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  • Najpopularnije slike
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Egon Schiele Najpopularnije slike

The 25 artworks by Egon Schiele our visitors ask for most, ranked by popularity and presented one by one, with the specification and the price of each hand-painted reproduction.

Edition 2026 · 25 artworks Each artwork painted to order
Platno od lana · Certifikat autentičnosti · Dostava širom svijeta Egon Schiele · 1890 – 1918

Samoproglasiči II (Smrt i Čovjek)

View the most popular artwork of Egon Schiele ranked #1: Samoproglasiči II (Smrt i Čovjek)
1911 · Leopold Museum, Beč · original 81 x 80 cm

Uronite u uznemirujuću viziju Egon Schielea! 'Samoproglasiči II (Smrt i Čovjek)' istražuje smrtnost, tjeskobu i ljudsku psihu kroz izražajnu tehniku i simbolizam. Otkrijte ovo djelo ekspresionizma!

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Smrt i Dijeva

View the most popular artwork of Egon Schiele ranked #2: Smrt i Dijeva
1915 · Austrian Gallery Belvedere, Beč

Otkrijte Egon Schieleovu 'Smrt i Dijeva'. Zapanjena ekspresionistička maštrelica s intenzivnim emocijama i simboličkom dubinom. Visokokvalitetna reprodukcija – vlasiti neuništivo umjetničko djelo!

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Mater s Dvoje Djeca

View the most popular artwork of Egon Schiele ranked #3: Mater s Dvoje Djeca
1917 · Austrian Gallery Belvedere, Beč · original 150 x 160 cm

Otkrijte Egon Schieleovu oštroumegu 'Majku s Dvoje Djeca' (1917). Srcu tugujući i obiteljski slika, bogata emocijama i povijesnim kontekstom. Vlasnik dijela umjetničke povijesti.

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Obitelj

View the most popular artwork of Egon Schiele ranked #4: Obitelj
1917 · Austrian Gallery Belvedere, Beč · original 152 x 162 cm

Otkrijte Egon Schieleovu *Obitelj* – surovo izražavanje i ratne strahove. Istražite simbolizam i jedinstveni stil ovog zagonetnog remekdjela.

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Četiri drveta

View the most popular artwork of Egon Schiele ranked #5: Četiri drveta
1917 · Austrian Gallery Belvedere, Beč · original 110 x 141 cm

Egon Schiele bio je austrijski ekspresionist poznat po intenzitetu i desnudama. Otkrijte njegov sirovi umjetnički stil.

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Schiele's Room in Neulengbach

View the most popular artwork of Egon Schiele ranked #6: Schiele's Room in Neulengbach
1911 · Kunsthistorisches Museum, Vienna · original 40 x 31 cm

Step into Egon Schiele's intimate world with 'Schiele’s Room in Neulengbach.' This 1911 Expressionist masterpiece captures a moment of quiet amidst the artist’s turbulent life, rendered in bold colors and dynamic lines. A captivating glimpse into his personal space.

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Kuća na rijeci (također poznata kao Stara kuća I)

View the most popular artwork of Egon Schiele ranked #7: Kuća na rijeci (također poznata kao Stara kuća I)
1915 · Leopold Museum, Beč

Egon Schieleova 'Kuća na rijeci' – zagonetna ekspresionistička slika s melankoličnim raspoloženjem iz 1915. godine. Otkrijte ovu remekdjelat i dodajte umjetnost u svoj dom!

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Portret kritičara umjetnosti, Arthura Roesslera

View the most popular artwork of Egon Schiele ranked #8: Portret kritičara umjetnosti, Arthura Roesslera
1910 · Kunsthistorisches Museum, Vienna

Egon Schielejev Portret kritičara umjetnosti Arthura Roesslera (1910.) intenzivan ekspresionistički majstorstvo koji je smješten u Kunsthistorischesemu muzejuu u Beču. Istražite njegov psihološki dubinu i snažnu stilsku estetiku.

