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Istraživačka kartica: Abstraction

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Stuart Davis, Abstraction (1937), Smithsonian American Art Museum. Reproducirano u informativne svrhe; sva prava zadržava nositelj autorskih prava. Pogledajte ovo platno pod pokretnim svjetlom: crtež, stvarnu boju ispod laka, čisti pigment

Činjenice

Umjetnik
Stuart Davis wikioo.org/hr/artists/stuart-davis_hr/
Datumi umjetnika
1892 – 1964
Slikano
1937
Prvobitne dimenzije
45 x 59 cm
Održano na lokaciji
Smithsonian American Art Museum wikioo.org/hr/museums/smithsonian-american-art-museum-washington-d-c_hr/

U kontekstu

Abstraction — Stuart Davis

Koje su dimenzije?

Originalne dimenzije su 45 × 59 cm (visina × širina), prikazane ovdje pored odrasle osobe prosječne visine.

Kada je ovo naslikano?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960

Gornji red: godine. Donji red: dob umjetnika na početku i na kraju svakog razdoblja — 0 u rođenju, 72 u smrti.

Naslikano u 45 godini života umjetnika. Umjetnik je doživio 72. 29 od ukupno 47 datiranih djela ovog umjetnika u našem katalogu nastala je ranije.

Shaded: životni opus Stuart Davis (1892–1964) ▲ ovo djelo, 1937 svaka datirana slika, desetljeće po desetljeće

Prva djela: do 1924 Glavni radni period: 1924–1941 Kasna djela: od 1941

Ta tri dijela dijele djela koja u ovom katalogu imaju navedenu godinu na prvu četvrtinu, srednju polovinu i posljednju četvrtinu. Ona ne predstavljaju cjelokupni umjetnikov opus: rjeđi segment može biti praznina u arhivu, a ne samo mirnije razdoblje. Iste godine u kojima se isprepliću i događaji iz umjetnikovog života

Usporedi s

Odaberite jedno od gore navedenih djela: navedite dvije zajedničke značajke s ovim djelom i jednu koja ih razlikuje.

Još djela koja se mogu postaviti uz ovo: wikioo.org/hr/art/similar/stuart-davis-abstraction-AS7UQP-en/

Paleta boja

Izmjereno na temelju slike

    Glavna boja

    Putty #e0d5b2

    Katalogirana paleta

    • #E0D5B2
    • #894E28
    • #2C2A34
    • #A79253

    Ove boje unutar cijele umjetnikove palete Pronađite druge slike prema boji

    Paleta
    Dark Dominantna paleta boja na slici.
    Naziv primarne boje
    Putty
    Intenzitet
    Vivid Koliko su boje zasićene i raznolike, od jedinstvene prigušene nijanse do mnoštva jarkih tonova.
    Kontrast
    Statement Razlika u svjetlini i zasićenosti boja unutar slike.
    Harmonija
    Softly Mixed Palette Koliko dobro boje funkcioniraju zajedno, od suprotstavljenih do potpuno ujedinjenih.
    Svjetlina
    Balanced Opća svjetlina ili tamnoća slike, od dubokih sjena do svijetlih vrhunaca.
    Zasićenost
    Balanced Soft Koliko su boje čiste i snažne, od gotovo sivih do potpuno živopisnih.

    Gdje u svijetu se posmatra ova slika?

    • manje od 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i više
    Ova je sama po sebi slika ima premalo zabilježenih posjetitelja za mapiranje, stoga ploča prikazuje svako djelo autora Stuart Davis u posljednjih dvanaest mjeseci — ukupno 8 zemalja. Izvor ovih podataka

    Deset vodećih zemalja

    1. 1 Kina 69,4%3.400 posjeta
    2. 2 Sjedinjene Američke Države 12,2%600 posjeta
    3. 3 Švedska 6,1%300 posjeta
    4. 4 Francuska 4,1%200 posjeta
    5. 5 Hrvatska 2,0%100 posjeta
    6. 6 Republika Koreja 2,0%100 posjeta
    7. 7 Nizozemska 2,0%100 posjeta
    8. 8 Srbija 2,0%100 posjeta

    Pronađite tri najtamnije zemlje na karti. Nalazi li se muzej u kojem se čuva ova slika u bilo kojoj od njih? Navedite jedan razlog zbog kojeg bi je ljudi iz udaljenih krajeva mogli posjetiti.

