The Artistic Journey of Simon Kozhin
Simon Kozhin is a contemporary Russian artist whose creative practice spans a diverse range of genres, including landscapes, portraits, still life , and historical photography. He possesses an extensive command of various media, demonstrating proficiency in oil, tempera , and watercolor painting . His work often captures scenery encountered during his travels across the globe, with series dedicated to locations such as England, Ireland, Malta, Turkey, and Switzerland. Additionally, he has produced a series of works focused on Russia's war with Napoleon in 1812.
Educated in Moscow, Kozhin graduated from the Moscow Academic Art Lyceum N.V. Tomsky in 1998. He continued his formal studies at the Fine Arts Academy in Moscow from 1998 to 2003, where he specialized in studio landscapes under the direction of Professor V. Afonin. Currently, he lives and works in Moscow.
Exhibitions and Collections
Throughout his career, Kozhin has participated in numerous exhibitions across Russia and internationally. His work has been showcased in various venues, including the Central House of Artists in Moscow, the Collyer-Bristow Gallery in London, and the Oriel Gallery in Dublin. His exhibitions have also been held in Switzerland, the United Kingdom, Ireland, China, and the United States. His art has been featured in several notable locations, such as the Manezh Central Exhibition hall and the State Scientific Research Institute of Restoration.
The works of Simon Kozhin are held in several collections, including:
Pitanja i odgovori
U kojem je povijesnom razdoblju stvarala/radio Simon Kozhin?
Simon Kozhin je stvarala u razdoblju Contemporary. To razdoblje smješta umjetnikov rad u povijesni kontekst.
Odakle dolazi Simon Kozhin?
Simon Kozhin rođen/a je u Russia.
Mogu li posjetiti virtualni muzej djela umjetnika Simon Kozhin?
3D galerija umjetnika Simon Kozhin stranica je koja prikazuje umjetnikova djela u virtualnoj trodimenzionalnoj galeriji.
Autor: Uredništvo WikiOO.org
Ažurirano 15. listopada 2026.