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Kompozicija s tri мушка обнажена tijela

View the most popular artwork of Egon Schiele ranked #9: Kompozicija s tri мушка обнажена tijela
1910 · Leopold Museum, Beč · original 203 x 185 cm

Otkrijte 'Kompoziciju s tri мушка обнажена tijela' od Egona Štile – impresionantnu crnčavo sliku iz 1910. g. s moćnim figurama. Istražite ekspresionistički stil i očaravljujuću ljepotu u Leopoldovu muzeju.

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samoportret 1912

View the most popular artwork of Egon Schiele ranked #10: samoportret 1912

Istražite Schielejev samoportret iz 1912. kroz ekspresivno remek-djelo. Otkrijte ovaj potresni portret već danas.

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Pregnata žena i smrt

View the most popular artwork of Egon Schiele ranked #11: Pregnata žena i smrt
1911 · Nacionalna galerija u Pragu, Prag

Pregnata žena i smrt: Zapanjujući ekspresionistički majstor koji prikazuje gubitak, očajanje i složenosti života i smrti. Nacionalna galerija u Pragu.

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Portret Viktora Rittera von Bauera

View the most popular artwork of Egon Schiele ranked #12: Portret Viktora Rittera von Bauera
1918 · Austrian Gallery Belvedere, Beč

Egon Schieleov 'Portret Viktora Rittera von Bauera' (1918) prikazuje kontemplativnog čovjeka s ekspresionističkom intenzitetom. Istražite simboliku slika, stil Schielea i njegovo mjesto u umjetničkoj povijesti Vilana.

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Mrtvi grad (Grad na plavoj rijeci)

View the most popular artwork of Egon Schiele ranked #13: Mrtvi grad (Grad na plavoj rijeci)
1911 · original 37 x 29 cm

Schieleov Mrtvi grad dočarava melanholiju Beča 1911. Otkrijte ovo istraživanje prolaznosti kroz crno-bijeli pejzaž.

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Self-Portrait with Black Vase and Spread Fingers

View the most popular artwork of Egon Schiele ranked #14: Self-Portrait with Black Vase and Spread Fingers
1911 · Kunsthistorisches Museum, Vienna · original 27 x 34 cm
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Moa

View the most popular artwork of Egon Schiele ranked #15: Moa
1911 · Leopold Museum, Beč · original 315 x 478 cm

Egon Schieleova ‘Moa’ – Zapanjuje izrazima i geometrijskim oblicima ovog ekspresionističkog portreta iz 1911. godine. Otkrijte ovu snažnu umjetničku djelo i dodajte ga svojoj kolekciji!

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Portrait of a Woman

View the most popular artwork of Egon Schiele ranked #16: Portrait of a Woman
1912 · original 24 x 24 cm

A hauntingly intense study of psychological depth, Egon Schiele's 1912 Expressionist Portrait of a Woman uses vibrant colors and distorted forms to evoke raw emotion, inviting you to explore this masterpiece.

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Self Portrait as St. Sebastian (poster)

View the most popular artwork of Egon Schiele ranked #17: Self Portrait as St. Sebastian (poster)
1914

Discover Egon Schiele’s ‘Self Portrait as St. Sebastian,’ a powerful Expressionist poster depicting suffering & martyrdom. Explore its unique style, historical context & artistic influence.

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Edge of Town (also known as Krumau Town Crescent III)

View the most popular artwork of Egon Schiele ranked #18: Edge of Town (also known as Krumau Town Crescent III)
1918

Experience the vibrant energy of Egon Schiele's 1918 Expressionist masterpiece Edge of Town, featuring a lively townscape with distorted forms and bold colors that invite you to bring this piece of history home.

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Agony

View the most popular artwork of Egon Schiele ranked #19: Agony
1912 · original 70 x 80 cm

Experience the raw emotion of Egon Schiele's 'Agony' (1912). This oil on canvas captures intense passion and vulnerability through bold lines, vibrant colors, and a symbolic embrace – a masterpiece reflecting Schiele’s unique Expressionist style. Own a stunning reproduction today.

