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Popis 3 najpoznatijih djela umjetnika László Pataky
Ažurirano Listopad 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 5 djela László Pataky u našem katalogu
Sažetak
Najpoznatije djelo umjetnika László Pataky je Roosters on Horses (1880), koje se nalazi u kolekciji Slovačka nacionalna galerija, Bratislava. Sljedeći unosi su Cavalry Battle (1890) i Kuruci (1903). Katalog dokumentira 5 djela umjetnika László Pataky; u nastavku je navedeno 3 najpoznatijih djela, poredanih prema rangu s datumom nastanka, mjestom čuvanja u muzeju i opisom.
1857 – 1912, Brad
Najviše djela: Slovačka nacionalna galerija
László Pataky: 10 najznačajnijih slika
László Pataky: u posjedovanju muzeja
2 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora László Pataky | Slike iz ovog popisa |
|---|---|---|---|
 Slovačka nacionalna galerija |
Bratislava | 2 | Roosters on Horses, Cavalry Battle |
| Ernest Zmeták Art Gallery | Nové Zámky | 1 | Kuruci |
László Pataky: glavna slika svakog desetljeća
Djela po desetljećima
Odaberite desetljeće kako biste prikazali njegovo glavno djelo.
Slike umjetnika László Pataky: referentna pitanja
Koja je najpoznatija slika umjetnika László Pataky?Prikaži odgovor
Roosters on Horses (1880), Slovačka nacionalna galerija, Bratislava. Sljedeći unosi su Cavalry Battle (1890) i Kuruci (1903).
Koliko je godina imao/la László Pataky kada je naslikano Roosters on Horses?Prikaži odgovor
23 godina: László Pataky je rođen/a 1857, a djelo Roosters on Horses datira iz 1880.
Koliko je djela umjetnika László Pataky dokumentirano?Prikaži odgovor
Katalog bilježi 5 djela umjetnika László Pataky, datiranih između 1880 i 1903.
U kojim se muzejima nalaze najpoznatija djela umjetnika László Pataky?Prikaži odgovor
Prvenstveno u Slovačka nacionalna galerija (Bratislava) i Ernest Zmeták Art Gallery (Nové Zámky). Gornja tablica muzeja prikazuje cjelokovitu distribuciju.
Koji su najraniji i najnoviji radovi umjetnika László Pataky na ovom popisu?Prikaži odgovor
Najraniji datirani rad na ovoj listi je Roosters on Horses (1880), a najnoviji je Kuruci (1903).
Koji se radovi umjetnika László Pataky nalaze u kolekciji Slovačka nacionalna galerija?Prikaži odgovor
Roosters on Horses i Cavalry Battle su među 2 djela na ovoj stranici u kolekciji muzeja Slovačka nacionalna galerija, Bratislava.
László Pataky: biografski zapisi
The paths through Munich and Paris
László Pataky began his training within the walls of the arts and crafts school in Budapest. His hands learned the fundamentals before he moved toward the Academy of Fine Arts in Munich after 1880, working under Karl von Piloty. This period of study was followed by years spent moving between Paris, Budapest, and Munich from 1883 to 1889. These travels brought different light and different ways of seeing into his practice.
In 1888, a scholarship for his painting The Messenger opened a door to the studio of Mihály Munkácsy. He worked alongside Munkácsy on the large-scale Hungarian Conquest intended for the Hungarian Parliament Building. After this heavy task was finished, he settled in Alvinc, returning to the landscapes of his home province.
Scenes from the rural landscape
His brush often rested on the quiet rhythms of country life. He focused on rural genre scenes, capturing the movement of horses and the weight of a harvest. Some of his canvases hold specific moments of labor or rest:
- Wildpferde in der ungarischen Puszta (1897)
- Hungarian horse-drawn carts at harvest time
- Flock of Sheep Returning Home (1895)
- Potato harvest
Beyond the canvas, he spent much of his time translating words into images. He provided illustrations for several novels, including works by Carmen Sylva, Gabriele D'Annunzio, and Géza Gárdonyi. His gouache drawings appeared regularly in magazines such as Vasárnapi Ujság, Új Idők, and Magyar Salon.
A lasting presence in the collections
The work of Pataky remains held in places like the Hungarian National Gallery. His career was marked by retrospective exhibitions, such as those organized by the Guild of St. George in 1913 and the Hall of Art in 1918. These gatherings allowed for a final look at his contributions to the depiction of Hungarian life before he passed away in Alvinc in 1912.