Ažurirano Listopad 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 355 djela Philips Wouwerman u našem katalogu
Sažetak
Prema ovom rangiranju, The Riding School (1660) je najpoznatije djelo umjetnika Philips Wouwerman; nalazi se u muzeju Rijksmuseum u gradu Amsterdam. Nakon toga slijede A Man and a Woman on Horseback (detail) (1653) i Blacksmith shoeing a horse (1650). Ovaj popis temelji se na 355 djela umjetnika Philips Wouwerman u katalogu i bilježi 100 najpoznatijih, uz datum, muzej u kojem se nalaze i opis za svaki unos.
The Riding School is an oil painting by Philips Wouwerman. Executed about 1658–1660, the work captures a specific moment of equestrian activity within a courtyard setting. The scene focuses on the discipline of dressage and the physical presence of horses during training.
To gaze upon this detail from A Man and a Woman on Horseback is to step directly into the vibrant, yet quietly reflective, heart of 17th-century Dutch life. It is more than just a depiction of travelers along a dusty road; it is a meticulously composed meditation on movement, community, and the enduring rhythm of commerce that once defined this remarkable nation. The scene unfolds with an almost documentary precision,…
In this 1650 oil on canvas, we find ourselves drawn into a quiet, heavy atmosphere of the Dutch Golden Age. The scene is set under a turbulent sky, where light breaks through heavy, silvery clouds to cast a sudden, sharp spotlight upon a central group of horses and figures. This light creates a dramatic chiaroscuro, pulling the viewer's eye toward the immediate, tactile reality of the blacksmith at work. There…
Dust motes dance in a single, piercing beam of light that cuts through the heavy gloom of a Dutch stable. The air feels thick, weighted by the scent of hay and the warmth of breathing animals. Inside this dim enclosure, the architecture of heavy, dark wooden beams frames a scene of quiet, rhythmic labor. A large, shadowed interior occupies the upper two-thirds of the space, pressing down with a sense…
The oil on canvas titled Falconers setting out on a Hunt (‘Partida de cetrería') captures a moment of preparation. Philips Wouwerman rendered this scene with a steady hand, fixing the figures and their horses within a wide, atmospheric landscape. The work dates to ca. 1668, a period when the artist was deeply immersed in the textures of the Dutch Golden Age.
Philips Wouwerman's "Skirmish of Horsemen between Orientals and Imperials," painted around 1550-60s, isn’t merely a depiction of battle; it’s a visceral plunge into the heart of conflict. This dynamic Baroque masterpiece, now housed within the Louvre Museum in Paris, captures a moment of intense chaos and brutal beauty, offering a compelling glimpse into the military strategies and societal tensions of its era. The painting immediately assaults the viewer with its…
We are looking at Elegant hunting company departing from a country estate, a work by the Dutch artist Philips Wouwerman. This oil on panel composition captures a specific moment of aristocratic preparation, a theme the artist returned to with great frequency. It is often referred to in various collections as The Departure for the Hunt or simply Departing for the Hunt. Depending on the historical catalog or the specific collection,…
is an oil on panel painting by the artist Philips Wouwerman. This work originated in Haarlem and is dated to 1651. The piece is currently held in the Hermitage Museum, where it is cataloged under the accession number ГЭ-852.
The composition of this 1643 oil painting is defined by an asymmetrical balance between a heavy, dark wooden structure on the right and an expansive, luminous sky on the left. A large, dark building occupies the right side of the frame, its rough wooden textures rendered with fine brushwork. To the left, the sky opens into a vast space filled with soft, pale clouds. A low sun, positioned behind these…
Wagons in a Barn is a painting by Philips Wouwerman. Created about 1651, this oil on canvas work depicts a bustling scene of travelers and livestock sheltered within the dim interior of a large barn or stable. The composition focuses on a variety of figures tending to horses, wagons, and livestock during a moment of rest.