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Portrait of the Publisher Eduard Kosmack

View the most popular artwork of Egon Schiele ranked #20: Portrait of the Publisher Eduard Kosmack
1910 · Austrian Gallery Belvedere, Beč

Delve into Egon Schiele’s "Portrait of the Publisher Eduard Kosmack," an Expressionist masterpiece capturing intense emotion and psychological depth through bold lines and muted tones.

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Procession

View the most popular artwork of Egon Schiele ranked #21: Procession
1911 · original 100 x 100 cm

Explore Egon Schiele’s haunting ‘Procession,’ a pivotal Expressionist masterpiece depicting two women and symbolizing life's journey with bold lines & emotive color palettes. Reproductions available at WikiOO.org.

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Portrait of Dr. Hugo Koller

View the most popular artwork of Egon Schiele ranked #22: Portrait of Dr. Hugo Koller
1918 · Austrian Gallery Belvedere, Beč

Explore Egon Schiele’s ‘Portrait of Dr. Hugo Koller,’ a haunting Expressionist masterpiece. Intense brushstrokes & evocative colors capture intellectual isolation. Discover this iconic work at Belvedere Museum.

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Mountain Torrent

View the most popular artwork of Egon Schiele ranked #23: Mountain Torrent
1918

Experience Egon Schiele's 'Mountain Torrent' – a raw Expressionist masterpiece of 1918. Witness the turbulent energy of a rushing river through bold brushstrokes and vibrant colors, capturing mortality’s essence. Get a stunning hand-painted reproduction today!

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Hermits

View the most popular artwork of Egon Schiele ranked #24: Hermits
1912

An unsettlingly intimate embrace of two figures defines this Austrian Expressionist masterpiece by Egon Schiele from 1912, capturing raw vulnerability and existential angst that invites you to explore his profound vision.

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Embrace (Lovers II) - - ,

View the most popular artwork of Egon Schiele ranked #25: Embrace (Lovers II) - - ,
1917 · original 100 x 170 cm

Explore Egon Schiele’s ‘Embrace (Lovers II)’ – a haunting Expressionist masterpiece of intimacy & vulnerability. Discover its unique style, muted palette, and profound emotional depth at The Lehmbruck Museum.

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The artist

Egon Schiele

1890 – 1918

Portret Egon Schiele
Brzi podaci
  • Top 3 worksSamoproglasiči II (Smrt i Čovjek), Smrt i Dijeva, Mater s Dvoje Djeca
  • Died1918
  • Best occasionscentralni motiv, akcentni element
  • Corpus themesmortality, psychological depth, austrian expressionism, klimt’s influence, mortality concerns
  • Copyright statusPublic domain
  • Also known asLeo Adolf Ludwig Schiele, Schiele, schiele egon, e. schiele, Egon Leo Adolf Ludwig Schiele
  • Gift suitabilitydan zaljubljenih, godišnjica
  • Art periodModernizam
Biography

The Life of Egon Schiele

Tulln, Lower Austria, provides the setting for the beginning of Egon Schiele’s life. Born on 12 June 1890, he enters a world defined by the rigid structures of the Austro-Hungarian Empire. His father, Adolf Schiele, manages the local station as the station master for the Austrian Federal Railways. His mother, Marie, is known by her maiden name, Soukup. Within the family, Egon grows alongside his three sisters: Elvira, Melanie, and Gertrude.

The stability of this domestic life fractures early. The shadow of illness moves through the household, leaving a permanent mark on the young artist's psyche. These personal disruptions do not merely pass; they settle into the marrow of his future work. He moves through the world with a sensitivity to mortality that will eventually define his place in Austrian Expressionism. His existence becomes a struggle to translate internal tension onto the surface of the canvas.

His path leads him toward the center of a shifting European landscape. He navigates the tension between traditional academic expectations and a burgeoning need for raw, psychological truth. The life of Egon Schiele is a series of intense, often uncomfortable confrontations with the human condition. He does not seek to depict the world as it appears to the eye, but as it vibrates within the nervous system.

