List of 71 Famous Mannerist चित्रकार (Ranked)

11of 71

सेबास्टियानो डेल पिओम्बो 1485–1547

Born: वेनिस Wikipedia: 23/32 languages

12of 71

हेंड्रिक गोलत्ज़ियस 1558–1617

डच Born: ब्रौन्श्वेइक उत्तरी मैनरिज्म और बारोक नक्काशी Wikipedia: 19/32 languages

13of 71

डोमेनिको डी पासे बेकाफुमी 1484–1551

इतालवी Born: मोंटापर्टो मैनरिज्म, पुनर्जागरण Wikipedia: 21/32 languages

14of 71

पीटर एर्टसेन 1508–1575

डच Born: ऐम्स्टर्डैम उत्तरी मैनरिज्म Wikipedia: 28/32 languages

15of 71

बार्थोलोमियस स्प्रेंजर 1546–1611

फ्लेमिश Born: एंटवर्प उत्तरी मैनरिज्म Wikipedia: 18/32 languages

He skillfully blended Netherlandish realism with Italian mannerist influences, particularly the Roman tradition of depicting classical mythology. It was here that he encountered Karel van Mander, whose Schilder-boeck would later provide a detailed account of Spranger’s life and work – a testament to the artist's significance within the artistic community.

16of 71

लैविनिया फोंटाना 1552–1614

इतालवी Born: बोलोना मैनरिज्म, बारोक Wikipedia: 26/32 languages

17of 71

फेडरिको बारोची 1535–1612

Born: उर्बिनो Wikipedia: 24/32 languages

18of 71

हंस वॉन आचेन 1552–1615

जर्मन Born: कोलोन मैनरिज्म पेंटिंग Wikipedia: 26/32 languages

19of 71

क्रिस्टोफ़ानो अल्लोरी 1577–1621

Italian Born: फ्लोरेंस Mannerism Wikipedia: 23/32 languages

20of 71

एलेसेंड्रो अलोरी 1535–1607

Born: फ़्लोरेन्स Wikipedia: 24/32 languages

21of 71

निकोलो डेल' अबेटे 1512–1571

इतालवी Born: मोडेना मैनरिज्म Wikipedia: 25/32 languages

22of 71

जियोवानी बतिस्ता मोरोनी 1525–1578

Born: अल्बिनो Wikipedia: 16/32 languages

23of 71

बेनुवेनतो सेलिनि 1500–1571

इतालवी Born: फ्लोरेंस मैनरिज्म

24of 71

फ्रांसेस्को साल्विआती 1510–1563

राष्ट्रीयता: इतालवी Born: फ़्लोरेन्स मैनरिज्म (Mannerism) Wikipedia: 17/32 languages

25of 71

जियाम्बोलोग्ना 1529–1608

Born: डौए

26of 71

कारेल वैन मैंडर द एल्डर 1548–1606

फ्लेमिश Born: म्यूलेबेक उत्तरी मैनरिज्म Wikipedia: 20/32 languages

27of 71

डैनिएल दा वोल्टेरा 1509–1566

इतालवी Born: वोल्टेरा मैनरिज्म (Mannerism) Wikipedia: 17/32 languages

28of 71

जीन गोजोन 1510–1567

फ्रांसीसी Born: नॉर्मंडी मैनरिज्म (Mannerism)

29of 71

प्रोस्पेरो फोंटाना 1512–1597

Italian Born: बोलोन्या Late Renaissance & Mannerism Wikipedia: 18/32 languages

30of 71

जोआचिम व्टेवेल 1566–1638

Dutch Born: उट्रेच Mannerism Wikipedia: 14/32 languages

31of 71

फ्रांसेस्को प्रिमातिचियो 1504–1570

Italian Born: बोलोना Mannerism Wikipedia: 22/32 languages

Whether through the delicate line work of a chalk drawing like Ceres or the monumental scale of fresco fragments such as Ulysses Winning the Archery Contest in the Presence of Penelope, Primaticcio’s oeuvre remains a testament to an artist who could navigate the complexities of myth, majesty, and the human psyche with unparalleled grace.

