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Jacques Lipchitz I dipinti più popolari

The 20 artworks by Jacques Lipchitz our visitors ask for most, ranked by popularity and presented one by one, with the specification and the price of each hand-painted reproduction.

Edition 2026 · 20 artworks Each artwork painted to order
Tela in lino · Certificato di autenticità · Spedizione in tutto il mondo Jacques Lipchitz · 1891 – 1973

Figura seduta

1917 · Art Institute of Chicago, Chicago

Scopri Seated Figure di Jacques Lipchitz, scultura cubista del 1917. Esplora l'astrazione geometrica di questo capolavoro in pietra.

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Figura

1930 · Museum of Modern Art, New York City

Scopri la visione frammentata dell'umanità nella scultura cubista di Lipchitz del 1930. Acquista questo capolavoro di forma e movimento.

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Bellerophon Taming Pegasus: Large Version

1964 · Kemper Museum of Contemporary Art, Kansas City

A powerful sculptural depiction of Bellerophon Taming Pegasus by Jacques Lipchitz captures a dynamic moment of mythic struggle through modern form, inviting you to explore this masterpiece of 20th-century art.

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The Man with the Mandolin

1917 · Yale University Art Gallery, New Haven

Inspired by Dziga Vertov's film ‘Man With A Movie Camera’, Lipchitz’s sculpture embodies the spirit of experimentation and challenges conventional artistic perspectives.

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Arlequin et clarinette

Museum Folkwang, Essen

Jacques Lipchitz's 'Arlequin et clarinette' is a striking bronze sculpture embodying Cubist abstraction with its fragmented forms and dynamic composition, capturing a musician’s focused expression.

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Variation on the Theme of Last Embrace (Salvataggio) III

1972 · Museo Guggenheim Bilbao, Bilbao · original 32 x 67 cm

Explore Jacques Lipchitz’s "Variation on the Theme of Last Embrace." This 1972 drawing exemplifies his expressive line work & explores themes of intimacy & tension. Guggenheim Bilbao.

Tecnica: Olio dipinto a mano su tela di lino
Realizzato da: Su ordinazione, realizzato da un pittore professionista
Popularity: No. 6 of 25 artworks by Jacques Lipchitz
Consegna: In tutto il mondo, circa 5 settimane

from$20236 × 28 cm Commission this artwork

Same size as the original$23667 × 32 cm Commission at original size

Lotta di Giacobbe con l'angelo, (1932)

Ammira 'Lotta di Giacobbe con l'angelo' di Jacques Lipchitz, scultura in bronzo che cattura la lotta biblica attraverso forme dinamiche e texture magistrale. Un capolavoro del maestro cubista.

Tecnica: Olio dipinto a mano su tela di lino
Realizzato da: Su ordinazione, realizzato da un pittore professionista
Popularity: No. 7 of 25 artworks by Jacques Lipchitz
Consegna: In tutto il mondo, circa 5 settimane

from$17727 × 37 cm Commission this artwork

Untitled (173)

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Popularity: No. 8 of 25 artworks by Jacques Lipchitz
Consegna: In tutto il mondo, circa 5 settimane

from$17733 × 30 cm Commission this artwork

Sedici muz s kytarou i, (1918)

Tecnica: Olio dipinto a mano su tela di lino
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Popularity: No. 9 of 25 artworks by Jacques Lipchitz
Consegna: In tutto il mondo, circa 5 settimane

from$17725 × 40 cm Commission this artwork

Lutte de jacob avec l'ange, (2) (1932)

Tecnica: Olio dipinto a mano su tela di lino
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Popularity: No. 10 of 25 artworks by Jacques Lipchitz
Consegna: In tutto il mondo, circa 5 settimane

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Untitled (328)

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Popularity: No. 11 of 25 artworks by Jacques Lipchitz
Consegna: In tutto il mondo, circa 5 settimane

from$17731 × 33 cm Commission this artwork

Untitled (764)

Tecnica: Olio dipinto a mano su tela di lino
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Popularity: No. 12 of 25 artworks by Jacques Lipchitz
Consegna: In tutto il mondo, circa 5 settimane

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Untitled (491)

Tecnica: Olio dipinto a mano su tela di lino
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Popularity: No. 13 of 25 artworks by Jacques Lipchitz
Consegna: In tutto il mondo, circa 5 settimane

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Untitled (682)

Explore Jacques Lipchitz’s Untitled (682), a striking Cubist sculpture in dark stone. Discover its fragmented form & emotional depth – a key work by the Lithuanian artist.

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Popularity: No. 14 of 25 artworks by Jacques Lipchitz
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Still Life

1918 · original 70 x 48 cm

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Popularity: No. 15 of 25 artworks by Jacques Lipchitz
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Same size as the original$24748 × 70 cm Commission at original size

Lutte de jacob avec l'ange, (3) (1932)

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Popularity: No. 16 of 25 artworks by Jacques Lipchitz
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Le chant des voyelles, cast (1948)

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Popularity: No. 17 of 25 artworks by Jacques Lipchitz
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Untitled (582)

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Popularity: No. 18 of 25 artworks by Jacques Lipchitz
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Untitled (692)

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Popularity: No. 19 of 25 artworks by Jacques Lipchitz
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Untitled (777)

