Sažetak
Prema ovom rangiranju, Mrs. Benajah Johnson (1830) je najpoznatije djelo umjetnika A. Patrick; nalazi se u muzeju Smithsonian American Art Museum u gradu Washington, D.C.. Ovaj popis temelji se na 2 djela umjetnika A. Patrick u katalogu i bilježi 2 najpoznatijih, uz datum, muzej u kojem se nalaze i opis za svaki unos.
A. Patrick: top 10 unosa na popisu
A. Patrick: u posjedovanju muzeja
1 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora A. Patrick | Slike iz ovog popisa |
|---|---|---|---|
| Washington, D.C. | 2 | Mrs. Benajah Johnson, Benajah Johnson |
A. Patrick prema godini: najpoznatija djela
Datumirana djela umjetnika A. Patrick navedena na ovoj stranici datiraju iz 1830. godine.
Djela po godinama
Odaberite godinu kako biste prikazali njezina glavna djela.
A. Patrick: pitanja i dokumentirani odgovori
Koja slika umjetnika A. Patrick predvodi popis najpoznatijih djela?Prikaži odgovor
Mrs. Benajah Johnson (1830)
Koliko je djela umjetnika A. Patrick zabilježeno?Prikaži odgovor
Katalog bilježi 2 djela umjetnika A. Patrick.
U kojim se kolekcijama nalaze najpoznatija djela umjetnika A. Patrick?Prikaži odgovor
Prvenstveno u Smithsonian American Art Museum (Washington, D.C.). Gornja tablica muzeja prikazuje cjelokovitu distribuciju.
Kada su naslikana najpoznatija djela umjetnika A. Patrick?Prikaži odgovor
U razdoblju 1830: 2 od 2 djela navedenih na ovoj stranici datira iz tog razdoblja, uključujući Mrs. Benajah Johnson.
Koja djela A. Patrick nalazi se u Smithsonian American Art Museum?Prikaži odgovor
Mrs. Benajah Johnson i Benajah Johnson su među 2 djela na ovoj stranici u kolekciji muzeja Smithsonian American Art Museum, Washington, D.C..
A. Patrick: život i djelo
The Portraitist of 1830
The brush meets the canvas in a quiet studio, capturing the likeness of the Benajah Johnson family. In 1830, A. Patrick works with oil on canvas, a medium that demands patience and a steady hand. The light settles on the subjects, freezing a specific moment of nineteenth-century life within the frame. These are not mere sketches; they are deliberate records of identity, preserved through the careful application of pigment.
The work exists now within the halls of the Smithsonian American Art Museum in Washington, D.C. Here, the portraits of Benajah Johnson and Mrs. Benajah Johnson remain as physical remnants of a bygone era. The textures of the oil paint hold the weight of their history, surviving long after the sitters themselves have passed into memory.
A Record of Presence
The artist's output is defined by these specific, documented encounters with his subjects. His technique focuses on the formal requirements of portraiture during this period, ensuring the likenesses remain accurate for posterity. The collection of his work highlights a specific focus on the individuals of the time:
- Benajah Johnson: A portrait rendered in 1830, executed in oil on canvas.
- Mrs. Benajah Johnson: A companion piece from 1830, also rendered in oil on canvas.
Historical Footprints
A. Patrick remains a figure defined by these specific contributions to the American portraiture tradition. While the broader details of his personal life remain obscured by time, his technical presence is confirmed by the preservation of his work in major institutions. The gift of Mrs. Frank Cummings Cook in 1966 ensured that these specific oils would continue to exist, allowing the faces of 1830 to remain visible to the modern eye.
