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Sažetak
Slumbering sea, Mentone (1887) se smatra najpoznatijim djelom umjetnika Tom Roberts; u posjedu ga je National Gallery of Victoria, Melbourne. Self portrait (1924) i Portrait of Louis Abrahams (1886) zauzimaju drugo i treće mjesto. Od 40 djela umjetnika Tom Roberts zabilježenih u katalogu, ovih je 40 najpoznatijih navedeno u nastavku, uz datum nastanka, muzej u kojem se nalaze i napomenu o svakom djelu.
“Slumbering Sea, Mentone,” painted in 1887 by Tom Roberts, is more than just a depiction of a coastal scene; it's a carefully constructed meditation on light, color, and the burgeoning sense of national identity within Australia. This work, housed at the National Gallery of Victoria, offers a captivating glimpse into the heart of the Heidelberg School’s artistic philosophy – a movement that sought to capture the unique spirit of the…
In this intimate oil on canvas, the artist Tom Roberts presents a "Self portrait" that offers a quiet moment of introspection. Created about 1924, the work captures the artist in his later years, presenting the subject as an elderly man. It is a bust-length portrait, focusing the viewer's attention on the character and presence of the sitter rather than his surroundings.
Portrait of Mrs Tom Roberts – A Window Into Heidelberg Impressionism Elizabeth Sarah (Lillie) Roberts (née Williamson), born in Dorchester, England on March 8th, 1860, was more than just a wife; she was an artist herself—a fellow traveler on the path to capturing the sublime beauty of Australia. Alongside her husband, Tom Roberts, she established a home at Kallista, nestled amongst the eucalyptus groves of Victoria’s Dandenongs, and became one…
To gaze upon Tom Roberts' "Andante" is to step into a moment suspended in time—a quiet chamber where the only sound seems to be the gentle, melancholic spill of music. This evocative scene captures a man absorbed in the act of playing the piano, his posture suggesting both deep concentration and profound contentment. The composition itself draws the viewer inward, inviting them to share in this private performance. It is…
In the delicate interplay of shadow and soft illumination, Gray day in spring, Venice emerges as a breathtaking window into a bygone era. Painted by the Australian master Tom Roberts in 1884, this expansive work transports the viewer to the winding canals of Italy during that fleeting, magical hour when dusk begins to settle over the Adriatic. The scene is not merely a depiction of architecture, but an atmospheric study…
In the quiet, rhythmic labor of Turning the soil (Sketch for The charcoal burners), we find a profound meditation on the relationship between humanity and the land. Created in 1886 by the visionary Australian Impressionist Tom Roberts, this preparatory sketch serves as a soulful window into a moment of shared toil. The scene unfolds with three figures embedded within a rugged landscape, their bodies engaged in the heavy, essential task…
Sir William Charles Windeyer1892 · National Portrait Gallery
12
James T. Donovan1892 · National Portrait Gallery
13
Mrs Lucy Scot Skirving1898 · Art Gallery of New South Wales
14
Percy F.S. Spence1896 · Art Gallery of New South Wales
15
Portrait of George Selth Coppin1895 · National Portrait Gallery
16
Sir James Reading Fairfax1898 · National Portrait Gallery
17
Hutt Valley1900 · Museum of New Zealand Te Papa Tongarewa
18
In Quarantine, Wellington1900 · Museum of New Zealand Te Papa Tongarewa
19
Mrs W.A.B. Greaves1899 · Art Gallery of New South Wales
20
Edward TrenchardNational Gallery of Victoria
21
Roses1911 · Art Gallery of New South Wales
22
Thames bargesArt Gallery of New South Wales
23
The first basin1913
24
Sherbrooke Forest1924 · Art Gallery of New South Wales
25
An autumn morning, Milson1888 · Art Gallery of New South Wales
26
Harbourscape1890 · National Gallery of Australia
27
Circular Quay1989
28
Holiday sketch at Coogee1888 · Art Gallery of New South Wales
29
Cloud studyNational Gallery of Victoria
30
Washing day KallistaArt Gallery of New South Wales
31
Grey lady (Mrs Ince)Art Gallery of New South Wales
32
Storm at seaArt Gallery of New South Wales
33
Opening of the first Parliament of the Australian Commonwealth, 9th May 19011903 · National Portrait Gallery
