) (1921) ja Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935) (1936) ovat toisena ja kolmantena. Katalogiin merkityistä David Jagger -taiteilijan 23 teoksesta 23 tunnetuinta on lueteltu alla; jokaisesta teoksesta on ilmoitettu sen päivämäärä, säilyttävä museo sekä huomautus teoksesta.
Sijoitukset 1–10: tunnetuimmat David Jagger -maalaukset
David Jagger, lisää tuloksia: 11–23
David Jagger teosten keskeiset aiheet
Nämä teokset esittävät neljää yleisintä aihetta, joista jokaisesta on tässä tunnetuin esimerkki.
Portraits 2 teosta
Men 2 teosta
David Jagger: museoiden suosikki
Tämän sivun teoksista eniten sisältävät 8 museota.
| Museo | Kaupunki | David Jagger teokset | Tämän listan maalaukset |
|---|---|---|---|
| Eastbourne | 2 | Alderman Miss Alice Hudson, JP, Mayor of Eastbourne (1925–1928 1943–1945), Alderman Lieutenant Colonel Roland Vaughan Gwynne, DSO, DL, JP, Mayor of Eastbourne (1928–1931) | |
| Ottawa | 1 | The Bolshevik | |
| Liverpool | 1 | Sewing | |
| Sheffield | 1 | Henry Hall Bedford, JP, Chairman of the Board (1913–1924) | |
| London | 1 | Lord Baden Powell (1857–1941), as World Chief Scout | |
| Nottingham | 1 | Jewish Refugee, Vienna | |
| Egham | 1 | Miss Janet Ruth Bacon | |
| Birmingham | 1 | Sir Horace Clarke |
Vuosikymmenen indeksi: jokaisen David Jagger pääteos
Teokset vuosikymmenittäin
Valitse vuosikymmen nähdäksesi sen merkittävimmän maalauksen.
Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935)
Usein kysytyt kysymykset David Jagger'n maalauksista
Mikä on David Jagger tunnetuin teos?Näytä vastaus
The Bolshevik (1918), Canadian War Museum, Ottawa. Seuraavat teokset ovat Thomas Newbould (1845–1933) (1921) ja Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935) (1936).
Kuinka vanha David Jagger oli teoksen The Bolshevik vuonna?Näytä vastaus
27 vuotta: David Jagger syntyi vuonna 1891 ja teos The Bolshevik on vuodelta 1918.
Mitkä ovat David Jagger kymmenen tunnetuinta teosta?Näytä vastaus
The Bolshevik, Thomas Newbould (1845–1933), Henry Alexander, LLD, Lord Provost of Aberdeen (1932–1935), Dr John George Graves (1866–1945), Portrait of a Man, The Late Cyrus Jones, Kathleen, Portrait of a Lady, Charles Jagger (1885–1934) ja Charles Sargeant Jagger. Yllä oleva lista sisältää kunkin teoksen päivämäärän ja museon, jossa se sijaitsee.
Kuinka monta David Jagger -teosta luettelossa on?Näytä vastaus
Luettelo sisältää 23 teosta taiteilijalta David Jagger, ajoitettu välille 1917–1950.
Missä David Jagger pääteokset sijaitsevat?Näytä vastaus
Pääasiassa Towner (Eastbourne), Canadian War Museum (Ottawa) ja Walker Art Gallery (Liverpool). Yllä oleva museotaulukko antaa täydellisen jakauman.
Mihin aikakauteen David Jagger tunnituimmat teokset sijoittuvat?Näytä vastaus
Aikakaudella 1920s: 6 sivulla luetelluista 23 teoksesta kuuluu kyseiselle ajanjaksolle, mukaan lukien Thomas Newbould (1845–1933).
Mitkä ovat David Jagger tunnetuimmista teoksista varhaisimmat ja uusimmat?Näytä vastaus
Täällä luetelluista teoksista vanhin on Charles Jagger (1885–1934) (1917) ja uusin on Michael Theodore Waterhouse (1888–1968), CBE, PRIBA (1950).