Early Life, Family and Training

The stability of Schiele's youth fractures in 1904. His father, Adolf Schiele, a station master, succumbs to syphilis. This illness, contracted during a honeymoon in Trieste, leaves the family impoverished and the young artist's psyche marked by the shadow of his father's mental confusion and rage. Egon grows up alongside his three sisters, Elvira, Melanie, and Gertrude, under the guardianship of his uncle-in-law, Leopold Czihaczek. Even in these turbulent years, a fascination with trains persists, a motif that would later surface in his work.

Formal training begins under the guidance of tutor Ludwig Karl Strauch. By 1906, Schiele moves to Vienna to study at the Academy of Fine Arts (Akademie der bildenden Künste). The atmosphere is rigid. He finds himself increasingly at odds with the ultra-conservative teaching of Professor Christian Griepenkerl. The friction becomes unsustainable. After three years of navigating these strict academic traditions, Schiele abandons the Academy altogether to forge an independent path.

A shift occurs when he encounters Gustav Klimt. The established artist becomes a mentor, providing the young painter with models and introducing him to the circles of the Vienna Secession. This connection marks the transition from a student struggling against tradition to a central figure in the burgeoning avant-garde.

Artistic Development in Vienna

Vienna becomes the center of Schiele's creative friction. He moves through the city's artistic circles, eventually meeting Gustav Klimt. This encounter marks a significant shift in his trajectory. While he absorbs the influence of his mentor, Schiele does not simply replicate the decorative patterns of the Secession. Instead, he begins to strip away the ornamentation. He seeks a more visceral truth. By 1909, he is actively challenging the established order, co-founding the Neues Wiener Kunstgruppe and the Neukunstgruppe. These movements signal his break from tradition.

His presence in the city is marked by a restless movement between urban centers and quieter outskirts. He works across Vienna, Krems, Klosterneuburg, Neulengbach, and Prague. This geographic spread mirrors a psychological expansion. His art moves from the formal constraints of his early training toward a raw, unshielded exploration of the human condition. The tension of the era is visible in his evolving sketches and compositions.

  • Portrait of Leopold Czihaczek, 1907
  • Portrait of the Art Critic, Arthur Roessler, 1910
  • Composition with Three Male Nudes, 1910

Technique and Expressionist Style

The line is the primary engine of Schiele’s vision. It does not merely outline a form; it vibrates with a nervous, restless energy. He employs expressive lines to map out psychological tension, often resulting in contorted poses and twisted body shapes. Figures appear elongated, their limbs stretched beyond natural proportions to convey a sense of unease. This is not a pursuit of anatomical perfection but an attempt to expose the internal state of the subject. Skin tones often appear emaciated or sickly-coloured, emphasizing a sense of fragility and physical vulnerability.

His technical approach varies by medium, yet the intensity remains constant. In his watercolors, he utilizes loose washes of color to create depth and mood, often leaving much of the paper bare to heighten the sense of isolation. When working in oil on canvas, the brushwork carries the same jagged urgency found in his drawings. Beyond the two-dimensional plane, he also explored form through sculpture, working in clay and plaster to capture the weight of the human presence.

  • Self-Portrait with Black Vase and Spread Fingers
  • Death and the Maiden
  • The Family

Key Works and Subject Matter

The canvas becomes a site of psychological excavation. Schiele confronts the heavy presence of death, sexuality, anxiety, and isolation through a lens of unflinching honesty. In 1915, he produces Death and the Maiden, a work where the presence of mortality intersects with eros. The figures exist in a state of tension, reflecting the internal struggles that define his vision. He often returns to the human form to map these invisible states, using the body as a vessel for the complexities of existence.

Self-portraiture acts as a recurring method of introspection. He does not seek to present a polished image but rather a vulnerable one, often appearing in contorted or emaciated states. In Self-Portrait with Physalis, he utilizes the Physalis plant as a recurring motif. The plant, with its delicate and papery husk, symbolizes transience and the fragility of life. This botanical element anchors his preoccupation with decay and the fleeting nature of the human condition.