34
Shearing the rams1890 · National Gallery of Victoria
35
The Big Picture1903 · Royal Collection
36
Coming South1886 · National Gallery of Victoria
37
Bailed up1927 · Art Gallery of New South Wales
38
In a corner on the Macintyre1895 · National Gallery of Australia
39
Rejected1883
40
The Temple of Dendera, Upper Egypt1841 · Bristol Museum - Art Gallery
Četiri najčešće zastavljena motiva među ovim djelima, od kojih svako ima svoj najpoznatiji primjer.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Tom Roberts | Slike iz ovog popisa |
|---|---|---|---|
 Art Gallery of New South Wales |
Sydney | 15 | Self portrait, Adagio, Fog, Thames Embankment |
 National Portrait Gallery |
Canberra | 7 | Practising the Minuet (Miss Hilda Spong), Portret gospođe Tom Roberts, Sir William Charles Windeyer |
 National Gallery of Victoria |
Melbourne | 5 | Slumbering sea, Mentone, Edward Trenchard, Cloud study |
 National Gallery of Australia |
Canberra | 4 | Gray day in spring, Venice, Turning the soil (Sketch for The charcoal burners), Harbourscape |
 Museum of New Zealand Te Papa Tongarewa |
Wellington | 2 | Hutt Valley, In Quarantine, Wellington |
 Art Gallery of South Australia |
Adelaide | 1 | Andante |
 Royal Collection |
London | 1 | The Big Picture |
 Bristol Museum - Art Gallery |
Bristol | 1 | The Temple of Dendera, Upper Egypt |
Odaberite desetljeće kako biste prikazali njegovo glavno djelo.
“Slumbering Sea, Mentone,” painted in 1887 by Tom Roberts, is more than just a depiction of a coastal scene; it's a carefully constructed meditation on light, color, and the burgeoning sense of national identity within Australia. This work, housed at the National Gallery of Victoria, offers a captivating glimpse into the heart of the Heidelberg School’s artistic philosophy – a movement that sought to capture the unique spirit of the…
Portrait of Mrs Tom Roberts – A Window Into Heidelberg Impressionism Elizabeth Sarah (Lillie) Roberts (née Williamson), born in Dorchester, England on March 8th, 1860, was more than just a wife; she was an artist herself—a fellow traveler on the path to capturing the sublime beauty of Australia. Alongside her husband, Tom Roberts, she established a home at Kallista, nestled amongst the eucalyptus groves of Victoria’s Dandenongs, and became one…
In this intimate oil on canvas, the artist Tom Roberts presents a "Self portrait" that offers a quiet moment of introspection. Created about 1924, the work captures the artist in his later years, presenting the subject as an elderly man. It is a bust-length portrait, focusing the viewer's attention on the character and presence of the sitter rather than his surroundings.
Slumbering sea, Mentone (1887), National Gallery of Victoria, Melbourne. Sljedeći unosi su Self portrait (1924) i Portrait of Louis Abrahams (1886).
31 godina: Tom Roberts je rođen/a 1856, a djelo Slumbering sea, Mentone datira iz 1887.
Slumbering sea, Mentone, Self portrait, Portrait of Louis Abrahams, Adagio, Practising the Minuet (Miss Hilda Spong), Portret gospođe Tom Roberts, Andante, Gray day in spring, Venice, Turning the soil (Sketch for The charcoal burners) i Fog, Thames Embankment. Gornji popis sadrži datum i muzej u kojem se nalazi svako od njih.
Katalog bilježi 40 djela umjetnika Tom Roberts, datiranih između 1883 i 1927.
Prvenstveno u Art Gallery of New South Wales (Sydney), National Portrait Gallery (Canberra) i National Gallery of Victoria (Melbourne). Gornja tablica muzeja prikazuje cjelokovitu distribuciju.
U razdoblju 1890s: 12 od 40 djela navedenih na ovoj stranici datira iz tog razdoblja, uključujući Adagio.
Najraniji datirani rad na ovoj listi je Rejected (1883), a najnoviji je Bailed up (1927).
Landscape (6), Australia (4) i Boats (3) od ukupno 40 djela navedenih na ovoj stranici.
Oil On Canvas, u 5 od 40 djela navedenih na ovoj stranici.
Impressionism i Australian impressionism, kao što je dokumentirano djelima na ovoj stranici.
Self portrait, Adagio i Fog, Thames Embankment su među 15 djela na ovoj stranici u kolekciji muzeja Art Gallery of New South Wales, Sydney.
Da. Svako djelo navedeno na ovoj stranici može se naručiti putem vlastitog unosa kao ručno oslikana uljana reprodukcija ili kao umjetnička štampa, u veličini po vašem izboru.