Mitä aiheita David Jagger käsitteli useimmiten?Näytä vastaus
Portraits (2) ja Men (2) sivulla luetelluista 23 teoksesta.
Mitä David Jagger -taiteilijan maalauksia Towner -museossa on?Näytä vastaus
Alderman Miss Alice Hudson, JP, Mayor of Eastbourne (1925–1928 1943–1945) ja Alderman Lieutenant Colonel Roland Vaughan Gwynne, DSO, DL, JP, Mayor of Eastbourne (1928–1931) ovat yksi 2 teoksesta, jotka löytyvät Towner, Eastbourne kokoelmasta tältä sivulta.
David Jagger elämäkerta
A Legacy of Elegance: The Life of David Jagger
Born in Kilnhurst, near Rotherham, David Jagger emerged as one of the most accomplished English portrait painters of his era. His journey into the world of fine art was deeply rooted in a family of immense creative talent; he was the son of colliery manager Enoch Jagger and Mary Sargeant, and grew up alongside siblings who would also leave their mark on the British art scene. His sister, Edith, became a noted landscape artist and textile designer, while his brother, Charles Sargeant Jagger, rose to prominence as a celebrated sculptor. This environment of artistic rigor shaped David’s early development, leading him to the Sheffield School of Art, where he honed the technical precision that would later define his professional career.
As an accomplished draughtsman and skilled illustrator, Jagger’s talent was recognized early through accolades in mural design and painting. Following his formal education, he moved to London, a transition that marked the beginning of his ascent within the prestigious circles of British society. Initially balancing commercial art studio work with evening portrait commissions, he eventually established his own professional portrait studio in Chelsea, south of London. This period of his life was not only marked by professional growth but also by profound personal inspiration; his marriage to Catherine Gardiner brought a muse into his life whose features would grace many of his most accomplished works, often appearing under a pseudonym.
Mastery of the Portrait
Jagger’s work is characterized by a remarkable realism that, while highly detailed, maintained a soft, painterly quality that avoided the harshness of hard-edge styles. He possessed a rare ability to capture the essence of his subjects, whether they were members of the British aristocracy or figures of significant historical importance. His technical mastery allowed him to navigate the delicate balance between formal, official-looking commissions and more intimate, thoughtfully posed compositions. This skill earned him a place among the leading exhibitors of his time, with regular appearances at the Royal Academy, the Royal Society of British Artists, and the Royal Institute of Oil Painters.
The breadth of his subject matter reflects the high society and civic authority of early 20th-century Britain. His portfolio includes a breathtaking array of notable figures, such as:
- Robert Baden-Powell, whose 1929 portrait remains one of Jagger's most enduring legacies, with numerous copies displayed in Scouting premises worldwide.
- Queen Mary, captured in significant works during 1930 and 1932.
- Winston Churchill, a monumental subject for any portraitist of the era.
- King George VI, documented in 1937.
- Vivien Leigh, representing the glamour of the cinematic age in 1941.
- Prince Philip, Duke of Edinburgh, one of his final notable subjects.
Historical Significance and Artistic Standing
Beyond the individual brilliance of his brushwork, David Jagger holds a significant place in the history of British portraiture due to his role in documenting the faces of an era. His ability to secure commissions from the highest echelons of power—ranging from royalty to political leaders—cemented his reputation as a premier chronicler of his time. His work serves as a visual record of the dignity, tradition, and shifting social landscape of mid-century England.
His contribution to the art community was further solidified through his active membership in prestigious societies like the Royal Society of Portrait Painters. Through these institutions, Jagger helped maintain the high standards of oil painting and portraiture during a period of significant artistic transition. Today, his portraits remain cherished not only for their technical excellence but as windows into the character and prestige of the individuals who shaped the twentieth century.