His intimate connections also find their way into his compositions. In 1915, he paints Portrait of Edith Schiele, capturing his wife in a way that reflects his specific expressive language. His subjects are rarely static; they pulse with a nervous energy that mirrors the shifting social and psychological landscapes of the era. The following works represent significant points in his exploration of these themes:

  • Death and the Maiden (1915)
  • Self-Portrait with Physalis
  • Portrait of Edith Schiele (1915)

Later Years and Death

The landscape of Schiele's life shifts as the First World War approaches. He marries Edith Harms, a union that marks a significant personal transition. However, the stability of marriage is quickly interrupted by the demands of the conflict. He is drafted into military service, a period that places him within the chaos of the war's reach.

The end arrives with sudden, biological ferocity. In 1918, the Spanish flu pandemic sweeps through Vienna. The virus claims Schiele at the age of 28. He dies on 31 October 1918. His passing occurs shortly after the death of his wife, Edith, who succumbed to the same disease. The artist's life ends abruptly, leaving behind a body of work that captures the tension of a world in collapse.

Legacy and Artistic Influence

Schiele emerges from the early 20th century as a leading figure in Austrian Expressionism. His departure from the decorative gold of the Secession movement toward a more visceral, psychological exploration of the human form changed the trajectory of figurative painting. He stripped away the surface to map the nervous system, using jagged, restless lines to capture the tremors of anxiety and desire. This focus on the internal landscape rather than idealized beauty established him as a major figurative painter of the era.

The impact of his work extends far beyond the borders of Vienna. Subsequent generations of artists find a precedent in his radical honesty, particularly those drawn to the darker, more complex layers of the human psyche. His ability to translate personal trauma and existential tension into a universal visual language ensures his presence in the discourse of modern art. Today, his paintings are held in major museum collections worldwide, preserved as essential records of the psychological shifts of his time.

  • Self-Portrait with Physalis
  • Couple Embracing
  • Field Landscape (Kreuzberg near Krumau)
  • Death and the Maiden

Where to See the Works Today

The weight of Schiele’s output is felt most heavily in Vienna. The Leopold Museum holds a vast concentration of his works, preserving the raw energy of his sketches and paintings. Nearby, the Österreichische Galerie Belvedere houses significant canvases, including Death and the Maiden (1915). The city’s institutional landscape continues to guard his legacy through the Kunsthistorisches Museum and the Albertina, both of which contain essential pieces of his oeuvre.

Beyond the Austrian capital, the Egon Schiele Art Centrum in Český Krumlov, Czech Republic, offers a dedicated space for his work. This museum traces his evolution through a permanent collection that includes watercolors and ink drawings. Visitors can encounter the specific intensity of his linework in this setting, which focuses on the development of his expressive style.

  • Death and the Maiden (1915)
  • Self-Portrait with Physalis
  • Couple Embracing
  • The Family

Pitanja i odgovori

U kojem je povijesnom razdoblju stvarala/radio Egon Schiele?

Egon Schiele je stvarala u razdoblju Modernizam. To razdoblje smješta umjetnikov rad u povijesni kontekst.

Po kojim drugim imenima je Egon Schiele poznat/a?

Egon Schiele poznat/a je i pod drugim imenima: Leo Adolf Ludwig Schiele.

Gdje je i kada je rođen/a Egon Schiele?

Egon Schiele rođen/a je u gradu Tulln an der Donau 1890. godine.

Autor: Uredništvo WikiOO.org Ažurirano 13. listopada 2026.
Kviz za kolekcionare
  1. U kojem je gradu rođen Egon Schiele?

  2. Tko je bio ključni utjecaj i mentor Schieleu tijekom njegovih ranih godina?

  3. Kojoj je ustanovi Schiele pohađao formalno umjetničko obrazovanje u Beču?

  4. Što je bio uzrok smrti Egon Schielea 1918. godine?

  5. Koje je od ovih djela navedeno u katalogu kao u sastavu Austrijske galerije Belvedere?

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