32of 71

ऑटो वैन वीन 1556–1629

फ्लेमिश Born: लेइडेन मैनरिज्म (Mannerism) Wikipedia: 15/32 languages

Student of Federico Zuccari #41

33of 71

लुका कैम्बियासो 1527–1585

इतालवी Born: मोनेग्लिया जेनोइस स्कूल, मैनरिज्म Wikipedia: 15/32 languages

34of 71

ज्यूसेपे सेसारी 1568–1640

इतालवी Born: Arpino मैनरिस्ट (Mannerist) Wikipedia: 14/32 languages

35of 71

फ्रांसेस्को बासानो द यंगर 1549–1592

इतालवी Born: बासानो डेल ग्रापा वेनिस पुनर्जागरण Wikipedia: 12/32 languages

36of 71

Hendrick De Clerck 1570–1630

Flemish Late Mannerism

Early Life & Training: De Clerck’s formative years are shrouded in obscurity, though evidence suggests he received training under Jan Brueghel the Elder, a titan of Flemish landscape painting and a pivotal influence on de Clerck's artistic approach. Among De Clerck’s most celebrated achievements is “The Deposition,” commissioned for St.

37of 71

लीएंड्रो बासानो 1557–1622

इतालवी Born: बासानो डेल ग्राप्पा मैनरिज्म (Mannerism) Wikipedia: 13/32 languages

38of 71

Perino del Vaga 1501–1547

Italian Born: Florence Mannerist Painting Wikipedia: 15/32 languages

Whether depicting the celestial grace of a Madonna with Child or the dramatic tension found in works like The Fall of the Giants, Perino possessed a unique talent for blending the monumental with the delicate.

39of 71

Stradanus 1523–1605

Flemish Born: Bruges Renaissance, 16th Century Painting Wikipedia: 15/32 languages

His arrival coincided with a period of immense artistic patronage and experimentation within the court, orchestrated by Grand Duke Cosimo I de’ Medici and his advisor, Giorgio Vasari. The Metropolitan Museum of Art’s collection features a significant drawing by Stradanus – “ Allegory of America” – offering valuable insight into his artistic vision and providing a tangible connection to this remarkable Florentine master.

Teacher of Antonio Tempesta #56

40of 71

इल पादेनोने 1484–1539

इतालवी Born: फ्र्यूली-विज़ेंज़ा पुनर्जागरण पेंटिंग Wikipedia: 16/32 languages

41of 71

Federico Zuccari 1539–1609

Italian Born: Sant'Angelo in Vado Mannerism Wikipedia: 18/32 languages

This ambition is perhaps most tangibly felt in Casa Zuccari in Florence, a residence built around 1578. Their collaborative spirit yielded masterpieces such as “The Holy Family ” in Palazzo Vecchio, a work that serves as a testament to their unified artistic language.

42of 71

चेकिनो डेल साल्विआटी 1510–1563

इतालवी Born: फ्लोरेंस मैनरिस्ट पेंटिंग

43of 71

Cornelis Ketel 1548–1616

Dutch Born: Gouda Mannerism Wikipedia: 13/32 languages

Encouragement also came from Dirck Crabeth, a celebrated stained-glass artist and brother to Wouter Crabeth, whose wife may have been related to Ketel – suggesting a network of familial support within the artistic community.

44of 71

Gillis Mostaert 1528–1598

Flemish Born: Hulst Mannerism, Renaissance Wikipedia: 8/32 languages

The influence of Hieronymus Bosch is also readily apparent in Mostaert’s oeuvre, particularly in compositions derived from tapestries based on Bosch's fantastical creations. He played a crucial role in the development of both genre and landscape art within Antwerp, pushing boundaries and inspiring subsequent generations of artists.