    20 najgledanijih djela umjetnika Stuart Davis

    1. 1 T View, 1951 5,4%300 posjeta
    2. 2 Visa 1 5,4%300 posjeta
    3. 3 Studio interior 5,4%300 posjeta
    4. 4 Garage No. 1, 1917 3,6%200 posjeta
    5. 5 Textile with Liquor and Prohibition Motifs 3,6%200 posjeta
    6. 6 Waterfront Landscape 3,6%200 posjeta
    7. 7 Study for ''Blips and Ifs'' 3,6%200 posjeta
    8. 8 Odol 1,8%100 posjeta
    9. 9 The Mellow Pad 1,8%100 posjeta
    10. 10 Impression of the New York World's Fair (mural study, Communications Building, World's Fair, Flushing, New York), 1938 1,8%100 posjeta
    11. 11 Waterfront Landscape, 1936 1,8%100 posjeta
    12. 12 Composition, 1935 1,8%100 posjeta
    13. 13 Hot Still-Scape for Six Colors. Seventh Avenue Style 1,8%100 posjeta
    14. 14 The Terminal, 1937 1,8%100 posjeta
    15. 15 Newark, 1910 1,8%100 posjeta
    16. 16 Lucky Strike, 1924 1,8%100 posjeta
    17. 17 Int'l Surface No. 1, 1960 1,8%100 posjeta
    18. 18 Ana 1,8%100 posjeta
    19. 19 Gloucester Terraces 1,8%100 posjeta
    20. — Abstraction, 1937 ova slika 0,0%0 posjeta

    Zajedno ova djela zauzimaju 52,2% ukupne pažnje koju su slike ovog umjetnika primile tijekom posljednjih dvanaest mjeseci. Katalog sadrži 189 djela ovog umjetnika, od kojih je 46 pregledano barem jednom. Ova slika još nije pregledana u tom razdoblju — zatvara popis bez odredbi za rangiranje. Isto vrijedi i za pojedine mjesece

    Trake mjere pažnju, ne i kvalitetu. Odaberite djelo na vrhu i ovo sljedeće: navedite jednu stvar koja bi sliku mogla učiniti slavnom, neovisno o tome koliko je dobro naslikana.

    O ovom umjetničkom djelu

    Abstraction — Stuart Davis

    Stuart Davis, a prominent American artist, created the captivating painting Abstraction in 1937. This watercolor and gouache on paper artwork measures 45 x 59 cm and is a testament to Davis' unique style, which blends geometric abstraction with vibrant colors. The painting features a colorful collage of various objects, including chairs, ladders, and clocks, creating an interesting visual experience for viewers.

    Understanding the Art Movement

    Abstractism, the art movement that Abstraction belongs to, is a visual language that uses shape, form, color, and line to create compositions independent from visual references in the world. This movement emerged in Europe during the 19th century, with artists seeking to encompass fundamental changes taking place in technology, science, and philosophy. As a professional expert in Art and https://AllPaintingsStore.com salesman, I can appreciate the significance of this artwork in the context of Abstractism Art Movement.

    Key Elements of the Painting

    The painting features at least 13 chairs, with some placed closer to the foreground while others are further back. A ladder is also visible near the center of the painting, adding depth and complexity to the composition. Two clocks are present in the artwork, one located towards the top left corner and another at the bottom right side, creating a sense of timelessness and abstraction. The use of geometric shapes and vibrant colors creates a dynamic visual experience, drawing the viewer's attention to the intricate details of the painting.

    Conclusion

    Abstraction by Stuart Davis is a masterpiece that showcases the artist's unique style and technique. As part of the Smithsonian American Art Museum collection, this painting is a testament to the significance of abstract art in the modern era. For those interested in learning more about abstract art, I recommend exploring https://AllPaintingsStore.com's collection of hand-made oil paintings reproductions, including works by Harvey Quaytman and Chapter 29: Haqaq.