The bucking gray1650 · Rijksmuseum
12
Arrival at the Quarters1643 · Bavarske državne slikopisne zbirke
13
Stop Before an Inn1643 · Bavarske državne slikopisne zbirke
14
Departure for Falconry1643 · Bavarske državne slikopisne zbirke
15
The Ford1643 · Bavarske državne slikopisne zbirke
16
Cavalry Skirmish1643 · Bavarske državne slikopisne zbirke
17
Bloody Fight1643 · Bavarske državne slikopisne zbirke
18
The Annunciation to the Shepherds1647 · National Gallery of Ireland
19
The annunciation to the shepherds1648
20
The annunciation to the shepherds1645
21
Landing a Boat1645 · Wallace Collection
22
Spaens heydinnetje1646 · Kunsthandel P. de Boer
23
Robbers Attacking a Post-chaise1644 · Liechtenstein Museum
24
A Farrier's Shop1640
25
Farrier Shoeing a Horse1647 · Villa Vauban
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Dismounted Rider1643 · Bavarske državne slikopisne zbirke
27
Falconer before Riding Out1643 · Bavarske državne slikopisne zbirke
28
Peasants Resting1647 · Bavarske državne slikopisne zbirke
29
'The Departure from the Stable'1665 · Mauritshuis
30
horse + people in front of a house1647
31
Halt of Cavaliers at an Inn1642 · Dulwich Picture Gallery
32
Outside an Inn1645 · Statens Museum For Kunst
33
Resting Hunters1645 · Mauritshuis
34
"Riding School"1644
35
landscape with hunting party1644
36
the forge1644
37
Horseman at an inn + landscape1644
38
Landscape with Wood Gatherers1647 · Harvard Art Museums
39
Two Unbridled Horses by the River1655 · Bavarske državne slikopisne zbirke
40
Departure for the Hunt at the Foot of a Palace or Departure for the Bird Hunt1650
41
Departure for Falconry1650
42
The Outdoor Manege1650
43
Soldiers on Horseback Halting Before the Inn-Tent of a Female Tavern Keeper1650
44
Stop of Soldiers Making Their Horses Drink1650
45
Hay Cart and Peasants by a River, Receiving Vegetables Brought in a Boat1650
46
Rest of Horsemen1650
47
Conjurors1660
48
Landscape with Cavalrymen Crossing a Ford and Peasants taking Refreshment from a Wagon1660
49
A Peasant Saluting a Sportsman1649
50
Returning from Market1660
51
An Italianate Landscape with Bathers swimming in a River and a Party of Men unloading a Vessel1655
52
Robbers attacking Peasants in a Wagon1650
53
Winter Scene1655
54
Cavalry Halted at a Sutler's Tent1655 · National Gallery of Ireland
55
Armed Riders in Front of an Inn1660 · Städel Museum
56
Stable with Three Horses1656 · Städel Museum
57
Riders at a Blacksmith's1652 · Städel Museum
58
A Sportsman flirting with a Milkmaid1655 · Kraljevski muzeji lijepih umjetnosti Belgije
59
Soldiers Carousing with a Serving Woman outside a Tent1655 · Detroit Institute of Arts
60
Cavalry on the move, a fortification under siege beyond1660
61
Camp with Cavalry at a Sutler's Booth1660
62
A Cavalry Fight1660
63
Grooms watering their horses1660 · Kunsthandel P. de Boer
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A Hawking Party at a Fountain1660
65
The Importunate Groom1650 · Philadelphia Museum of Art
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A Camp Scene1655 · Wallace Collection
67
By the Riverside1655 · Wallace Collection
68
Shoeing a Horse1655 · Wallace Collection
69
Landscape with lunch pause1658 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe
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Landscape with hunters1654 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe
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Landscape with peasants and a horse1650 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe
72
Soldiers with Prisoners in a Landscape1660 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe
73
The Miseries of War1653
74
A Hawking Party setting out1660 · Ascott House
75
The Sutler's Booth1650
76
A Cavalier Embraces a Girl1660 · Staatliche Kunstsammlungen Dresden
77
Landscape with Figures1652
78
A Horseman in the Inn-Yard1649 · Staatliche Kunstsammlungen Dresden
79
The Trumpeter Sounding a Call before a Sutler's Booth1650 · Staatliche Kunstsammlungen Dresden
80
Harnessing a Grey Horse1650 · Staatliche Kunstsammlungen Dresden
81
Cavaliers in Front of the Hill Smithy1650 · Staatliche Kunstsammlungen Dresden
82
Cavalry Battle before a Hill Fort1650 · Staatliche Kunstsammlungen Dresden
83
A hunting party halting at an inn1656
84
Rural Scene1650 · Eva Klabin House Museum
85
The Riding School1650 · Ermitaž
86
A Hawking Party Resting outside an Inn1656 · National Trust Waddesdon Manor
87
Landscape with three horses, horsemen and bathers near a river1650
88
Rest for Falconers1655 · Herzog Anton Ulrich Museum
89
Riders halting at a Lakeside Inn1650
