Guide des œuvres étudiantes
Copyright Cette œuvre est dans le domaine public. Maître Lombard est décédé(e) en 1160 ; le droit d'auteur dure 70 ans après le décès de l'artiste, il a donc pris fin en 1230.
En contexte
Cleopatra / Eurydice — Maître Lombard
L'original mesure 20 × 26 cm (hauteur × largeur), représenté ici à côté d'un adulte de taille moyenne.
Ombré : la vie de Maître Lombard (1096–1160) ▲ cette œuvre, 1532
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Mesuré à partir de l'image
Couleur principale
Phthalo Green #151713
Palette enregistrée
À propos de cette œuvre
Cleopatra / Eurydice — Maître Lombard
A slender, near-naked female figure stands before a parapet, her pale body standing out appealingly against the dark background. Her left foot is on a snake, which in the very next moment will bite her. Inclining slightly, the woman is turning aside, her right hand resting on a richly ornamented pilaster, as if she were in need of support. The pilaster bears a red marble panel with the inscription CLEOPATRA. 1.5.3.2.PE. This is somewhat perplexing, since the subject is not the Egyptian queen who, according to legend, died of an asp bite to the breast when she failed to win Octavian, later Emperor Augustus, for herself. The woman is far likelier to be Eurydice, the wife of Orpheus. Fleeing the attentions of the shepherd Aristaeus, she accidentally trod on a snake, and died of its bite. The composition and various details of this Berlin relief recall a work on the same subject by Giammaria Mosca, today in the Metropolitan Museum of Art in New York. That work in all likelihood served Master PE Monogram as a model. It seems probable that he misunderstood his fellow artist’s subject, and hence inscribed the wrong name.
Artiste et musée
Né(e) à Novara, Italie
Peter Lombard (c. 1096 – August 21/22, 1160) stands as a pivotal figure in medieval art history—a painter whose distinctive style represents the delicate transition between the grandeur of late Gothic artistry and the burgeoning optimism of the early Renaissance. Born in Novara, Italy, Lombard’s artistic journey was marked by intellectual rigor alongside profound aesthetic sensitivity, resulting in works that continue to captivate scholars and collectors alike.
Lombard's upbringing instilled within him a deep appreciation for theological contemplation—a characteristic that would profoundly shape his artistic vision. He received his education at the cathedral schools of Novara and Lucca, institutions renowned for fostering scholastic thought and preparing future clergymen for leadership roles within the Church. Recognizing his talent for visual expression alongside his scholarly pursuits, he traveled to Paris, where he benefited from the tutelage of luminaries like Peter Abelard and Hugh of St. Victor—figures who championed rationalism and humanist ideals during their time. This formative environment undeniably influenced Lombard’s artistic sensibilities, grounding them in both intellectual depth and stylistic refinement.
Lombard's artistic style is instantly recognizable for its hallmark features: uniformly applied gold grounds—a technique borrowed from Byzantine iconography—and exquisitely rendered figures imbued with grace and serenity. These elements reflect a deliberate effort to synthesize the solemn beauty of Gothic tradition with the humanist emphasis on naturalism emerging in Florence and other Italian cities. His paintings eschew excessive ornamentation, prioritizing clarity of form and conveying spiritual contemplation through subtle gestures and expressions. This stylistic approach distinguishes Lombard from many of his contemporaries and establishes him as an innovator within the broader artistic landscape of his era.
Lombard’s oeuvre comprises a select collection of paintings that exemplify his distinctive style and underscore his profound engagement with theological themes. Among his most celebrated creations are “Cleopatra / Eurydice,” a captivating depiction of the mythological queen—a piece characterized by its delicate composition and luminous gold background, mirroring the ethereal qualities favored in Renaissance art. Equally remarkable is “Saint Anthony Abbot,” housed at the Museo Poldi Pezzoli in Milan—a monumental canvas showcasing Saint Anthony’s serene countenance and conveying an aura of spiritual devotion. Furthermore, “Saint Martyr Deacon Panel” – also residing in the Museo Poldi Pezzoli – exemplifies Lombard's meticulous attention to detail and his masterful command of pigment, demonstrating a remarkable fusion of Gothic elegance and Renaissance realism.
Peter Lombard’s artistic legacy extends beyond his individual paintings—he served as an influential teacher, nurturing the talents of numerous artists who would contribute significantly to the development of Italian art during the subsequent decades. His stylistic innovations resonated throughout the medieval world, shaping aesthetic sensibilities and establishing a precedent for blending spiritual contemplation with visual beauty. Today, Lombard’s works continue to inspire admiration for their understated elegance and profound theological depth—a testament to his enduring contribution to the artistic heritage of Europe.
wikioo.org/fr/art/download/lombard-master-cleopatra-eurydice-D4NBUD-en/
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Cleopatra / Eurydice — Maître Lombard
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