    By examining the works of these artists, one can gain a deeper understanding of the abstract art movement and its significance in the world of modern art.

    Visit https://AllPaintingsStore.com to explore our collection of hand-made oil paintings reproductions.

    Learn more about Abstractism and its key elements.

    Discover the works of prominent abstract artists, including Stuart Davis and Harvey Quaytman.

    Umjetnik i muzej

    Umjetnik

    Stuart Davis

    Rođeni u Philadelphia, Sjedinjene Američke Države

    Rani život i obrazovanje Stuarta Davisa

    Stuart Davis, rođen 7. prosinca 1892. godine u Philadelphiji, odrastao je okružen umjetničkim utjecajima. Njegov otac, Edward Wyatt Davis, bio je urednik za umjetnost u Philadelphia Pressu, dok se majka, Helen Stuart Davis, bavila skulpturom. Ova obiteljska pozadina nesumnjivo je potaknula njegov rani interes za vizualne umjetnosti.

    Davis je formalno obrazovanje stekao u Robert Henri School of Art u New York Cityju od 1909. do 1912. godine pod mentorstvom Roberta Henria. Tijekom tog razdoblja sklopio je trajna prijateljstva s umjetnicima Johnom Sloanom, Glennom Colemanom i Henryjem Glintenkampom.

    Početak karijere i Armory Show

    Davis se brzo istaknuo kao jedan od najmlađih izlagača na ključnom Armory Showu 1913. godine. Predstavio je pet akvarelnih slika koje su odražavale stil Ashcan Schoola, što je označilo rani korak u njegovom umjetničkom putovanju.

    Umjetnički razvoj i stil

    Tijekom 1920-ih Davis je razvio svoj prepoznatljiv zreli stil. Počeo je stvarati apstraktne mrtve prirode i krajolike karakterizirane elementom proto-pop umjetnosti, u svoje kompozicije uključujući suvremene motive poput paketa cigareta i reklama za svjećice. Njegov rad poznat je po svojoj smjeloj, bučnoj i šarenoj prirodi.

    Davisov umjetnički izraz bio je duboko utjecan njegovom ljubavlju prema jazz glazbi, što je postalo sve očitije u njegovim slikama 1940-ih i 1950-ih godina. Pokret Ashcan School također je igrao ključnu ulogu u oblikovanju njegove rane estetske osjetljivosti.

    Utjecaji i inspiracije

    Robert Henri: Pružio mu je temeljno obrazovanje i poticao izravno promatranje života.

    Ashcan School: Utjecao na njegov početni fokus na urbanizam i svakodnevne predmete.

    Kubizam: Inspirirao ga je u istraživanju apstraktnih oblika i fragmentiranih perspektiva.

    Jazz glazba: Doprinijela ritmičkoj energiji i improvizacijskim kvalitetama njegovih slika.

    Značajna djela i nasljeđe

    Odol (Modernizam), dovršen 1928. godine, stoji kao vrhunski primjer Davisovog jedinstvenog stila. Ova slika ilustrira njegovu sposobnost spajanja apstraktnih oblika s prepoznatljivim slikama iz popularne kulture.

    Ostala značajna djela uključuju Rocks, Gloucester (1915.), The Mellow Pad, i Tropes de Teens (1956.).

    Stuart Davisovi doprinosi američkom modernizmu su neosporni. Utro je put budućim generacijama umjetnika izazivajući tradicionalne umjetničke konvencije i prihvaćajući suvremene teme.

    Kao pionir apstraktne umjetnosti, pomogao je uspostaviti izrazito američki glas u širem kontekstu povijesti moderne umjetnosti. Njegov rad nastavlja inspirirati i utjecati na umjetnike danas, učvršćujući njegov položaj kao značajnu figuru u umjetnosti 20. stoljeća.