Tecnica: Olio dipinto a mano su tela di lino
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Popularity: No. 20 of 25 artworks by Jacques Lipchitz
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The artist

Jacques Lipchitz

1891 – 1973

Informazioni rapide

Works on APS25
Died1973
Room fitzona living
Topics exploredsculpture, geometric form
Museums on APSYale University Art Gallery, Art Institute of Chicago, Museum Folkwang, Museum of Modern Art, Museo Guggenheim Bilbao
Top 3 worksFigura seduta, Figura, Bellerophon Taming Pegasus: Large Version
Also known asLipchitz, Chaim Jacob Lipchitz, Jacques Lipschitz, Zák Lifshits, Jakoff Lipschitz
NationalityLituania

Biography

A Life Sculpted by Change: The Journey of Jacques Lipchitz

Jacques Lipchitz’s artistic odyssey began in Druskininkai, Lithuania, where he was born in 1891 into a family steeped in Litvak Jewish tradition. His father, a builder, instilled in him an appreciation for craftsmanship and precision—qualities that would profoundly shape his sculptural practice. Early studies at the École des Beaux-Arts and the Académie Julian in Paris exposed him to the burgeoning avant-garde movement, fostering connections with fellow artists like Juan Gris, Pablo Picasso, and Amedeo Modigliani – figures who would become crucial mentors and collaborators. These formative years witnessed Lipchitz’s embrace of Cubism, a revolutionary approach championed by Picasso and Braque that challenged conventional notions of perspective and representation. He skillfully adapted this stylistic paradigm to sculpture, prioritizing geometric abstraction while retaining hints of recognizable form—a distinction that cemented his reputation as a singular innovator within the School of Paris.

The Crystallization of Form: Lipchitz and Cubist Sculpture

Lipchitz didn’t merely replicate painting in three dimensions; he fundamentally reimagined it. Unlike many artists of his time who sought to translate visual concepts into sculptural equivalents, Lipchitz wrestled with how to express multiple viewpoints simultaneously within a single piece. His sculptures weren't simply fragmented representations of objects—they were explorations of spatial relationships and dynamic compositions. He meticulously crafted facetted surfaces that refracted light, creating an illusion of depth and movement—a technique directly influenced by Picasso’s pioneering experiments with Cubist sculpture. Works like “Acrobat on Horseback” exemplify this approach, demonstrating Lipchitz's mastery of bronze casting and his ability to convey a sense of theatrical grandeur through geometric abstraction. The resulting sculptures possessed a palpable energy, capturing the essence of Cubism’s core principles while maintaining an undeniable human presence.

Influences and Artistic Evolution

Picasso undoubtedly served as Lipchitz’s primary artistic inspiration, particularly during the initial stages of his Cubist exploration. However, Lipchitz wasn't solely reliant on Picasso’s vision; he drew upon influences from other artists—including Constantin Brâncuși—whose monumental sculptures championed simplicity and spiritual contemplation. These encounters broadened Lipchitz’s aesthetic horizons and encouraged him to push beyond stylistic conventions. As the years passed, Lipchitz gradually moved away from the overtly geometric forms of Crystal Cubism toward a more lyrical style characterized by softer contours and expressive textures. This evolution reflected his deepening engagement with humanist themes—particularly those rooted in Jewish tradition—and foreshadowed his later artistic endeavors.

Major Achievements and Recognition

Jacques Lipchitz achieved international acclaim for his sculptural contributions to the modernist canon. His monumental sculptures, notably “Birth of the Muses” (commissioned in memory of Jerome Wiesner), stand as enduring symbols of artistic ambition and intellectual rigor. These works captivated audiences worldwide with their evocative imagery and masterful execution—testaments to Lipchitz’s unparalleled skill as a sculptor. Furthermore, his prolific output spanned across various mediums—including bronze, stone, and ceramic—demonstrating his versatility and unwavering commitment to experimentation. He was honored with numerous awards and accolades throughout his career, cementing his place among the most celebrated artists of the 20th century.

Legacy and Remembrance

Jacques Lipchitz’s influence extended far beyond his own lifetime. His sculptural innovations profoundly impacted subsequent generations of artists—inspiring them to embrace abstraction while retaining a sensitivity to human emotion. He established Bozio, a Tuscan villa dedicated to Jewish summer camp activities, ensuring that his artistic legacy would continue to inspire young minds and foster intercultural understanding. Lipchitz’s unwavering belief in the transformative power of art—coupled with his profound connection to his heritage—served as an enduring testament to the humanist values he championed throughout his life. He remains a pivotal figure in the history of modern sculpture, remembered not only for his groundbreaking stylistic achievements but also for his steadfast dedication to artistic integrity and intellectual curiosity.

Domande e risposte

A quale periodo storico appartiene l'opera di Jacques Lipchitz?

Jacques Lipchitz ha operato nel periodo Età Moderna, collocando storicamente la sua attività.

Di dove è Jacques Lipchitz?

Jacques Lipchitz è nato/a in Lituania.

È disponibile un elenco completo delle opere di Jacques Lipchitz?

Tutte le opere di Jacques Lipchitz presenti su questo sito web sono consultabili nella pagina Tutte le opere dell'artista.

A cura del team editoriale di WikiOO.org Aggiornato il 01 Settembre 2026

Quiz per collezionisti

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due Dipingiamo e inviamo un'anteprima

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tre Consegnato, certificato

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