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Guide des œuvres étudiantes

Barque 'Preasent'

Nom Niveau Date

William Griffin, Barque 'Preasent' (1859). Reproduit à titre de référence ; tous droits réservés par le titulaire des droits.

Informations clés

Artiste
William Griffin wikioo.org/fr/artists/william-griffin/
Peinture
1859
Dimensions originales
66 x 79 cm

En contexte

Barque 'Preasent' — William Griffin

Dimensions

L'original mesure 66 × 79 cm (hauteur × largeur), représenté ici à côté d'un adulte de taille moyenne.

Date de création

  1. 1830
  2. 1840
  3. 1850

▲ cette œuvre, 1859

First works: up to 1835 Main working years: 1835–1849 Late works: from 1849

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell.

Œuvres similaires

Choisissez une œuvre ci-dessus : nommez deux points communs avec celle-ci, et une différence.

D'autres œuvres à découvrir aux côtés de celle-ci : wikioo.org/fr/art/similar/william-griffin-barque-preasent-AS7VWH-en/

Palette de couleurs

Mesuré à partir de l'image

    Couleur principale

    Driftwood #95874d

    Palette enregistrée

    • #95874D
    • #564C1F
    • #927D3D
    • #7D6627
    Palette
    Dark La famille de couleurs dominante dans l'image.
    Couleur principale
    Driftwood
    Intensité
    Vivid Le degré de saturation et la variété des couleurs, allant d'une teinte unique et atténuée à une multitude de nuances éclatantes.
    Contraste
    Serene Le degré de variation de la luminosité et de la saturation des couleurs à travers l'œuvre.
    Harmonie
    Unified Palette L'harmonie des couleurs, de leur contraste à leur parfaite unité.
    Luminosité
    Bright Le degré de luminosité ou d'obscurité de l'image dans son ensemble, des ombres profondes aux hautes lumières éclatantes.
    Saturation
    Clear Color Presence La pureté et l'intensité des couleurs, allant d'un gris presque imperceptible à une vivacité totale.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by William Griffin over the last twelve months — 1 countries in all.

    The ten leading countries

    1. 1 Chine 100,0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 5 most looked-at works by William Griffin

    1. 1 The Paddle Steamers 'Monarch' and 'Griffin' 40,0%
    2. 2 Sailing Barque 'Glasgow', 1850 20,0%
    3. 3 Paddle Steamers 'Rob Roy', 'Emperor' and 'Queen of Scotland', 1848 20,0%
    4. 4 PS 'Queen of Scotland' 20,0%
    5. Barque 'Preasent', 1859 this painting 0,0%

    Together these works take 100,0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 11 works by this artist, of which 4 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank.

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artiste et musée

    Artiste

    William Griffin

    William Griffin: A Soulful Weaver of Irish Landscapes and Spiritual Echoes

    Born in Cork, Ireland, in 1947, William Griffin’s artistic journey is a testament to the enduring power of observation, intuition, and a profound connection to both the natural world and the unseen realms. Initially drawn to the stability of the oilfield industry – a stark contrast to the volatile nature of his burgeoning art – Griffin ultimately recognized the imperative to translate the landscapes and spiritual resonances within him onto canvas. His work, characterized by a distinctive blend of realism, symbolism, and an almost meditative quality, has garnered critical acclaim and established him as a significant voice in contemporary Irish art.

    Griffin’s early life instilled in him a deep appreciation for the rugged beauty of the West Coast of Ireland, a region that would become inextricably linked to his artistic vision. Leaving Cork in the 1960s, he sought opportunities in London, initially working as an artist but struggling to gain recognition amidst the prevailing art scene. It wasn’t until 1971, after a period spent in the oilfield – a profession that provided both financial stability and a unique perspective on the rhythms of industry and human endeavor – that he returned to painting with renewed purpose. This shift marked a turning point, allowing him to immerse himself fully in his creative process, free from the constraints of commercial pressures.

    The Language of Color and Symbol

    Griffin’s artistic style is immediately recognizable for its rich palette and evocative symbolism. He rarely offers explicit explanations of his work, instead inviting viewers to engage with the paintings on a deeply personal level. His color choices are deliberate and imbued with emotional weight – vibrant yellows and pinks often juxtaposed against darker reds and purples, creating a dynamic tension that reflects the complexities of human experience. He frequently employs landscapes—particularly those of the Irish countryside—as his primary subject matter, but these aren’t merely depictions of scenery; they are windows into a deeper spiritual realm.

    Central to Griffin's approach is the use of symbolism. He draws inspiration from both religious iconography and the natural world, weaving together elements that suggest hidden meanings and invite contemplation. His paintings often feature birds, boats, and other familiar motifs, but these are presented in unexpected contexts, prompting viewers to consider their significance within the broader narrative of each work. He describes his process as a conduit to the unconscious, bypassing the limitations of language to directly access and express profound emotional truths.