    Muzej

    Smithsonian American Art Museum

    Izloženo u Washington D.C., Sjedinjene Američke Države

    A Chronicle of American Identity: The Smithsonian American Art Museum

    Nestled within the venerable Old Patent Office Building in Washington, D.C., the Smithsonian American Art Museum is more than simply a repository for artistic treasures; it’s a profoundly resonant chronicle of the United States itself. Stepping through its grand doors feels akin to embarking on a journey into the very heart of America – a sprawling narrative woven from the threads of colonial landscapes, poignant social commentaries, groundbreaking artistic innovations, and the diverse voices that have shaped our nation's cultural identity. The building’s presence, originally conceived as a showcase for American ingenuity during the 19th century, provides an unexpectedly powerful backdrop to the artwork within; its soaring ceilings, intricate detailing, and sense of monumental scale whisper tales of innovation and progress, elevating every piece on display with a subtle yet undeniable grandeur. The juxtaposition of this industrial-era architecture with the vibrant expressions of American art creates a dialogue across time, prompting reflection on the nation’s evolving values and artistic sensibilities.

    The museum's collection is an astonishingly diverse tapestry, spanning centuries and encompassing a breathtaking range of artistic styles. From the evocative landscapes of Frederic Church and Thomas Moran, capturing the untamed grandeur of the American West with their luminous colors and dramatic compositions – images that once fueled westward expansion and romanticized the frontier – to the sharp social critiques of Edward Hopper and Dorothea Lange, documenting the stark realities of the Great Depression through hauntingly intimate portraits that expose human vulnerability and resilience, SAAM offers a panoramic view of the nation’s visual history. You'll encounter the vibrant folk art traditions of self-taught artists like Florence Scovel Shinn, whose whimsical illustrations captured everyday life with charming detail, and Ralston Crawford, who masterfully depicted urban landscapes and industrial scenes, reflecting the dynamism and anxieties of early 20th-century America. Alongside these familiar figures, SAAM proudly showcases the iconic works of Georgia O’Keeffe, whose abstract floral paintings continue to captivate viewers with their bold colors, intimate perspectives, and profound exploration of form and nature; and a significant collection of Native American art, reflecting the rich artistic traditions of diverse tribes across the country – a vital and often underrepresented element of America's artistic heritage. Notable highlights include Winslow Homer’s masterful depictions of coastal life, offering a poignant glimpse into America’s complex relationship with the sea, and the museum’s extensive holdings of works by African American artists, whose contributions have often been overlooked but are now rightfully celebrated for their power, beauty, and social commentary.

    Architectural Echoes and Contemporary Dialogue

    The Old Patent Office Building itself is an integral part of the SAAM experience. Constructed in 1855 as a showcase for American inventions – a symbol of ingenuity and progress during the Industrial Revolution – its neoclassical design and expansive spaces provide a stunning setting for the museum’s collection. The building’s original purpose, celebrating innovation, subtly mirrors the museum’s own mission: to explore and celebrate the creative spirit of America. The juxtaposition of this grand, functional space with the diverse range of artistic expressions within creates an intriguing tension – a reminder of the constant interplay between progress and tradition, industry and art. The addition of the Renwick Gallery in 1972, housed just blocks away, broadened SAAM’s scope and championed craft traditions alongside fine art, further enriching the museum's narrative. This deliberate pairing highlights the ongoing evolution of American creativity – a conversation between past masters and present-day makers, demonstrating how artistic forms adapt and transform over time.

    Current Explorations: Stories in Every Frame

    Currently, SAAM is hosting several compelling exhibitions that illuminate diverse facets of the American experience. “State Fairs: Growing American Craft” offers a fascinating look at the artistic contributions to this uniquely American tradition, celebrating the creativity and skill of fair artists across the country – from intricate quilts to dazzling ceramics. “Shahzia Sikander: The Last Post,” a powerful multimedia installation by Pakistani-American artist Shahzia Sikander, critically examines the legacy of British colonialism through the lens of Indo-Persian miniature painting—a truly thought-provoking exploration of cultural exchange and historical perspective. And don’t miss “Cecilia Vicuña: Quipu Viscera,” an immersive installation that utilizes unspun wool to explore themes of memory, identity, and indigenous rights – a poignant reminder of the enduring struggles for recognition and justice. These exhibitions, alongside the museum's permanent collection, offer visitors a rich and rewarding experience, showcasing the breadth and depth of American artistic expression.