90
Soldiers and Horses at a Sutler's Tent1650
91
Starting for the Chase1660 · Gemäldegalerie
92
Riders Halting at an Inn1661 · Musée Fabre
93
Horse Fair near an Inn1661 · Musée Fabre
94
Huntsmen Halting at an Inn1650 · Richard Green Fine Paintings
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Stable Interior1660 · Staatliche Kunstsammlungen Dresden
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Travelers Halting1660
97
Conversion of St Hubert1660
98
A Mare and a Stallion in Front of a House1655
99
Horses Rearing in an Open Landscape1655
100
Thisbe committing suicide on the body of Pyramus1657
Četiri najčešće zastavljena motiva među ovim djelima, od kojih svako ima svoj najpoznatiji primjer.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Philips Wouwerman | Slike iz ovog popisa |
|---|---|---|---|
 Bavarske državne slikopisne zbirke |
München | 28 | Equestrian Track, Arrival at the Quarters, Stop Before an Inn |
 Staatliche Kunstsammlungen Dresden |
Dresden | 15 | A Cavalier Embraces a Girl, A Horseman in the Inn-Yard, The Trumpeter Sounding a Call before a Sutler's Booth |
 Rijksmuseum |
Amsterdam | 15 | The Riding School, Blacksmith shoeing a horse, A stable |
 Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe |
Kassel | 11 | Landscape with lunch pause, Landscape with hunters, Landscape with peasants and a horse |
 Wallace Collection |
London | 7 | Landing a Boat, A Camp Scene, By the Riverside |
 Städel Museum |
Frankfurt | 4 | Armed Riders in Front of an Inn, Stable with Three Horses, Riders at a Blacksmith's |
 Mauritshuis |
Haag | 9 | 'The Departure from the Stable', Resting Hunters |
 Ermitaž |
Sankt Peterburg | 6 | Trumpeters at the Camp, The Riding School |
Odaberite desetljeće kako biste prikazali njegovo glavno djelo.
The composition of this 1643 oil painting is defined by an asymmetrical balance between a heavy, dark wooden structure on the right and an expansive, luminous sky on the left. A large, dark building occupies the right side of the frame, its rough wooden textures rendered with fine brushwork. To the left, the sky opens into a vast space filled with soft, pale clouds. A low sun, positioned behind these…
To gaze upon this detail from A Man and a Woman on Horseback is to step directly into the vibrant, yet quietly reflective, heart of 17th-century Dutch life. It is more than just a depiction of travelers along a dusty road; it is a meticulously composed meditation on movement, community, and the enduring rhythm of commerce that once defined this remarkable nation. The scene unfolds with an almost documentary precision,…
The Riding School is an oil painting by Philips Wouwerman. Executed about 1658–1660, the work captures a specific moment of equestrian activity within a courtyard setting. The scene focuses on the discipline of dressage and the physical presence of horses during training.
The Riding School (1660), Rijksmuseum, Amsterdam. Sljedeći unosi su A Man and a Woman on Horseback (detail) (1653) i Blacksmith shoeing a horse (1650).
41 godina: Philips Wouwerman je rođen/a 1619, a djelo The Riding School datira iz 1660.
The Riding School, A Man and a Woman on Horseback (detail), Blacksmith shoeing a horse, A stable, Falconers setting out on a Hunt, Skirmish of Horsemen between Orientals and Imperials, Elegant hunting company departing from a country estate, Trumpeters at the Camp, Equestrian Track i Wagons in a Barn. Gornji popis sadrži datum i muzej u kojem se nalazi svako od njih.
Katalog bilježi 355 djela umjetnika Philips Wouwerman, datiranih između 1640 i 1665.
Prvenstveno u Bavarske državne slikopisne zbirke (München), Staatliche Kunstsammlungen Dresden (Dresden) i Rijksmuseum (Amsterdam). Gornja tablica muzeja prikazuje cjelokovitu distribuciju.
U razdoblju 1650s: 49 od 100 djela navedenih na ovoj stranici datira iz tog razdoblja, uključujući A Man and a Woman on Horseback (detail).
Najraniji datirani rad na ovoj listi je A Farrier's Shop (1640), a najnoviji je Falconers setting out on a Hunt (1665).
Horse (8), People (8) i Sky (8) od ukupno 100 djela navedenih na ovoj stranici.
Oil On Canvas, u 6 od 100 djela navedenih na ovoj stranici.
Baroque i Dutch golden age, kao što je dokumentirano djelima na ovoj stranici.
Equestrian Track, Arrival at the Quarters i Stop Before an Inn su među 11 djela na ovoj stranici u kolekciji muzeja Bavarske državne slikopisne zbirke, München.
Da. Svako djelo navedeno na ovoj stranici može se naručiti putem vlastitog unosa kao ručno oslikana uljana reprodukcija ili kao umjetnička štampa, u veličini po vašem izboru.
