Mis à jour en octobre 2026 · classé selon notre score de popularité (recherches, visites et commandes pour chaque œuvre) · 7 œuvres de Marcelo Grassmann dans notre catalogue
Résumé
Cavalo morto (1944) is recorded as the most famous painting of Marcelo Grassmann; it is held by the Centro Cultural São Paulo, São Paulo. Figure of woman and dwarf and Cavalos (1944) occupy the second and third entries. Of the 7 works by Marcelo Grassmann recorded in the catalogue, the 7 best known are listed below, each entry with its date, the holding museum and a note on the work.
In the hauntingly beautiful drawing Cavalo morto, created in 1944, the Brazilian master Marcelo Grassmann de Oliveira invites us into a profound meditation on the cycle of life and the inevitability of decay. This striking black and white work captures a lifeless horse resting upon the earth, its emaciated form rendered with a precision that transcends mere anatomical study. The composition is anchored by the heavy, stillness of the subject,…
La création artistique est souvent une danse entre l’observation du réel et la liberté de l'imagination, une équation complexe que Marcelo Grassmann de Oliveira maîtrise avec une remarquable sensibilité. Son œuvre « Cavalos » (1944), bien qu’une simple esquisse en noir et blanc, porte en elle les échos d’une époque marquée par les bouleversements artistiques du XXe siècle et une profonde réflexion sur la beauté et la puissance de l’esprit…
Dans l'univers évocateur de Marcelo Grassmann de Oliveira, les frontières entre la réalité et le rêve se dissolvent pour laisser place à une vision singulière et saisissante. Guerrier bleu et lance s'affirme comme un témoignage profond de la capacité de l'artiste à conjurer des figures mythiques depuis les profondeurs du subconscient. La peinture présente une figure solitaire, drapée de nuances de bleu céruléen et d'azur profond, armée d'une lance qui…
The four subjects most frequently represented among these works, each with its best-known example.
Les 2 musées qui détiennent la plupart des peintures de cette page.
| Musée | Ville | Œuvres de Marcelo Grassmann | Peintures de cette liste |
|---|---|---|---|
 Museu de Valores do Banco Central |
Brasília | 4 | Figure of woman and dwarf, Horses, Guerrier bleu et lance |
 Centro Cultural São Paulo |
São Paulo | 3 | Cavalo morto, Cavalos, Les chevaux |
From 1944 to 1954, 11 years, the dated works of Marcelo Grassmann are indexed below year by year with their principal paintings.
Select a year to display its principal paintings.
In the hauntingly beautiful drawing Cavalo morto, created in 1944, the Brazilian master Marcelo Grassmann de Oliveira invites us into a profound meditation on the cycle of life and the inevitability of decay. This striking black and white work captures a lifeless horse resting upon the earth, its emaciated form rendered with a precision that transcends mere anatomical study. The composition is anchored by the heavy, stillness of the subject,…
Other works from 1944
Cavalo morto (1944), Centro Cultural São Paulo, São Paulo. The following entries are Figure of woman and dwarf and Cavalos (1944).
19 years: Marcelo Grassmann was born in 1925 and Cavalo morto is dated 1944.
The catalogue records 7 works by Marcelo Grassmann, dated between 1944 and 1954.
Principally in Museu de Valores do Banco Central (Brasília) et Centro Cultural São Paulo (São Paulo). The museum table above gives the full distribution.
In 1944: 3 of the 7 works listed on this page are dated to that period, including Cavalo morto.
The earliest dated work listed here is Cavalo morto (1944); the latest is Horses (1954).
Dreamlike (3) et Horses (2), out of the 7 works listed on this page.
Drawing, in 3 of the 7 works listed on this page.
Surréalisme, as documented by the works on this page.
Figure of woman and dwarf, Horses et Guerrier bleu et lance are among the 4 works on this page in the collection of the Museu de Valores do Banco Central, Brasília.