45of 71

फ्रांसेस्को बकियाक्का 1494–1557

इतालवी Born: फ्लोरेंस फ्लोरेंटाइन मैनरिज्म Wikipedia: 11/32 languages

46of 71

सिपियोन पुलज़ोन 1550–1598

Born: गाएता Wikipedia: 11/32 languages

47of 71

Santi di Tito 1536–1603

Italian Born: Florence Proto-Baroque & Counter-Maniera Wikipedia: 14/32 languages

His prolific output, including monumental altarpieces such as The Resurrection for Santa Croce, demonstrated that art could be both profoundly beautiful and deeply communicative.

48of 71

पोलीडोरो दा कारावागियो 1499–1543

इतालवी Born: कारावागियो मैनरिज्म Wikipedia: 10/32 languages

Polidoro quickly distinguished himself not within the confines of panel painting or fresco but in a remarkably innovative arena: the decoration of Roman palace facades. He stands as a fascinating figure – an artist who bridged the High Renaissance and the emerging stylistic complexities of the 16th century.

49of 71

विन्सेन्ज़ो कैंपी 1536–1591

इतालवी Born: क्रेमोना फ्लेमिश शैली / लोम्बार्ड प्राकृतिकतावाद Wikipedia: 13/32 languages

50of 71

Andrea Schiavone 1522–1563

Italian Born: Zadar Baroque Sculpture; Mannerism Wikipedia: 14/32 languages

His patronage by influential Venetian families, such as the Mocenigo and Grimani, ensured that his influence permeated the very fabric of the city's cultural life.

51of 71

जकोपो लिगोत्ज़ी 1547–1627

इतालवी Born: वेरोना उत्तर पुनर्जागरण और मैनरवाद Wikipedia: 11/32 languages

52of 71

Bartolomeo Passarotti 1529–1592

Italian Born: Bologna Mannerism Wikipedia: 10/32 languages

The historical significance of Bartolomeo Passarotti lies in his role as a foundational figure for the Carracci Academy and the broader Bolognese tradition.

53of 71

Andrea Vicentino 1542–1617

Italian Born: Vicenza Late Renaissance/Mannerist Wikipedia: 5/32 languages

Through his work, the halls of the palace—including the Sala del Senato and Sala dello Scrutinio—were transformed into theatrical stages where history and myth converged.

54of 71

Jacopo Zucchi 1542–1596

Italian Born: Florence Mannerist Painting Wikipedia: 11/32 languages

His works often serve as windows into the complex allegories of the 16th century: Religious Devotion: In pieces such as Allegory of the Creation, Zucchi captures profound moments of divine connection, utilizing dramatic lighting and celestial figures to evoke a sense of awe and religious fervor.

55of 71

डोमेनिको टिनटोरेटो 1560–1635

Italian Born: वेनिस Mannerism Wikipedia: 9/32 languages

56of 71

Antonio Tempesta 1555–1630

Italian Born: Florence Mannerism Wikipedia: 11/32 languages

One of his most poignant achievements can be seen in the Church of Santo Stefano Rotondo in Rome, where his fresco depicting the martyrdom of Saint Primus utilizes a rich color palette and intense emotionality to capture a scene of profound grief and loss. He remains a testament to the interconnectedness of the European art world during the Renaissance and Baroque periods, serving as a bridge between the classical traditions of Italy and the burgeoning artistic spirit of the North.

Student of Stradanus #39

57of 71

अमिको अस्परतिनी 1475–1552

इतालवी Born: बोलोना मैनरिज्म (Mannerism) Wikipedia: 11/32 languages

58of 71

Wenzel Jamnitzer 1507–1585

German Born: Vienna Northern Mannerism

Wenzel’s artistic education commenced under the tutelage of his father and brother. Born in Vienna, Italy, Wenzel was the son of Hans Jamnitzer the Elder, a goldsmith who established a tradition of excellence that would continue through subsequent generations.

59of 71

Vincenzo Scamozzi 1548–1616

Italian Born: Vicenza

His monumental two-volume treatise, L'idea dell'architettura universale, published in Venice in 1615, stands as one of the final great works of the Renaissance.

