Portrait de Sofie Holten

Liste des 1 peintures les plus célèbres de Sofie Holten

Mis à jour en novembre 2026 · classé selon notre score de popularité (recherches, visites et commandes pour chaque œuvre) · 1 œuvres de Sofie Holten dans notre catalogue

Résumé

La peinture la plus célèbre de Sofie Holten est August Strindberg, 1849-1912 (1885), conservée au National Portrait Gallery of Sweden, à Strängnäs. Le catalogue répertorie 1 œuvres de Sofie Holten ; les 1 entrées ci-dessous sont les plus célèbres, classées par ordre de mérite avec la date, le musée de conservation et la description.

1858 – 1930, Skuldelev Plus d'œuvres : National Portrait Gallery of Sweden

Sofie Holten : les 10 peintures principales

Sofie Holten : musées détenteurs

Le musée qui détient le plus grand nombre de peintures figurant sur cette page.

Musées Ville Œuvres de Sofie Holten Peintures de cette liste
National Portrait Gallery of Sweden, SträngnäsNational Portrait Gallery of Sweden Strängnäs 1 August Strindberg, 1849-1912

Sofie Holten : principales peintures par année

Toutes les œuvres datées de Sofie Holten répertoriées sur cette page datent de 1885 ; elles sont présentées ci-dessous par ordre de classement.

Œuvres par année

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Les peintures de Sofie Holten : questions de référence

Quelle est la peinture la plus célèbre de Sofie Holten ?Afficher la réponse

August Strindberg, 1849-1912 (1885)

Quel âge avait Sofie Holten lorsque August Strindberg, 1849-1912 a été peint ?Afficher la réponse

27 ans : Sofie Holten est né(e) en 1858 et August Strindberg, 1849-1912 date de 1885.

Combien d'œuvres de Sofie Holten sont répertoriées ?Afficher la réponse

Le catalogue répertorie 1 œuvres de Sofie Holten.

Quels musées conservent les peintures les plus célèbres de Sofie Holten ?Afficher la réponse

Principalement dans National Portrait Gallery of Sweden (Strängnäs). Le tableau des musées ci-dessus présente la répartition complète.

Sofie Holten : notes biographiques

A Life Painted in Light and Purpose

Born on 12 August 1858 in Skuldelev, Denmark, Sofie Holten grew up as the daughter of a parish priest, Hans Nicolai Holten. Her early years were shaped by the quiet rhythms of Danish life, yet her ambitions reached far beyond the borders of her birthplace. After receiving private instruction from Christen Dalsgaard and Carl Thomsen, she sought the wider horizons of Paris. In the French capital, she studied under Félix-Joseph Barrias and Alfred Stevens, absorbing the modern methods of painting that would later define her brushwork.

Her travels were as varied as her subjects. During the 1890s, she moved through the Netherlands, Germany, Italy, England, and Greece. These excursions provided a steady stream of new sights, from the ancient motifs of the Parthenon to the quiet corners of European landscapes. She was a woman who moved through the world with a clear sense of her own direction, often choosing the independence of her craft over the traditional path of marriage.

The Brush and the Cause

Holten’s work was never confined to a single genre. She found equal expression in portraits, flower paintings, and scenes of everyday life. Some of her most noted portraits captured figures such as August Strindberg and L. A. Ring. Her ability to translate the character of her sitters onto canvas earned her recognition at the Charlottenborg Spring Exhibition and the Salon in Paris. She also brought her eye for detail to historical subjects, creating works inspired by the Parthenon Frieze.

Beyond the studio, her life was defined by a deep commitment to social change. She was a voice for women, writing reviews of female artists in Kvinden og Samfundet and advocating for practical changes in women's lives, such as more functional clothing. In 1895, she acted as a driving force behind the Copenhagen Women's Exhibition. Her dedication to her community and her faith remained constant throughout her later years.

Later Years and Lasting Marks

In her later life, Holten found a spiritual home in Roman Catholicism after spending time in Assisi, Italy. She settled in Roskilde with her friend Erikke Rosenørn-Lehn, where she contributed to the local landscape through her art. Her work decorating the St Laurenti Church in Roskilde remains a significant part of her legacy, earning her the Pro Ecclesia et Pontifice award.

When she passed away on 5 June 1930, she left behind a body of work that reflected both her technical skill and her personal convictions. Her life was marked by several notable achievements:

  • Exhibiting at the 1893 World's Columbian Exposition in Chicago.
  • Advocating for women's rights through writing and organized exhibitions.
  • Decorating religious spaces with her oil paintings.
  • Maintaining a professional presence at the Charlottenborg exhibitions until 1904.