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Kiyohime changeant en serpent à Hidaka Rivière

Tsukioka Yoshitoshi (1839 – 1892)

Tsukioka Yoshitoshi (1839-1892) : Dernier maître de l'estampe en bois Ukiyo-e. Explorez des scènes dramatiques, des estampes guerrières et une art innovante reflétant la transition du Japon.

The Smithsonian's National Museum of Asian Art (Washington, D.C., États-Unis d'Amérique)

Explorez plus de 45 000 œuvres d'art asiatiques au Smithsonian National Museum of Asian Art à Washington, D.C. Découvrez la Chine, le Japon, la Corée et bien plus encore ! Entrée gratuite.

Kiyohime Changing Into A Serpent At Hidaka River – An Exploration Of Myth And Mastery

Tsukioka Yoshitoshi’s “Kiyohime Changing Into A Serpent At Hidaka River,” part of his celebrated *New Forms of Thirty-Six Ghosts* series (1890), transcends mere visual representation; it embodies the spirit of a pivotal moment in Japanese art history and culture. This monumental woodblock print isn't simply a depiction of legend—it’s a masterful distillation of folklore, artistic innovation, and the anxieties surrounding societal transformation during the waning years of the Tokugawa shogunate and the dawn of the Meiji Era.

The image portrays Kiyohime, daughter of an innkeeper, undergoing a dramatic metamorphosis into a serpent as she attempts to pursue Anchin, a monk residing at Dojo Temple on the banks of Hidaka River. This narrative draws heavily from Japanese mythology—specifically, the tale of Kiyohime’s obsessive love for Anchin and her subsequent transformation into a serpent after being thwarted in her pursuit.

Yoshitoshi's technique exemplifies the pinnacle of *ukiyo-e* artistry. The print utilizes bold outlines and flat planes of color – hallmarks of the genre – to create depth and dynamism. Skilled use of perspective contributes to an unsettling atmosphere, mirroring the turbulent emotions at play within the scene. Brushstrokes mimic the movement of water, conveying a palpable sense of urgency and instability.

Color plays a crucial role in establishing mood. Dominating hues of blues and greens evoke the serenity of the river juxtaposed with the drama of Kiyohime’s transformation. The vibrant blue kimono worn by Kiyohime draws attention to her figure, symbolizing purity and highlighting her unwavering determination. Symbolic elements abound: the serpent itself represents change and rebirth—a potent motif reflecting Japan's evolving identity; and the moon, frequently associated with femininity and mystery, casts a cool glow upon the composition.

Emotionally, “Kiyohime Changing Into A Serpent At Hidaka River” resonates with awe and wonder. Yet, beneath the surface beauty lies an undercurrent of unease—a reflection of the anxieties surrounding societal upheaval and the fragility of human desire. Yoshitoshi’s masterful execution captures not only a captivating story but also the profound psychological complexities inherent in confronting fate and embracing transformation – qualities that continue to inspire admiration and intrigue within the art world.

  • Artist: Tsukiyoshi Yoshitoshi (1839-1892)
  • Series: New Forms of Thirty-Six Ghosts
  • Date: 1890
  • Medium: Ink and color on paper
  • Dimensions: Unknown

A reproduction of this iconic print offers a glimpse into the artistic brilliance of its time, allowing viewers to appreciate Yoshitoshi’s unparalleled ability to convey narrative power alongside aesthetic beauty.


À propos de cette œuvre

Informations clés

  • Year: 1890
  • Title: Kiyohime changing into a serpent at Hidaka River
  • Movement: Japanese Art
  • Artist: Tsukioka Yoshitoshi
  • Location: Private Collection
  • Notable elements or techniques: Woodblock printing, Serpent imagery
  • Medium: Ink and color on paper

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