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Popis 5 najpoznatijih djela umjetnika Carl Ebert
Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 5 djela Carl Ebert u našem katalogu
Sažetak
Najpoznatije djelo umjetnika Carl Ebert je Forest Landscape with Bathing Children (1867), koje se nalazi u kolekciji Bavarske državne slikopisne zbirke, München. Sljedeći unosi su Evening Landscape (1875) i Landscape society in a park. Katalog dokumentira 5 djela umjetnika Carl Ebert; u nastavku je navedeno 5 najpoznatijih djela, poredanih prema rangu s datumom nastanka, mjestom čuvanja u muzeju i opisom.
1821 – 1885, Stuttgart
Najviše djela: Bavarske državne slikopisne zbirke
Carl Ebert: 10 najznačajnijih slika
Carl Ebert: u posjedovanju muzeja
2 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Carl Ebert | Slike iz ovog popisa |
|---|---|---|---|
 Bavarske državne slikopisne zbirke |
München | 2 | Forest Landscape with Bathing Children, Evening Landscape |
 Lenbachhaus |
München | 1 | Isar Landscape |
Carl Ebert: glavna djela po godinama
Zabilježeni podaci za Carl Ebert obuhvaćaju razdoblje od 9 godina, od 1867 do 1875, što je otprilike jedno desetljeće, a prikazani su u nastavku godinu po godinu.
Djela po godinama
Odaberite godinu kako biste prikazali njezina glavna djela.
Slike umjetnika Carl Ebert: referentna pitanja
Koja je najpoznatija slika umjetnika Carl Ebert?Prikaži odgovor
Forest Landscape with Bathing Children (1867), Bavarske državne slikopisne zbirke, München. Sljedeći unosi su Evening Landscape (1875) i Landscape society in a park.
Koliko je godina imao/la Carl Ebert kada je naslikano Forest Landscape with Bathing Children?Prikaži odgovor
46 godina: Carl Ebert je rođen/a 1821, a djelo Forest Landscape with Bathing Children datira iz 1867.
Koliko je djela umjetnika Carl Ebert dokumentirano?Prikaži odgovor
Katalog bilježi 5 djela umjetnika Carl Ebert, datiranih između 1867 i 1875.
U kojim se muzejima nalaze najpoznatija djela umjetnika Carl Ebert?Prikaži odgovor
Prvenstveno u Bavarske državne slikopisne zbirke (München) i Lenbachhaus (München). Gornja tablica muzeja prikazuje cjelokovitu distribuciju.
Koji su najraniji i najnoviji radovi umjetnika Carl Ebert na ovom popisu?Prikaži odgovor
Najraniji datirani rad na ovoj listi je Forest Landscape with Bathing Children (1867), a najnoviji je Evening Landscape (1875).
Koji se radovi umjetnika Carl Ebert nalaze u kolekciji Bavarske državne slikopisne zbirke?Prikaži odgovor
Forest Landscape with Bathing Children i Evening Landscape su među 2 djela na ovoj stranici u kolekciji muzeja Bavarske državne slikopisne zbirke, München.
Carl Ebert: biografski zapisi
Early Life and Artistic Training
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Travels and Artistic Influences
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.