Philips Wouwerman, rođen u Haarlemu 1619. godine, bio je nizozemski slikar Zlatnog doba čiji su radovi očaravali publiku svojim živopisnim prikazima lova, pejzaža i bitaka. Njegov otac, Pouwels Joostsz Wouwerman, također slikar, iako manje poznat od svog sina, bio je njegov prvi učitelj i inspiracija. Detalji o ranom umjetničkom obrazovanju Philipsa su oskudni, no vjeruje se da je pohađao radionicu Fransa Halsa, istaknutog portretista iz Haarlema. Iako stil Halsa nije ostavio snažan trag na njegov kasniji rad, temeljna obuka nesumnjivo mu je bila dragocjena. U ranim fazama svoje karijere, Wouwerman je bio pod utjecajem tradicije *bamboccianti*, posebno djela Pietera van Laera, usvajajući njihovu fokusiranost na svakodnevni život i žanrovske scene.
Wouwermanov stil se postupno razvijao tijekom 1640-ih godina. U njegovim ranim radovima, oponašajući *bambocciante*, pojavljuju se prikazi svakodnevnog života. Karakteristični element kompozicije koji je postajao sve izraženiji bio je dijagonalni nagib terena često popraćen drvetom koje služi kao repoussoir – tehnikom za stvaranje dubine u slici. Figure, često u pratnji konja, naseljavale su te scene. Sredinom 1640-ih godina, Wouwerman je razvio prepoznatljiv stil i proširio svoj tematski opseg. Počeo je slikati žanrovske prizore, pejzaže s putnicima, bitke konjice, vojne logore i svečane skupove seljaka. Njegova iznimna vještina u prikazivanju konja različitih pasmina u dinamičnom pokretu postala je njegov zaštitni znak. Povjesničar umjetnosti Frederik J. Duparc ga je nazvao “nesumnjivo najuspješnijim nizozemskim slikarom konja 17. stoljeća”. Njegovi kasniji radovi odlikuju se prigušenim bojama, hladnom atmosferom i pedantnom pažnjom prema detaljima, stvarajući duhovite i anegdotske priče unutar svojih scena. Često je kombinirao zamišljene južne pejzaže s izrazito nizozemskom atmosferom.
Wouwermanov rad nije nastao u vakuumu; bio je pod utjecajem različitih umjetnika i pokreta. Rano mu je inspiraciju pružao Pieter van Laer, a kasnije su na njega utjecali i Jan Wijnants i Frans Hals. Međutim, Wouwerman je brzo razvio vlastiti prepoznatljiv stil koji ga je odvojio od njegovih prethodnika. Njegov utjecaj bio je značajan na mnoge umjetnike koji su došli poslije njega. Među njima se ističu Jan van Huchtenburgh, braća Jan Frans i Joseph van Bredael te Carel van Falens. Ti umjetnici usvojili su Wouwermanovu tehniku i tematski opseg, ali su također razvili vlastite jedinstvene stilove. Njegova obitelj također je dala nizozemskoj umjetnosti značajan doprinos; braća Jan (1629-1666) i Pieter (1623-1682) bili su također slikari, često pogrešno pripisivani Philipsu u ranim katalogima. Iako je Pieterov rad jasno odražavao utjecaj Philipsa, razvio je prepoznatljiv stil, dok se Jan istaknuo kao autonomni slikar pejzaža.
Wouwermanovi su radovi bili iznimno traženi tijekom njegovog života i nastavili su stjecati popularnost u 18. stoljeću. Njegove slike našle su put u istaknute zbirke diljem Europe, uključujući one kneževskih kuća u Dresdenu i Sankt Peterburgu, što svjedoči o širokoj divljenju prema njegovoj umjetnosti. Bio je iznimno plodan slikar; rani katalozi navode oko 800 radova pripisanih njemu, da bi se kasnije taj broj popeo na više od 1200. Nedavni katalog raisonné (Schumacher, 2006.) identificira otprilike 570 autentičnih djela, priznajući brojne sljedbenike i imitatore koji su stvarali radove u njegovom stilu. Wouwerman je bio aktivni član Haarlemske cehovske udruge St. Lukea, obavljajući nekoliko službenih funkcija unutar nje. Osim umjetničkih pothvata, služio je i kao agent za nekretnine u Haarlemu, što odražava njegov angažman u javnom životu. Philips Wouwermanov doprinos nizozemskom Zlatnom dobu leži u njegovoj sposobnosti da uhvati širok raspon scena – od užurbanih tržnica i lovačkih ekspedicija do dramatičnih bojišta i mirnih pejzaža – s iznimnom preciznošću i dinamikom. Njegovo majstorstvo u prikazivanju konja, u kombinaciji s njegovim oštrim okom za anegdotsko pripovijedanje, učvrstilo je njegovo mjesto kao jednog od najslavljenijih i utjecajnih slikara svog vremena.
