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Snuffbox with genre scenes

In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some merchants advertising new boxes with each change of season. The popularity of snuffboxes extended to all levels of society, and for those who could not afford gold, boxes were produced in less expensive materials such as silver, tortoiseshell, porcelain, or domestically produced lacquer.

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Dove posso trovare opere d'arte simili a "Snuffbox with genre scenes" di Jean Ducrollay?

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Per quale motivo lo stato del copyright di "Snuffbox with genre scenes" è questo?

"Snuffbox with genre scenes" di Jean Ducrollay è di di pubblico dominio - il copyright è scaduto. La durata del copyright decorre dalla morte dell'artista, avvenuta nel 1787.

Che età aveva Jean Ducrollay quando ha realizzato "Snuffbox with genre scenes"?

Jean Ducrollay ha realizzato "Snuffbox with genre scenes" all'età di 49. L'artista è nato nel 1709 e l'opera risale al 1758.

Jean Ducrollay (1709 – 1787)

Scopri gli squisiti lavori in oro francesi del XVIII secolo di Jean Ducrollay! Maestro orefice noto per la lacca giapponese e splendide scatole da tabacco. Esplora la sua eredità su WikiOO.org.

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