    A Legacy of Access and Engagement

    Beyond its impressive collection and architectural splendor, SAAM is deeply committed to education and accessibility. It provides extensive resources for students, teachers, and art enthusiasts alike through online databases and engaging programs. The museum’s free admission policy ensures that its treasures are accessible to all, fostering a deeper appreciation for American art and culture within the community and beyond. Visiting SAAM isn't simply an opportunity to view beautiful objects; it is an invitation to connect with the nation’s history, celebrate its diversity, and engage in a meaningful exploration of what it means to be American – a vibrant testament to the enduring power of artistic expression. The museum continues to evolve, embracing new technologies and perspectives while remaining steadfast in its commitment to preserving and sharing America's rich artistic heritage.

    Smithsonian American Art Museum - Official Website: https://americanart.si.edu/

    Address: Eighth and G Streets NW, Washington, DC 20004

    Phone Number: +1 (202) 633-9577

    Additional Research:

    National Gallery

    Columbia University Museum of Art

    Smithsonian American Art Museum

    American Museum of Natural History

    Washington

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    Saznajte više online

    QR kod koji povezuje na stranicu za preuzimanje Abstraction

    wikioo.org/hr/art/download/stuart-davis-abstraction-AS7UQP-en/

    Navedite ovo umjetničko djelo

    MLA
    Davis, Stuart. Abstraction. 1937, Smithsonian American Art Museum. https://wikioo.org/hr/art/stuart-davis-abstraction-AS7UQP-en/
    APA
    Davis, Stuart (1937). Abstraction [Painting]. Smithsonian American Art Museum. https://wikioo.org/hr/art/stuart-davis-abstraction-AS7UQP-en/
    Chicago
    Stuart Davis. Abstraction. 1937. Smithsonian American Art Museum. https://wikioo.org/hr/art/stuart-davis-abstraction-AS7UQP-en/
    Harvard
    Davis, Stuart (1937) Abstraction. Smithsonian American Art Museum. Available at: https://wikioo.org/hr/art/stuart-davis-abstraction-AS7UQP-en/

    Pogledajte pažljivije

    Abstraction — Stuart Davis

    Pogledajte pažljivije

    Odgovorite vlastitim riječima. Ovdje nema netočnih odgovora — postoje samo odgovori koje možete objasniti.

    1. Što vam prvo privlači pažnju i zašto?
    2. Koje boje ili oblici stvaraju atmosferu — i kakva je to atmosfera?
    3. Vratite se na Odol, ranije u ovom vodiču. Navedite dvije zajedničke značajke koje to djelo dijeli s ovim radom te jednu koja se razlikuje.
    4. Stuart Davis je imao oko 45 godina kada je ovo nastalo. Što u ovom djelu podsjeća na rad umjetnika u toj životnoj dobi?
    5. Što je umjetnik možda želio da osjetite?

    Vaš odgovor

    Napišite kratki odlomak o ovom umjetničkom djelu koristeći činjenice iz prethodnih dijelova ovog vodiča te svoje ranije odgovore.

    Pitanja i odgovori

    Je li dostupna digitalna datoteka visoke rezolucije za "Abstraction"?

    Kako biste dobili digitalnu datoteku djela "Abstraction" autora Stuart Davis, naručite preuzimanje digitalne slike visoke rezolucije na njegovoj stranici Digitalna umjetnina.

    Što objašnjava status autorskih prava za "Abstraction" autora Stuart Davis?

    "Abstraction" autora Stuart Davis je u i dalje je zaštićeno autorskim pravima. Autorska prava traju od smrti umjetnika, koja se dogodila 1964.

    Tko je stvorio "Abstraction"?

    Autorstvo djela "Abstraction" pripisuje se Stuart Davis.