    A Journey into the Inner Landscape

    Griffin’s artistic development can be understood as a continuous exploration of this inner landscape—a space where the tangible world merges with the intangible. His early works, characterized by a more representational style, gradually evolved into a more expressive and symbolic approach. The shift is evident in his later paintings, which are imbued with a sense of quiet intensity and spiritual depth. He often begins his work in a darkened cellar, utilizing minimal light to allow his vision to expand and connect with the surrounding environment – a technique that he believes enhances his ability to tap into the subconscious.

    Influences on Griffin’s work are diverse and multifaceted. While he acknowledges a debt to traditional Irish landscape painting, he also draws inspiration from religious art, particularly the works of C.S. Lewis, whose spiritual themes resonate deeply within his own artistic practice. The exploration of faith, doubt, and the search for meaning is a recurring motif in his oeuvre.

    Recognition and Legacy

    Despite initially facing challenges in gaining recognition, William Griffin’s work has steadily gained prominence over the years. His paintings have been exhibited extensively throughout Ireland and internationally, and he is represented in the collections of major museums, including the Museum of Modern Art in New York. His commitment to accessibility—preferring site-specific exhibitions in open spaces—has ensured that his art reaches a wide audience.

    Griffin’s legacy extends beyond his artistic achievements. He has been recognized for his dedication to nurturing young talent, particularly through his involvement with Starehe Boys' Centre and School in Kenya, where he played a pivotal role in shaping the lives of countless disadvantaged children. His work stands as a powerful reminder of the transformative potential of art—its ability to inspire, challenge, and connect us to something larger than ourselves.

    Où lire la suite

    Retrouvez ceci en ligne

    Code QR renvoyant à la page de téléchargement de Barque 'Preasent'

    wikioo.org/fr/art/download/william-griffin-barque-preasent-AS7VWH-en/

    Citer cette œuvre

    MLA
    Griffin, William. Barque 'Preasent'. 1859, https://wikioo.org/fr/art/william-griffin-barque-preasent-AS7VWH-en/
    APA
    Griffin, William (1859). Barque 'Preasent' [Painting]. https://wikioo.org/fr/art/william-griffin-barque-preasent-AS7VWH-en/
    Chicago
    William Griffin. Barque 'Preasent'. 1859. https://wikioo.org/fr/art/william-griffin-barque-preasent-AS7VWH-en/
    Harvard
    Griffin, William (1859) Barque 'Preasent'. Available at: https://wikioo.org/fr/art/william-griffin-barque-preasent-AS7VWH-en/

    Observez de près

    Barque 'Preasent' — William Griffin

    Zoom sur l'œuvre

    Répondez avec vos propres mots. Il n'y a pas de mauvaises réponses ici — seulement des réponses que vous pouvez justifier.

    1. Qu'est-ce qui attire votre regard en premier, et pourquoi ?
    2. Quelles couleurs ou quelles formes créent l'atmosphère — et quelle est cette atmosphère ?
    3. Revenez sur Sailing Barque 'Glasgow' (1850), présenté plus haut dans ce guide. Citez deux points communs avec cette œuvre, ainsi qu'une différence.
    4. Qu'est-ce que l'artiste a pu vouloir vous faire ressentir ?
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    Questions et réponses

    Quelle est la luminosité perçue de «Barque 'Preasent'» de William Griffin ?

    En termes de luminosité perçue, «Barque 'Preasent'» de William Griffin est bright.

    À quel artiste est attribuée l'œuvre "Barque 'Preasent'" ?

    L'artiste à l'origine de « Barque 'Preasent' » est William Griffin. L'œuvre est répertoriée sous le nom de William Griffin.

    En quelle année "Barque 'Preasent'" a-t-il été réalisé ?

    «Barque 'Preasent'» date de 1859. Cette date inscrit l'œuvre dans la carrière de William Griffin ainsi que dans son époque.

    Où puis-je acheter une reproduction peinte à la main de «Barque 'Preasent'» de William Griffin ?

    Les reproductions peintes à la main de «Barque 'Preasent'» de William Griffin sont disponibles sur ce site web : une reproduction à l'huile peinte à la main sur toile de lin, en passant commande via cette page.

    Comment puis-je obtenir un fichier numérique de «Barque 'Preasent'» de William Griffin ?

    Pour obtenir un fichier numérique de «Barque 'Preasent'» de William Griffin, commandez un téléchargement d'image numérique haute résolution sur cette page.

    Existe-t-il un diaporama pour «Barque 'Preasent'» de William Griffin ?

    Vous pouvez visionner «Barque 'Preasent'» de William Griffin sous forme de diaporama sur la page Diaporama de l'œuvre.

    Existe-t-il des œuvres similaires à « Barque 'Preasent' » ?

    La page Œuvres similaires de «Barque 'Preasent'» de William Griffin présente des œuvres similaires.