60of 71

Domenico Fontana 1543–1607

Italian Born: Melide Late Renaissance

Domenico Fontana, a name often overshadowed by the titans of the High Renaissance, stands as a pivotal figure in 16th-century Italian architecture and engineering. The Fontana dell'Acqua Felice (Fountain of Moses), built for Pope Sixtus V, stands as a prime example.

61of 71

Jan De Beer 1475–1528

Born: Antwerp Antwerp Mannerism Wikipedia: 9/32 languages

Though his name fell into obscurity following the end of the sixteenth century, Jan De Beer’s influence endured through the lasting impact of the Antwerp Mannerist style.

62of 71

Marcello Venusti 1510–1579

Italian Born: Mazzo di Valtellina Mannerist Wikipedia: 10/32 languages

His most celebrated achievement remains the scaled oil copy of the Last Judgment, commissioned by Cardinal Alessandro Farnese.

63of 71

Toussaint Dubreuil 1561–1602

French Born: Paris Second School Fontainebleau; Mannerism; Italian Art Influence Wikipedia: 8/32 languages

He found endless inspiration in the epic tales of Homer, the poetic explorations of Pierre de Rationale, and the dramatic narratives of Torquato Tasso. Born in Paris around 1561, Dubreuil emerged during a transformative era when the French court sought to mirror the sophisticated aesthetics of the Italian masters.

64of 71

टोबियास स्टिमर 1539–1584

स्विस Born: Schaffhausen मैनरिज्म (Mannerism) Wikipedia: 7/32 languages

65of 71

Jacopino del Conte 1510–1598

Italian Born: Florence Mannerist Wikipedia: 10/32 languages

The “Virgin and Child with Saint Elizabeth and John the Baptist ” (1535), now housed in the Uffizi Gallery, exemplifies this evolution, showcasing a masterful command of perspective, drapery, and emotional expression. The “Deposition” (1552), painted for the Oratory of San Giovanni Decollato, exemplifies this shift towards a more emotionally charged style.

66of 71

Paolo Fiammingo 1540–1596

Flemish Born: Antwerp Landscape with mythological and allegorical Wikipedia: 8/32 languages

In 1580, Fiammingo was tasked with creating extensive series of paintings to adorn Castle Kirchheim in Württemberg.

67of 71

Jacques Bellange 1575–1616

French Born: Bassigny Northern Mannerism Wikipedia: 9/32 languages

Though his life was cut short in 1616, Bellange’s influence endured far beyond the borders of Lorraine.

68of 71

Girolamo Mazzola Bedoli 1500–1569

Italian Born: Parma Mannerist Painting Wikipedia: 8/32 languages

The significance of Girolamo Mazzola Bedoli extends beyond the individual canvases he left behind.

69of 71

Lelio Orsi 1508–1587

Italian Born: Novellara Mannerist Wikipedia: 7/32 languages

Born in the small town of Novellara around 1508 or 1511, Orsi navigated an era defined by shifting theological certainties and the complex intellectual currents of humanism.

70of 71

Michele Tosini 1503–1577

Italian Born: Florence Renaissance and Mannerism Wikipedia: 5/32 languages

He was an artist who did not merely witness the transition from the High Renaissance to Mannerism but actively participated in its shaping. While some historical accounts suggest a familial bond to the great Ridolfo Ghirlandaio, it is more accurately understood that Tosini flourished within the master's studio, absorbing the foundational technical skills and established stylistic principles of the Florentine workshop.

71of 71

Juan Correa De Vivar 1510–1566

Spanish Born: Mascaraque Renaissance, Mannerism Wikipedia: 6/32 languages

Correa's early commissions, such as the altarpiece for the monastery of Santa María de Guadalupe in Mascaraque (circa 1532-1534), demonstrate a clear adherence to Raphael’s principles – elegant figures, balanced compositions, and harmonious color palettes.